DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS podcast

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Inhalt bereitgestellt von Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Rich Buckland and Bill Mesnik, Rich Buckland, and Bill Mesnik oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

We Have The Receipts

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Battle Camp S1: Reality Rivalries with Dana Moon & QT 1:00:36

vor 13 Tagen1:00:36

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Do you have fond childhood memories of summer camp? For a chance at $250,000, campers must compete in a series of summer camp-themed challenges to prove that they are unbeatable, unhateable, and unbreakable. Host Chris Burns is joined by the multi-talented comedian Dana Moon to recap the first five episodes of season one of Battle Camp . Plus, Quori-Tyler (aka QT) joins the podcast to dish on the camp gossip, team dynamics, and the Watson to her Sherlock Holmes. Leave us a voice message at www.speakpipe.com/WeHaveTheReceipts Text us at (929) 487-3621 DM Chris @FatCarrieBradshaw on Instagram Follow We Have The Receipts wherever you listen, so you never miss an episode. Listen to more from Netflix Podcasts.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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My Fellow Americans, Life is actually just a microscopic, deluded moment in time, so let's cut to the freakin' chase. One look at our impending election debacle can solidify my case. It has been my contention since birth, that the answer to every difficulty we encounter on this sacred yet demented Stone, can be revealed with ultimate clarity through the ultra neurotic engagements of Music, Art, Literature, Film, Poetry and a good Pastrami sandwich. Why would any sane human spend so must time on a film set (Do you know how long you gotta wait until your 8 second deliverance of an edited beyond repair line gets a chance to become a professional embarrassment etched in time forever? ) or expend so much energy in a recording studio, piecing together another ode to a man or woman who could not care less how much love existed within your digestive tract? It's all about hymns and prayers and a quest for mercy and forgiveness and silence and faith. We were blessed with Charles Bukowski, Gene Chandler, Lenny Bruce, Mitch Ryder and a legion of creative explorers whose influences provided the air we breathe. So Let's Dance! This site shall explore the reaper, find a way to disarm the stench of injustice, discover some true loves and talk it all over before it's all over. So what's the worst that our desires could produce? Failure? So sue me. I'm going to require your assistance in making as much trouble for the grown-ups as possible. Let the record show that my childish heart yearns to disrupt the madness. Join me Ladies and Germs!

With Gratitude For Gena Rowlands, Nancy Sinatra, Jerry Quarry, Leo Gorcey, Arthur Alexander and Joey Heatherton, Your Splendid Bohemian, Rich Buckland.

419 Episoden

#Theater #Arts #Music #Cinema #RICH BUCKLAND

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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With Gratitude For Gena Rowlands, Nancy Sinatra, Jerry Quarry, Leo Gorcey, Arthur Alexander and Joey Heatherton, Your Splendid Bohemian, Rich Buckland.

419 Episoden

#Theater #Arts #Music #Cinema #RICH BUCKLAND

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DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT BILL MESNIK'S "CALL ME UP IN DREAMLAND" EPISODE #2, FROM 2019: THE DIARIST'S DISPATCHES FROM THE THEATRICAL FRINGE ENTITLED "TOXIC SHOCKS!" 30:23

vor 19 hours30:23

30:23

THERE'S NO BUSINESS LIKE SHOW BUSINESS It was the summer of 2019. I experienced an earthquake, a car accident, and the difficult birth of an original theater piece, which came to be known as "Toxic Shocks". The project was suggested in order to address some issues surrounding student's concerns, which will be enumerated within. This necessitated a new approach to theatrical devisement (is that a word?) --, and I embraced the challenge wholeheartedly. Despite my being all in, things got a bit rocky. The passages from the diary describe the difficult birthing process, and the effect on my dream life.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - 12 BARS AND THE TRUTH WITH HARVEY MANDEL AND J.B. HUTTO. DOUBLE DOWN! 10:22

