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We’re Saving Our Own Lives

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Manage episode 400870334 series 2557775
Inhalt bereitgestellt von Culture Gabfest and Slate Podcasts. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Culture Gabfest and Slate Podcasts oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

On this week’s show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix’s star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe’s biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it’s the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.

(Roth’s other book is Cold Cases: A True Crime Collection)

In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher’s half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.

Email us at culturefest@slate.com.

Outro music: "Self Made Woman" by Katharine Appleton

Endorsements:

Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that’s always in-sync.

Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.”

Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.

Podcast production by Jared Downing. Production assistance by Kat Hong.

Hosts

Dana Stephens, Julia Turner, Stephen Metcalf

  continue reading

506 Episoden

Artwork

We’re Saving Our Own Lives

Culture Gabfest

406 subscribers

published

iconTeilen
 
Manage episode 400870334 series 2557775
Inhalt bereitgestellt von Culture Gabfest and Slate Podcasts. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Culture Gabfest and Slate Podcasts oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

On this week’s show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix’s star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe’s biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it’s the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.

(Roth’s other book is Cold Cases: A True Crime Collection)

In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher’s half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.

Email us at culturefest@slate.com.

Outro music: "Self Made Woman" by Katharine Appleton

Endorsements:

Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that’s always in-sync.

Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.”

Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.

Podcast production by Jared Downing. Production assistance by Kat Hong.

Hosts

Dana Stephens, Julia Turner, Stephen Metcalf

  continue reading

506 Episoden

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