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Squid Game is back, and so is Player 456. In the gripping Season 2 premiere, Player 456 returns with a vengeance, leading a covert manhunt for the Recruiter. Hosts Phil Yu and Kiera Please dive into Gi-hun’s transformation from victim to vigilante, the Recruiter’s twisted philosophy on fairness, and the dark experiments that continue to haunt the Squid Game. Plus, we touch on the new characters, the enduring trauma of old ones, and Phil and Kiera go head-to-head in a game of Ddakjji. Finally, our resident mortician, Lauren Bowser is back to drop more truth bombs on all things death. SPOILER ALERT! Make sure you watch Squid Game Season 2 Episode 1 before listening on. Let the new games begin! IG - @SquidGameNetflix X (f.k.a. Twitter) - @SquidGame Check out more from Phil Yu @angryasianman , Kiera Please @kieraplease and Lauren Bowser @thebitchinmortician on IG Listen to more from Netflix Podcasts . Squid Game: The Official Podcast is produced by Netflix and The Mash-Up Americans.…
THE HALO EFFECT: A Conversation with NICLAS ENGELIN On Their New Album And Band Energy
Manage episode 454634883 series 2442388
Inhalt bereitgestellt von HEAVY Magazine. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von HEAVY Magazine oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Interview by Angela Croudace
Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1004 Episoden
Manage episode 454634883 series 2442388
Inhalt bereitgestellt von HEAVY Magazine. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von HEAVY Magazine oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Interview by Angela Croudace
Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
Niclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.
Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.
The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."
The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.
As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."
When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.
Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.
In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.
March of the Unheard is set for release on January 10 through Nuclear Blast Records.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1004 Episoden
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×Cavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal. HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks. In today's second chapter, Max delves into his mindset when he went into the studio to revisit music from his past, how the new versions of all three albums are an improvement on the original, his thoughts on how the albums would have been received back then had they been recorded using the knowledge and experience he has today, the emotions that pass over him every time he steps on stage, the blending of experience and youthful exuberance in Cavalera that ensures the ball keeps rolling and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Heeding the call for their first odyssey to Australia and handed the highly important task of hyping up the party hungry, NEKROGOBLIKON - the self-proclaimed Kings of Goblin Metal - promise to deliver a unique blend of melodic rock and gnarly death metal, infused with EDM-style flourishes when they arrive here for a run of shows with Alestorm towards the end of February. Fronted by their ostentatious singing goblin hypeman John Goblikon and new screaming vocalist Dickie Allen (Infant Annihilator) the band takes cues from GWAR, Finntroll, and Dethklok, while maintaining a humorous, self-referential style. For those unfamiliar with Nekrogoblikon unfortunately there isn't much HEAVY can do to help you understand the band on a more personal level, but the next best thing is to introduce the faithful and the new to guitarist Alex Alereza who we spoke with over two conversations about three weeks apart… We put Alex straight on the spot by asking how Nekrogoblikon have managed to avoid Australia for so long. "It's not on purpose, I promise that," he laughed. "We've been talking about it forever, and it's been something that we tried to make happen. There's been a few times there were tentative plans and then some kind of logistical nightmare occurred or something. Luckily this time we finally… our team was persistent this time (laughs). Like, we have to get you guys out there. It's the perfect way for us to do Australia for the first time, with another like-minded, fun band. I already feel like we'll be coming back more often after this." In the full interview we spoke about the touring dynamics between Nekrogoblikon and Alestorm, what he is expecting from Australian crowds, the importance of keeping music fun, the role of their resident Goblin in everything from the live show to production to recording, the modern sanitized musical climate and where Nekrogoblikon sit in that respect, their musical mish mash of genres and why it works, new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Cavalera is a name with its fingerprints all over the history of heavy metal, an inspiring family legacy built upon decades of musical aggression, starting all the way back in 1984 in Brazil with Sepultura. Over the last couple of years, Max and Iggor Cavalera revisited their first three releases, Morbid Visions, Bestial Devastation, and Schizophrenia, re-recording them for Nuclear Blast Records with a new level of intensity that impossibly captures the raw, youthful and trademark sounds of these iconic and pioneering releases. This month will see them bring the songs that laid the