In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von Pete Chatmon. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Pete Chatmon oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Episode 63: Maria Mantia
MP3•Episode-Home
Manage episode 423166726 series 2916489
Inhalt bereitgestellt von Pete Chatmon. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Pete Chatmon oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Starting as a set production assistant, Maria gained invaluable experience on film and TV sets which led to the development of a keen eye for detail and organization. Maria Mantia is a 1st AD known for “Star Trek: Picard”, “Westworld”, “Welcome To Chippendales”, and “Interior Chinatown”, an upcoming Hulu series. In this episode, Maria sits down with Pete to discuss the responsibilities of the PA, 1st AD, and 2nd AD, the art of setting background, sticking to the agenda while still supporting the Director’s vision, the importance of ensuring “two minutes of goodwill”, gaining respect as an AD, and more…
(00:00:00 - 00:08:50) -- Podcast Intro
(00:08:50 - 00:10:45) -- Marc Kelly Crew Call
(00:10:45 - 00:12:15) -- Maria Mantia Credits
(00:12:15 - 00:15:10) -- Reel Talk
(00:15:10 - 00:19:50) -- Finding Her Connection To Storytelling
(00:19:50 - 00:23:25) -- Seeking Stories That Interest You
(00:23:25 - 00:25:50) -- First Set Experience
(00:25:50 - 00:29:30) -- Working As A Set PA On “Fight Club”
(00:29:30 - 00:33:00) -- The Technique Of The Craft And Getting Into The DGA
(00:33:00 - 00:35:35) -- The Journey To Assistant Director
(00:35:35 - 00:38:10) -- Production Assistant Responsibilities
(00:38:10 - 00:41:45) -- Setting Background
(00:41:45 - 00:46:10) -- Second AD Responsibilities
(00:46:10 - 00:47:19) -- “Transitions: A Director’s Journey And Motivational Handbook” Promo
(00:47:19 - 00:48:10) -- Scriptation Promo
(00:48:10 - 00:54:45) -- Assisting Directors And Executing Their Vision
(00:54:45 - 01:01:00) -- Preparing For An Episodic Shoot
(01:01:00 - 01:07:02) -- Two Minutes Of Goodwill
(01:07:02 - 01:14:40) -- Setting Times For Scene Coverage
(01:14:40 - 01:18:25) -- Making The Day And Staying Flexible
(01:18:25 - 01:24:24) -- Gaining Respect As An AD
(01:24:24 - 01:30:35) -- On Set With Maria And Pete
(01:30:35 - 01:33:10) -- Podcast Outro
…
continue reading
(00:00:00 - 00:08:50) -- Podcast Intro
(00:08:50 - 00:10:45) -- Marc Kelly Crew Call
(00:10:45 - 00:12:15) -- Maria Mantia Credits
(00:12:15 - 00:15:10) -- Reel Talk
(00:15:10 - 00:19:50) -- Finding Her Connection To Storytelling
(00:19:50 - 00:23:25) -- Seeking Stories That Interest You
(00:23:25 - 00:25:50) -- First Set Experience
(00:25:50 - 00:29:30) -- Working As A Set PA On “Fight Club”
(00:29:30 - 00:33:00) -- The Technique Of The Craft And Getting Into The DGA
(00:33:00 - 00:35:35) -- The Journey To Assistant Director
(00:35:35 - 00:38:10) -- Production Assistant Responsibilities
(00:38:10 - 00:41:45) -- Setting Background
(00:41:45 - 00:46:10) -- Second AD Responsibilities
(00:46:10 - 00:47:19) -- “Transitions: A Director’s Journey And Motivational Handbook” Promo
(00:47:19 - 00:48:10) -- Scriptation Promo
(00:48:10 - 00:54:45) -- Assisting Directors And Executing Their Vision
(00:54:45 - 01:01:00) -- Preparing For An Episodic Shoot
(01:01:00 - 01:07:02) -- Two Minutes Of Goodwill
(01:07:02 - 01:14:40) -- Setting Times For Scene Coverage
(01:14:40 - 01:18:25) -- Making The Day And Staying Flexible
(01:18:25 - 01:24:24) -- Gaining Respect As An AD
