Artwork

Inhalt bereitgestellt von Peter Schmitz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Peter Schmitz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Player FM - Podcast-App
Gehen Sie mit der App Player FM offline!

The Return of The Clansman

33:44
 
Teilen
 

Manage episode 383045714 series 2899444
Inhalt bereitgestellt von Peter Schmitz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Peter Schmitz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In the fall of 1915, D.W. Griffith's The Birth of a Nation was booked to play at the Forrest Theatre - a "legitimate house," not a movie theater - but would Philadelphia's city authorities allow it to be shown?
After all, the film's racist source material, Thomas Dixon's play The Clansman, had been officially banned in the city back in 1906. But was this a "movie" or a "photo-play"? Could it be legally censored at all? How did this controversy result in plays and movies being regarded as two different types of entertainment?
There is a blog post on our website ("Birth of A Nation in the Birthplace of the Nation") to accompany this episode, which examines a 1915 newspaper ad for the film, and how the film was marketed to Philadelphians at the time.
Link is here: https://www.aithpodcast.com/blog/birth-of-a-nation-in-the-birthplace-of-the-nation/
For earlier episodes about Thomas Dixon and his play The Clansman - and how the Philadelphia African-American community organized against it in 1906 see our series "The Fight Against the Clansman" - Episodes 42, 43, and 45.
Support the show

"Adventures in Theater History: Philadelphia" the BOOK is in bookstores now!
To see a listing on our publisher's website: GO HERE
You can order your copy of this book through your own favorite local independent bookstore, or you can find it online through multiple platforms,
TO ORDER ON AMAZON: GO HERE

TO CONTACT US:
Our email address: AITHpodcast@gmail.com
Facebook: https://www.facebook.com/AITHpodcast
Instagram: https://www.instagram.com/aithpodcast/
Or, follow us on Bluesky: @aithpodcast.bsky.social
Support us on Patreon: https://www.patreon.com/AITHpodcast
© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music copyright Christopher Mark Colucci. Used by permission.

  continue reading

90 Episoden

Artwork
iconTeilen
 
Manage episode 383045714 series 2899444
Inhalt bereitgestellt von Peter Schmitz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Peter Schmitz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In the fall of 1915, D.W. Griffith's The Birth of a Nation was booked to play at the Forrest Theatre - a "legitimate house," not a movie theater - but would Philadelphia's city authorities allow it to be shown?
After all, the film's racist source material, Thomas Dixon's play The Clansman, had been officially banned in the city back in 1906. But was this a "movie" or a "photo-play"? Could it be legally censored at all? How did this controversy result in plays and movies being regarded as two different types of entertainment?
There is a blog post on our website ("Birth of A Nation in the Birthplace of the Nation") to accompany this episode, which examines a 1915 newspaper ad for the film, and how the film was marketed to Philadelphians at the time.
Link is here: https://www.aithpodcast.com/blog/birth-of-a-nation-in-the-birthplace-of-the-nation/
For earlier episodes about Thomas Dixon and his play The Clansman - and how the Philadelphia African-American community organized against it in 1906 see our series "The Fight Against the Clansman" - Episodes 42, 43, and 45.
Support the show

"Adventures in Theater History: Philadelphia" the BOOK is in bookstores now!
To see a listing on our publisher's website: GO HERE
You can order your copy of this book through your own favorite local independent bookstore, or you can find it online through multiple platforms,
TO ORDER ON AMAZON: GO HERE

TO CONTACT US:
Our email address: AITHpodcast@gmail.com
Facebook: https://www.facebook.com/AITHpodcast
Instagram: https://www.instagram.com/aithpodcast/
Or, follow us on Bluesky: @aithpodcast.bsky.social
Support us on Patreon: https://www.patreon.com/AITHpodcast
© Podcast text copyright, Peter Schmitz. All rights reserved.

℗ All voice recordings copyright Peter Schmitz.

℗ All original music copyright Christopher Mark Colucci. Used by permission.

  continue reading

90 Episoden

כל הפרקים

×
 
Loading …

Willkommen auf Player FM!

Player FM scannt gerade das Web nach Podcasts mit hoher Qualität, die du genießen kannst. Es ist die beste Podcast-App und funktioniert auf Android, iPhone und im Web. Melde dich an, um Abos geräteübergreifend zu synchronisieren.

 

Kurzanleitung