groundwork for not just their own legacy, but that of both the death and thrash metal genres, to Australia for a series of live offerings that will add yet another chapter to their non-stop commitment to extreme metal. HEAVY caught up with Max Cavalera for a chat so good we have had to split it over two weeks… "Nostalgic brutality brother," he smiled when asked what delights Cavalera have planned for us. "Let me break it down for you why I say nostalgic brutality. It's because it's the closest thing you can get to 1980s Brazil extreme metal scene. Morbid Visions, Bestial devastation, Schizophrenia… it's the brutality of those records, the way they're meant to sound, the way we meant them to sound. Just like the re-recordings, except it's live. It's all real, live shit. No gimmicks. No other crap. It's plug your amp and go." In the full interview, we discuss the set list in more detail, including potential cover songs and new tracks from re-recorded albums. Max shared his emotional experience of performing alongside family members, highlighting the unique chemistry between seasoned and younger musicians, and likening their bond to a "mafia" that ensures a lasting musical legacy. He also elaborated on the motivation behind re-recording classic albums, driven by a desire to enhance sound quality while maintaining the raw essence of the originals, identifying Schizophrenia as the standout performance and Morbid Visions as his favorite for its sonic qualities. Max introduced the other members of the band besides himself and Iggor, their plans on how to re-record those three classic albums to improve on the originals, what things they focused on and more. In part 2, coming next week, we talk about his mindset going into the studio, any difficulties he may have faced, what memories revisiting the albums brought back, having his son with him for the new recordings and plenty of other stuff. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews

Opening for any major international touring band is a daunting task, but when you face the prospect of opening for two heavyweights of the metal scene in Sylosis and Angelmaker, that task becomes almost impossible. But don't mention that to rising Australian metalcore outfit Lune, who will be doing just that when the Australian tour kicks off in Perth on February 11. Not that they won't agree with you, it's more that the band already know and are more than ready for the challenge. HEAVY caught up with founding members and brothers Nathaniel (vocals) and Krys Smith (guitar) to find out more. "I'm particularly nervous," Krys began, "because Sylosis are one of those bands that I found when I was formative with my guitar playing. I remember watching a video with Josh (Middleton) teaching how to sweep, and I was just learning to play guitar at the time. So it's pretty hectic for me to be playing shows with that guy. I'm super keen. Just in the process of putting a set together and making sure the nuts and bolts are nice and tight. Very, very excited." In the full interview, the band spoke more about the honour of playing with bands they grew up listening to and the challenges of putting on the best show possible. They elaborated on their touring strategy, focusing on musical perfection and creating a positive environment for all involved, highlighting the importance of tailoring their set list to resonate with audiences while maintaining high energy during performances.We went deeper into a Lune live performance and what to expect, the reception for previous album The Change Around Us And The Change In You, new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Fresh off a relentless touring schedule across the United States and Europe, HED PE are ready to conquer Australia once again and, for the first time since 2018, New Zealand. HED P.E. has been a cornerstone in the rock and metal scene, captivating audiences with their unique blend of rock, punk, rasta, gangsta rap, and soul. Many bands three decades into their career would be happy to tread the boards and play for the nostalgia, but not HED P.E. Their most recent and incredibly fifteenth album, Detox, was released in December 2023 and shows a band with no time to sit on their hands and muse about the past. Detox is a crushing return to the G-Punk sound that the band's fans know and adore. HEAVY sat down with frontman Jahred Gomes on the eve of the tour. Jahred described HED P.E's live performances as a journey that incorporates various musical styles, including hardcore, punk, reggae, and hip-hop, and reflected on the positive reception of the album and their recent UK tour. He emphasized the importance of creating new music and touring, despite industry challenges, and acknowledged the band's ability to connect with diverse audiences. He confirmed that a secret record is in the works, which will be announced soon, plus reminisced about the early days of HED P.E. and how they have changed as a band over the course of their career and plenty more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Nev Pearce (Everblack Podcast) Mayhem’s 40th Anniversary show promises to be a once-in-a-lifetime experience for fans, offering a powerful setlist that spans their groundbreaking career - from the raw intensity of their debut album Deathcrush to their latest sonic explorations. This concert will honor the band’s four-decade legacy of musical innovation, boundary-pushing performances, and unrelenting influence on the black metal genre. Fans in Australia will have the exclusive chance to witness this historic celebration, featuring a dynamic live performance that looks back on Mayhem’s