(01:24:24 - 01:30:35) -- On Set With Maria And Pete
(01:30:35 - 01:33:10) -- Podcast Outro
71 Episoden
MP3•Episode-Home
Manage episode 423166726 series 2916489
Inhalt bereitgestellt von Pete Chatmon. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Pete Chatmon oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Starting as a set production assistant, Maria gained invaluable experience on film and TV sets which led to the development of a keen eye for detail and organization. Maria Mantia is a 1st AD known for “Star Trek: Picard”, “Westworld”, “Welcome To Chippendales”, and “Interior Chinatown”, an upcoming Hulu series. In this episode, Maria sits down with Pete to discuss the responsibilities of the PA, 1st AD, and 2nd AD, the art of setting background, sticking to the agenda while still supporting the Director’s vision, the importance of ensuring “two minutes of goodwill”, gaining respect as an AD, and more…
(00:00:00 - 00:08:50) -- Podcast Intro
(00:08:50 - 00:10:45) -- Marc Kelly Crew Call
(00:10:45 - 00:12:15) -- Maria Mantia Credits
(00:12:15 - 00:15:10) -- Reel Talk
(00:15:10 - 00:19:50) -- Finding Her Connection To Storytelling
(00:19:50 - 00:23:25) -- Seeking Stories That Interest You
(00:23:25 - 00:25:50) -- First Set Experience
(00:25:50 - 00:29:30) -- Working As A Set PA On “Fight Club”
(00:29:30 - 00:33:00) -- The Technique Of The Craft And Getting Into The DGA
(00:33:00 - 00:35:35) -- The Journey To Assistant Director
(00:35:35 - 00:38:10) -- Production Assistant Responsibilities
(00:38:10 - 00:41:45) -- Setting Background
(00:41:45 - 00:46:10) -- Second AD Responsibilities
(00:46:10 - 00:47:19) -- “Transitions: A Director’s Journey And Motivational Handbook” Promo
(00:47:19 - 00:48:10) -- Scriptation Promo
(00:48:10 - 00:54:45) -- Assisting Directors And Executing Their Vision
(00:54:45 - 01:01:00) -- Preparing For An Episodic Shoot
(01:01:00 - 01:07:02) -- Two Minutes Of Goodwill
(01:07:02 - 01:14:40) -- Setting Times For Scene Coverage
(01:14:40 - 01:18:25) -- Making The Day And Staying Flexible
(01:18:25 - 01:24:24) -- Gaining Respect As An AD
(01:24:24 - 01:30:35) -- On Set With Maria And Pete
(01:30:35 - 01:33:10) -- Podcast Outro
…
continue reading
(00:00:00 - 00:08:50) -- Podcast Intro
(00:08:50 - 00:10:45) -- Marc Kelly Crew Call
(00:10:45 - 00:12:15) -- Maria Mantia Credits
(00:12:15 - 00:15:10) -- Reel Talk
(00:15:10 - 00:19:50) -- Finding Her Connection To Storytelling
(00:19:50 - 00:23:25) -- Seeking Stories That Interest You
(00:23:25 - 00:25:50) -- First Set Experience
(00:25:50 - 00:29:30) -- Working As A Set PA On “Fight Club”
(00:29:30 - 00:33:00) -- The Technique Of The Craft And Getting Into The DGA
(00:33:00 - 00:35:35) -- The Journey To Assistant Director
(00:35:35 - 00:38:10) -- Production Assistant Responsibilities
(00:38:10 - 00:41:45) -- Setting Background
(00:41:45 - 00:46:10) -- Second AD Responsibilities
(00:46:10 - 00:47:19) -- “Transitions: A Director’s Journey And Motivational Handbook” Promo
(00:47:19 - 00:48:10) -- Scriptation Promo
(00:48:10 - 00:54:45) -- Assisting Directors And Executing Their Vision
(00:54:45 - 01:01:00) -- Preparing For An Episodic Shoot
(01:01:00 - 01:07:02) -- Two Minutes Of Goodwill
(01:07:02 - 01:14:40) -- Setting Times For Scene Coverage
(01:14:40 - 01:18:25) -- Making The Day And Staying Flexible
(01:18:25 - 01:24:24) -- Gaining Respect As An AD
(01:24:24 - 01:30:35) -- On Set With Maria And Pete
(01:30:35 - 01:33:10) -- Podcast Outro
71 Episoden
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