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Inhalt bereitgestellt von Nate Goyer and Nate Goyer - The Vinyl Guide. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Nate Goyer and Nate Goyer - The Vinyl Guide oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Ep473: Damon Che and Kristian Dunn of Yesness

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Manage episode 449531196 series 3562740
Inhalt bereitgestellt von Nate Goyer and Nate Goyer - The Vinyl Guide. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Nate Goyer and Nate Goyer - The Vinyl Guide oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Yesness is a 2-piece featuring Damon Che (Don Caballero) and Tristan Dunn (El Ten Eleven). We discuss their formation, writing and recording their debut album "See You at the Solipsist Convention", math-rock, post-rock, other dirty words and lots more.

Topics Include:

  • Formation of Yesness
  • Kristian and Damon struggle to find musicians to collaborate with
  • The “California No”
  • Making an album from different parts of the country
  • Meeting for the first time in the recording studio
  • Over recording and having a lot of material to work with
  • Working with instrumentals vs music with vocals
  • Album title origin story
  • Songs start as riffs, song titles come much later
  • Strange song titles
  • Using extra songs for b-sides
  • Origin of the band name “Yesness”
  • The band almost became “Keister Island”
  • What does Damon think of the title “Math Rock”?
  • Genres become limiting
  • Not listening to Post-rock or Math-rock
  • What’s on heavy rotation and playlists?
  • The Spotify algorithm still struggles to satisfy
  • El Ten Eleven’s “New Years Eve” coming after 3-LP set “Tautology”
  • “New Years Eve” and “Valley of Fire” were conceived together
  • The “Yesness” debut always needed to be a full length LP
  • Can the Yesness LP be played live?
  • Yesness challenges playing live – equipment stuffups
  • Will they tour overseas?
  • Selecting the album cover
  • Damon recently upgraded his vinyl system
  • Looking for records
  • Status of the Don Caballero master tapes and reissues
  • Damon’s YouTube video channel
  • Grab all the pressings of your favourite albums
  • “Everything in between the speakers and stylus is snake oil”
  • Interview wrap up

Vinyl copies of Yesness "See You at the Solipsist Convention" can be ordered here.

Photo by Berto Campus

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

  continue reading

491 Episoden

Artwork
iconTeilen
 
Manage episode 449531196 series 3562740
Inhalt bereitgestellt von Nate Goyer and Nate Goyer - The Vinyl Guide. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Nate Goyer and Nate Goyer - The Vinyl Guide oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Yesness is a 2-piece featuring Damon Che (Don Caballero) and Tristan Dunn (El Ten Eleven). We discuss their formation, writing and recording their debut album "See You at the Solipsist Convention", math-rock, post-rock, other dirty words and lots more.

Topics Include:

  • Formation of Yesness
  • Kristian and Damon struggle to find musicians to collaborate with
  • The “California No”
  • Making an album from different parts of the country
  • Meeting for the first time in the recording studio
  • Over recording and having a lot of material to work with
  • Working with instrumentals vs music with vocals
  • Album title origin story
  • Songs start as riffs, song titles come much later
  • Strange song titles
  • Using extra songs for b-sides
  • Origin of the band name “Yesness”
  • The band almost became “Keister Island”
  • What does Damon think of the title “Math Rock”?
  • Genres become limiting
  • Not listening to Post-rock or Math-rock
  • What’s on heavy rotation and playlists?
  • The Spotify algorithm still struggles to satisfy
  • El Ten Eleven’s “New Years Eve” coming after 3-LP set “Tautology”
  • “New Years Eve” and “Valley of Fire” were conceived together
  • The “Yesness” debut always needed to be a full length LP
  • Can the Yesness LP be played live?
  • Yesness challenges playing live – equipment stuffups
  • Will they tour overseas?
  • Selecting the album cover
  • Damon recently upgraded his vinyl system
  • Looking for records
  • Status of the Don Caballero master tapes and reissues
  • Damon’s YouTube video channel
  • Grab all the pressings of your favourite albums
  • “Everything in between the speakers and stylus is snake oil”
  • Interview wrap up

Vinyl copies of Yesness "See You at the Solipsist Convention" can be ordered here.

Photo by Berto Campus

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

  continue reading

491 Episoden

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