journey as pioneers of extreme music. Expect a unique blend of rare footage, iconic photos, and a career-spanning set that underscores the band’s enduring impact on metal and music as a whole. The Everblack Podcast caught up with Necrobutcher from MAYHEM to talk about their return down under for their 40th anniversary tour, reconnecting with previous members Manheim and Messiah, new music on the way and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Brisbane metal legends Dreamkillers could be forgiven for resting on past accomplishments and spending the remainder of their career playing songs that are known and loved by many without placing themselves at the mercy of the metal Gods by continuing to write and release new music. Since bursting onto the Brisbane music scene in the early 1990s and revolutionising Australian metal with their debut EP Poison In The Soup, Dreamkillers have been a mainstay on the circuit, evolving at their own pace without pause for expectation and/or conformity. Their refusal to bow down to authority and succumb to the whims and desires of industry heavyweights has seen Dreamkillers court controversy and embrace it, standing by their morals and music in a world that has become increasingly sanitised and confronting. Where most bands into the fourth ten year stretch of their musical journey are content to go through the motions, Dreamkillers are only strengthening their resolve. Churning out seven new songs over the past year - all of which will remain as stand alone singles for now - the band shows no sign of slowing down, recently inking a deal with Australian label XMusic and assembling a new batch of songs that promise to continue the bands enduring legacy. They are, quite simply, a musical enigma. An immovable sonic blast of intent and uncompromising honesty that has all but died out in modern times. HEAVY was fortunate enough to speak with the whole band over the last couple of days, running over the swag of tunes released over the last 12 months and how they reflect Dreamkillers moving forward. "Unreal, it's pumping," the band answered when we ask how they feel entering the new year. "It's going good," guitarist Damo added. "More shenanigans, more music, more shows and more debauchery if we can have our way with it (laughs)." "We just had a conversation," added vocalist Les Jobson. "We've got so many tracks we don't know whether to do a double album or two single albums. We just got busy. We thought we won't pay gigs, we'll write songs this year and that's what we did. Next year we're taking it to the streets." In the full interview we discuss Dreamkillers upcoming show at HEAVY Resolutions on New Years Eve, run through each of the tracks released this year and what they are about, chat about what to expect from the upcoming album and which sonic direction it is leaning towards, go deeper into the songwriting process that breathes life and meaning into the band's music, signing with XMusic and what it means to the band, our regular Photo Bomb segment and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Texan metalcore outfit Memphis May Fire decimated Australian fans almost a decade ago when they toured through the country as special guests to Parkway Drive in 2015. Known for their unassailable live shows, MMF have an uncanny ability to connect with their audience on an otherworldly plane, turning band and audience into one living, breathing, circle pit dancing organism that refuses to yield. The band return in July 2025 as co-headliners with Atreyu, who are celebrating the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Individually, each band is an ominous live machine, but together they promise to deliver night after night of sonic carnage to remind us what we have been missing out on. HEAVY caught up with frontman Matty Mullins to find out what to expect. "The excitement definitely sinks in nice and early," he smiled when asked if he had cast an eye towards the Australian tour with some six months before it kicks off. "The reality of it all will hit a little closer to that timeframe." We mention the double punch of Atreyu and Memphis May Fire on the same bill, with Matty admitting the union is pretty special to not just the fans, but the bands as well. "We've done a co-headliner tour here in the States as well, so bringing that to Australia seems like the right fit," he noted. In the full interview, Matty highlighted plans to perform a mix of new songs from their forthcoming album Shapeshifter, scheduled for release on March 28, alongside classic hits to engage long-time fans. Matt reflected on the band's evolution and how their experiences have improved their live performances, while also addressing the challenges of creating diverse music while preserving their distinct sound. He concluded by expressing excitement about reconnecting with Australian fans and delivering a memorable show, covering heaps more territory over the course of the interview. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews

1 Casting Shadows: The Mystical Spells And Dark Rituals Behind PROJECT ULTIMATE SATAN's 'Opus Satanas' 41:50
