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What's Wrong with True Crime?

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Manage episode 512365345 series 239
Inhalt bereitgestellt von WNYC Studios. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von WNYC Studios oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

This week, “Monster: The Ed Gein Story” is the most watched show on Netflix. It’s a dramatized retelling of the life of the serial killer who inspired “Psycho” and “The Texas Chainsaw Massacre.” The “Monster” franchise, which includes two earlier seasons about Jeffrey Dahmer and Lyle and Erik Menendez, is one of Netflix’s splashiest hits – the Dahmer season is still the fourth-most viewed English language show in the history of the platform. And the true crime obsession only grows each year. On Netflix last year, 15 of the top 20 documentaries were true crime docs, compared to just six in 2020.

But what does it mean for the subjects of these documentaries, that Americans endlessly crave stories about murder and bloodshed and terror? John J. Lennon is a contributing editor for Esquire and writes frequently for New York Review of Books and the New York Times. This week, he spoke to host Brooke Gladstone from Sing Sing Correctional Facility, where he’s serving his 24th year of his 28-year-to-life sentence for murder, drug sales, and gun possession. They spoke about his new book, The Tragedy of True Crime, what it was like to watch himself get featured in a true crime documentary, and why he wants to upend the typical 'true crime' narratives of good vs. evil.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

  continue reading

2737 Episoden

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What's Wrong with True Crime?

On the Media

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Manage episode 512365345 series 239
Inhalt bereitgestellt von WNYC Studios. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von WNYC Studios oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

This week, “Monster: The Ed Gein Story” is the most watched show on Netflix. It’s a dramatized retelling of the life of the serial killer who inspired “Psycho” and “The Texas Chainsaw Massacre.” The “Monster” franchise, which includes two earlier seasons about Jeffrey Dahmer and Lyle and Erik Menendez, is one of Netflix’s splashiest hits – the Dahmer season is still the fourth-most viewed English language show in the history of the platform. And the true crime obsession only grows each year. On Netflix last year, 15 of the top 20 documentaries were true crime docs, compared to just six in 2020.

But what does it mean for the subjects of these documentaries, that Americans endlessly crave stories about murder and bloodshed and terror? John J. Lennon is a contributing editor for Esquire and writes frequently for New York Review of Books and the New York Times. This week, he spoke to host Brooke Gladstone from Sing Sing Correctional Facility, where he’s serving his 24th year of his 28-year-to-life sentence for murder, drug sales, and gun possession. They spoke about his new book, The Tragedy of True Crime, what it was like to watch himself get featured in a true crime documentary, and why he wants to upend the typical 'true crime' narratives of good vs. evil.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

  continue reading

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