Artwork

Inhalt bereitgestellt von Ben Hawkridge and The Open University. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Ben Hawkridge and The Open University oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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The Arts Past and Present: Ireland - for iPod/iPhone

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Inhalt bereitgestellt von Ben Hawkridge and The Open University. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Ben Hawkridge and The Open University oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Do we use our buildings to declare who we are? How far does our heritage influence our collective identity? This insightful album reveals Ireland's shifting attitudes towards its cultural heritage. In 1922 when it broke free of British rule to become an independent nation state, the Irish nationalists abandoned high-profile buildings like Dublin Castle as it was symbolic of their British oppressors, and it fell into ruin. Yet they proudly restored older sites like Cashel and New Grange, which is even older than the pyramids, to emphasise an earlier romantic Irish past. In doing so they literally reconstructed their new identity through obliterating the memories they didn't want to keep and reinforcing those they did. Today, with the passing of time and after joining the EU, the neglected buildings no longer provoke associations with a painful colonial history. St Mary's Church is now appreciated as a bar as well as a work of art. Ireland has moved on, and now embraces all of its heritage. In the audio track, Anne Laurence, a History Professor at The Open University, elaborates on the issues addressed in the album. This material is drawn from The Open University course AA100 The arts past and present.
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10 Episoden

Artwork
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Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on February 26, 2024 18:02 (3M ago)

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Manage series 3053417
Inhalt bereitgestellt von Ben Hawkridge and The Open University. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Ben Hawkridge and The Open University oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Do we use our buildings to declare who we are? How far does our heritage influence our collective identity? This insightful album reveals Ireland's shifting attitudes towards its cultural heritage. In 1922 when it broke free of British rule to become an independent nation state, the Irish nationalists abandoned high-profile buildings like Dublin Castle as it was symbolic of their British oppressors, and it fell into ruin. Yet they proudly restored older sites like Cashel and New Grange, which is even older than the pyramids, to emphasise an earlier romantic Irish past. In doing so they literally reconstructed their new identity through obliterating the memories they didn't want to keep and reinforcing those they did. Today, with the passing of time and after joining the EU, the neglected buildings no longer provoke associations with a painful colonial history. St Mary's Church is now appreciated as a bar as well as a work of art. Ireland has moved on, and now embraces all of its heritage. In the audio track, Anne Laurence, a History Professor at The Open University, elaborates on the issues addressed in the album. This material is drawn from The Open University course AA100 The arts past and present.
  continue reading

10 Episoden

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