Interview by Angela Croudace Project Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released under their label, StudioDecay, is a testament to the band's resilience and innovation, as it has undergone a tumultuous yet creative journey. We sat down with the guitarist, backup vocalist, and the founder of the band, JDecay, to talk about the band's origins, the making of the album, and their bold vision. "Project Ultimate Satan was born from a few different musical journeys," Decay explains. "It all started in 2019 when I was working with the band Inhuman Remnants. I was trying out guitarists and eventually brought in Darryl as a pianist. We hit it off, but the other members weren't keen on shifting from Deathgrind to a more symphonic sound. That's when the seed for Project Ultimate Satan was planted." The band's evolution wasn't easy. After a line-up change and the disruptive impact of COVID-19, The Opus Satanas was delayed multiple times, but the result is worth the wait. "We started recording in 2019 and finished in 2021," JDecay reflects. "Lockdowns and other personal challenges made it tough, but in the end, we were able to refine it. Now, we're ready to push it out and tour." The album is divided into two movements: Malefus Malefacaram and Lex Talionis. The first movement is a deep dive into themes of persecution, inspired by the Hammer of Witches (a 15th-century guide to witch-hunting). The second movement (the Latin phrase referencing the legal principle of exact retaliation) explores the concept of "an eye for an eye," drawing on the story of duality. JDecay elaborates, "The first movement is about persecution, while the second is about retribution. We really wanted to split the album into two halves that represent a journey. It's a raw, brutal exploration of human struggle." A standout feature of The Opus Satanas is its unique sound, blending symphonic elements with death metal intensity. "I wanted to bring in more melody to death metal, adding piano and orchestration. We were experimenting with these larger ideas that, for me, just felt right." As for the band name, Decay said that Project Ultimate Satan came about after an episode of Futurama and thought that it was the perfect name for a band that wasn't already taken."It's all about pushing boundaries," says JDecay with a chuckle. "We wanted something provocative and strong—something that would make people stop and think." With a dedicated fanbase and a fresh sound, Project Ultimate Satan is ready to make their mark. "We've learned a lot through trial and error," JDecay says. "But now, we're tighter than ever, and we're ready to bring The Opus Satanas to life." JDecay is deeply committed to supporting smaller bands and musicians in the metal community. Through his work with StudioDecay, he focuses on artist development, helping emerging acts build their identity, sound, and presence. "We try to give back by focusing on artist development," he says, emphasizing the importance of assisting bands with the business side of music—something many new musicians are unaware of. From helping craft professional PR packages to guiding bands on networking with PR reps, JDecay ensures these smaller acts are equipped with the tools they need to succeed. His approach goes beyond just music; it's about empowering artists to navigate the complexities of the music industry, helping them understand how to get on shows, work with labels, and build a sustainable career. Despite being a smaller label with limited funds, JDecay's dedication to nurturing talent and creating a supportive community reflects his commitment to helping others succeed in a challenging industry. Not bad at all for a few guys from the ACT! Watch for their upcoming Australian tour, and prepare for a death metal experience like no other. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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HEAVY Music Interviews

Interview by Angela Croudace HEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far. When asked about the themes of Blindness, Gabriel explained, "The album is about love, being Irish, and dealing with the blindsiding aspects of life. It touches on things like distance, both physical and emotional, and the feeling of not being able to see someone you love." The conversation then turned to their history, with Gabriel reflecting on their previous albums. "Our first record dealt with grief, and the second was more of a celebration of life. Blindness is a departure—it's more about loss, and not just in terms of death, but also the emotional distance between people." The Murder Capital's touring journey has been nothing short of intense. Earlier this year, the band had the incredible opportunity to support two legends: Pearl Jam on their UK tour and Nick Cave & the Bad Seeds, one of Gabriel's biggest idols. Reflecting on their time with Nick Cave, he described the experience as surreal. "It was truly amazing," he said. "Nick Cave is one of the greatest, and we were lucky that he really connected with our music. He even invited us to dinner with him and The Bad Seeds—just the chance to share a real human connection with someone we've admired for so long was unforgettable." The conversation then moved to their debut single, More or Less, which took off online, and Gabriel admitted it was a lot to handle. "It was fun but also intense. We didn't expect it to blow up like that, but we worked hard for it, and it was what we wanted." As for Blindness' artwork, Gabriel explained that the band worked with Victor H, a renowned album cover artist. "The album cover represents potential and the inner emotional struggle of looking out into the world while feeling lost inside." Reflecting on their journey, Gabriel shared a personal insight: "If The Murder Capital never started, I'd probably be working as an undertaker. It's a family business, and I've always had an appreciation for both the highs and lows of life." Gabriel came to an interesting realisation; he sees people at their best, enjoying his music at shows and witnessing people at their lowest, grieving for loved ones through his undertaking job. Gabriel also believes that working as an undertaker has made him more empathetic, emphasising that it's not about the individual but about supporting the family in their time of need. He shared that his philosophy is to set aside one's emotions and ego to be a steady presence for those grieving. The role involves being calm, offering physical help, or providing comfort when needed. He reflected on how this perspective has shaped his appreciation for life, highlighting the importance of putting others first and maintaining emotional composure during challenging moments. Gabriel believes this ability to reserve one's emotions in such situations is key to offering genuine empathy. Gabriel's confidence in the band's growth and future was evident as the interview concluded. "This third album feels like we've truly earned our place. We're not an overnight success—we've put in the work." Catch The Murder Capital live on their Australian and New Zealand tour in April 2025, and experience the raw emotion and depth of Blindness firsthand. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Angela Croudace No matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, Swedish power metal titans HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy. But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds. The GODS have listened, and they have heeded your call. HammerFall will set sail for Australia in January 2025 for their first ever Australian tour. HEAVY caught up with frontman Joacim Cans to dive in further. "This tour is part of the tour of the latest album, Avenge the Fallen," he offered. "And since this is the 13th album - but still an album that will make a difference in the history of Hammerfall - we need to play the songs that the fans want to hear. We also need to play the songs that we want to play. That really makes me go and on stage. I love playing this song because it's so personal to me. We need to put that song in as well. And then maybe you add one or two, like, underdogs, so to speak, like, surprise songs. I think this is the equation for the perfect set list." Check out the full interview to hear the full story. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Wheatus have been here that many times they would almost be classed as Australians. After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the Pandemonium Festival, frontman Brendan B Brown has become a beloved fixture in the Aussie music scene. The Wheatus sets at Pandemonium were one of the standout moments of the day, finding that perfect balance between stoking the fires of nostalgia and putting on a killer rock 'n' roll show. The Wheatus Acoustic Tour next January and February is shaping up to be the most fun you can have indoors this summer. Featuring Wheatus frontman and incredibly nice guy, Brendan B. Brown along with his better half, fellow Wheatus member Gabrielle Sterbenz, the epic 14 date run also features founding member and former lead guitarist, songwriter, and vocalist of The Chats, Josh ‘Pricey’ Price. HEAVY spent some time with Brendan recently, where we spoke about just about everything. Brendan shared that Australia was the first place to embrace Wheatus' music, especially the song Teenage Dirtbag, and that they were grateful for the support they received there. We discussed his approach to music and live performances, emphasizing the importance of connecting with the audience and not taking himself too seriously. He explained his method of tailoring each show to the audience's mood and requests, which he finds more engaging than a set list. Brendan also shared his experiences with touring and maintaining a positive band dynamic, highlighting the importance of respect and camaraderie among band members. He expressed his excitement for an upcoming acoustic show, where he and his partner Gabrielle will share stories and play songs from their catalogue and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
From little things, big things grow. At least in fairytales. But sometimes life imitates those storylines, as is the case with Gold Coast metal outfit Righteous Death. Conceived in Lismore in 2020 as the brainchild of local musician Jackson Marshall, Righteous Death started life as a one man project with Marshall writing and playing all instruments. A debut album, Rituals, followed, featuring vocals from a host of guest musicians, but a combination of life choices and the COVID struck to halt momentum and give Marshall renewed focus. Using his spare time to write new material and fine-tune his metal prowess, Jackson began working on album number two, enlisting the talents of vocalist Johnny Crypt to double the band's size and maximise its output. The result is the aptly titled follow-up, 2, which is released on December 23. A continuation and expansion on earlier material, 2 sees Righteous Death further develop their musical identity. HEAVY caught up with Marshall to discuss things in greater detail. "I've been working with my singer Johnny Crypt from Melbourne, and after six months of him coming into the fold it's been really awesome to actually get these tunes that I've worked on for the last four years out to the world," Marshall enthused. "I'm pretty damned excited about it. It's been way too long between releases in my head. I've had the whole album pretty much completed for three months now, so it's cool to get it out there with a few singles first. With this album… the first album took a bit of a black metal turn because I was into Mayhem at the time, especially after watching the movie Lords Of Chaos. Originally, the concept of the second album came because I wanted to stray more away from black metal but still keep some elements from the first record." In the full interview we talked more about the sonic direction of the new album, the process of getting the second album in the can, finding the right vocalist, lessons learnt between albums, Marshall's own personal growth, future plans for the band, the potential for taking Righteous Death out of the studio and onto the stage and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
The metal Gods work in mysterious ways. In early 2021, fate brought Chloe Trujillo and Mark Dalbeth together at the Global Green Charity Event in LA's Troubadour. Bonding over their shared passion for music, they decided to collaborate after connecting online. Their brainchild, Lightning Strikes Twice, garnered strong feedback, fuelling their excitement for future projects .The pairs debut EP, HEAVY PEACE, dropped in 2022, amplifying their presence in the music scene. Eager to keep the momentum going, they returned to the studio, enlisting Ray Luzier (Korn) on drums for their second record. Transitioning from studio to stage, they assembled a formidable live band, featuring local guitarist Kevin Hicklin and Chloe's daughter, Lullah Trujillo, on drums, wasting no time in hitting the stage in early 2024 and captivating audiences, steadily building momentum with each electrifying performance. Last month, under the new monicker Blvd Of Eyes, the band released their second EP, Buying Lies For The Truth Seeker, expanding their existing sound into a swirling maelstrom of metal-infused rock that traverses the usual boundaries of acceptance into a sound definitively their own. Mark, Chloe and Kevin joined HEAVY recently to talk more about the EP. "It's been really good," Mark enthused at the early response. "It just came out last month, so the response has been good. We have just released one single so far, so we will probably release a couple more videos. It's a great record. We were lucky to have Ray Luzier (Korn) drum on it, which was badass. Everything so far has been good. We're just setting up for some shows next year, and we will really push it more then." We ask about the musical side of Buying Lies For The Truth Seeker. "It's got a hard rock sound," he measured, "with heavy guitars and big melodies and hooks. It's similar to the first EP, but probably a little bit more developed songwriting from us because we have been working together a bit more. It's another step up from the EP but still that hard rock with a little bit of metal, some melodic stuff and some really nice harmonies." In the full interview, the band talk more about Buying Lies For The Truth Seeker, including the musical direction of the songs and the meaning behind the ambiguous title. They discuss how it differs from their 2022 debut Heavy Peace, and how the band have grown in the period between EPs. We talk about the different genres that make up their music and finding the balance between genres in the creative process, and run through each of the five songs individually to get to the core of their content. The band talk about their formative years and creating a sustainable project, as well as future touring plans and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
As the saying goes, one person's loss is another person's gain. So while there were many disappointed when CKY pulled out of their Australian tour with Alien Ant Farm, there was also plenty more elated when their replacement was named in quick succession. It's not often a tour is strengthened by late adjustments, but from the moment Drowning Pool were named to fill the void, what was previously stifled enthusiasm quickly became cries of joy. After a prolonged absence from these shores, hard rock/metal monsters Drowning Pool will be returning next February, at the peak of their musical power and looking to decimate fans on this side of the world. Since reuniting with vocal powerhouse Ryan McCombs, Drowning Pool have gone from strength to strength, blowing away audiences at some of the world's premier festivals - Aftershock, Nu Metal Revolution, Louder Than Life, Sonic Temple, Blue Ridge Rock many others. They are a band who has seen as many downs as they have ups, but throughout all have remained committed to their craft and each other, powering through each obstacle and emerging triumphant. And now it looks like another prominent chapter is about to be written. HEAVY sat down recently with guitarist CJ Pierce to fill in the blanks. "For us, it's been all cool," he replied when I commended the band for stepping in at short notice. "There's no drama here with Drowning Pool. I'm not sure about the situation, but we've been friends with Alien Ant Farm since day one - 20 plus years- and we're just coming to rock out. We were already working on some shows in Australia anyway, which were gonna be later in the year, so we couldn't wait to get there. Right place, right time. We appreciate them for having us on. No disrespect to CKY fans. We probably could do a cover song of theirs but out of respect to them Drowning Pool's bringing a lot of metal to the show." In the full interview, CJ spoke more about what fans can expect from Drowning Pool live, their latest single Revolution (The Final Amen), welcoming Ryan back to the fold, any difficulties in another transition of vocalists, the importance of having the right band's together as part of a tour, new music including an album, the decision to go Independent and what it means for the band, keeping motivated and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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