vor 3 Tagen10:22

10:22

It seems as though the 12 bar blues structure is an immovable object, an obelisk of sacred, ritualistic, totemic authority. But the form contains multitudes of variety. Here are two examples of the plasticity of that container, which holds the magic blues elixir and can pour it smoothly, or have it gush out, uncontrollably, like a tidal wave. So, be careful when you put your lips to the chalice … the edges can be sharp, and the liquid it delivers may be too intoxicating! Up first, we have Harvey Mandel, the “Snake”- a guitar wizard, brandishing and slashing his ax-cutlass like a pirate, as he boards equilibrium’s frigate docked inside your ear canal, with his own composition, 4pm; then, JB Hutto and the Hawks stagger through “Too Much Alcohol” like drunkards in search of another, much needed pint of medicine - with his razor sharp slide work JB illustrates those sensations perfectly, with an insistent, whimpering pulse. HARVEY MANDEL In 1967, Samuel Charters, for Vanguard records, in an early effort to reveal and showcase the second generation of Chicago’s blues scene, produced harmonica master, Charley Musselwhite’s first album STAND BACK! HERE COMES CHARLEY MUSSELWHITE’S SOUTHSIDE BAND, and caused a literal big bang in the hearts and minds of American youth. This was Harvey Mandel’s first recording, and launched the notable guitar slinger for hire’s 60 year career, going on to join Canned Heat, John Mayall’s Bluesbreakers, recording many solo efforts, and landing one step away from becoming a Rolling Stone. Known as “the King of Sustain,” our track, 4pm, showcases the longest sustained electric guitar note at age 21, a feat copied by Jimi Hendrix two years later. Harvey’s inventive style is trademarked, and you can hear those clarion notes ringing out like a buzz saw, transitioning from one amazing improvisation to the next. JB HUTTO AND THE HAWKS The next cut, TOO MUCH ALCOHOL, also on the Vanguard label - featured on 1966’s Chicago / Blues / Today! Sounds almost like it could have been recorded in the previous century, when, fresh off the farm, players were captured in their first big city outings on lo-fi recordings - it’s that raw and spiky. And, yet, both Mandel and Hutto were breathing the same mid-60s Chicago air. JB’s slide style was influenced by Elmore James, of DUST MY BROOM acclaim, and he carried that torch forward. The son of a preacher from South Carolina, Hutto made his way to Chicago after his father’s death in the early 50s, but ended up working as a janitor for 11 years, until, in the mid 60s, he was discovered and unleashed on the world by Vanguard.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT BILL MESNIK'S NEW PILOT PROJECT: "CALL ME UP IN DREAMLAND," IN WHICH OUR INTREPID NAVEL GAZER TRIPS THE LIGHT FANTASTIC DOWN THE CORRIDORS OF HIS DREAM JOURNAL AND… 33:17

vor 8 Tagen33:17

33:17

In 2005, while visiting the gift shop at the downtown Los Angeles MOCA museum, I came upon a blank journal with a cover fashioned from a salvaged vinyl album by The Allman Brothers. It had the pink Capricorn label. As a lover of vinyl I grabbed it, and decided to begin a journal. It’s been ten years, and I’ve been keeping this diary and transcribing my dreams ever since. Dreams, ideas for songs, and a chronicle of my family and interior life. I always intended to go back and see if there was some sense of something to be made out of it, and this is the first attempt at that. I hope you find it interesting. Bill Mesnik, 2025 “The Interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind. “ (Sigmund Freud) “In contrast to the subjectivism of the conscious mind the unconscious is objective, manifesting itself mainly in the form of contrary feelings, fantasies, emotions, impulses and dreams, none of which one makes oneself but which come upon one objectively.” (Carl Jung) " Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same." (Joseph Campbell) “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.” (Salvador Dali)…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE:" THE BENEFITS OF VERSATILITY WITH DANNY KAYE. DOUBLE DOWN!! 9:48

vor 11 Tagen9:48

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DANNY KAYE: THE BENEFITS OF VERSATILITY David Daniel Kaminsky (1911-1987), known to the world as Danny Kaye, was an entertainer that could do it all. He was as adept at pathos as he was at antic comedy, and he captivated audiences throughout the 1950s with his magic. His signature patter songs, represented by our first number: Anatole of Paris, were crafted for him by his business partner and wife, Sylvia Fine, and together they made film and Broadway history. This is a fascinating connection that deserves a deeper dive. Danny resembled my adored uncle Teddy, and I always associated them in my mind. They had similar profiles and hair styles, and I was delighted to discover that his people and mine emigrated from the same town in Ukraine. Throughout my early years Danny Kaye’s warmth and silliness provided a safe harbor against the anxieties of childhood. He was my ideal tutor in the film Merry Andrew, introducing the Pythagorean theory in song. Early on in his career, in 1934, Danny toured Asia - and it was there that he discovered and developed his skill at entertaining audiences who didn’t speak English, a key to his popularity with kids of all ages. ANATOLE OF PARIS This number comes from the 1947 film, THE SECRET LIFE OF WALTER MITTY, adapted form James Thurber’s novel about the day dreams of a hen pecked magazine editor. Sylvia Fine worked up this ditty where Danny fantasizes that he is a French milliner who bedecks ladies in ridiculous hats - because, as we find out in the punch line - he hates women. You can imagine the impish glint in Danny’s eye as he extrapolates on the outrages that he’ll commit to these chapeaux, and that’s one of the secrets of Danny Kaye’s success: the absolute delight he takes in wowing us with his lighter than air articulations. I WONDER WHO’S KISSING HER NOW And, here comes the other side of this complex coin - the opening up and sharing of his soulful humanity. This recording, also from 1947, has Danny - ever so tenderly - crooning over a lost love. The song, composed in 1909 by Harold Orlob, for the Broadway play, THE PRINCE OF TO-NIGHT, became a standard. In the hands of the master, this rumination is akin to listening in on the singer’s private thoughts, as opposed to a performance. As we said in the intro, this artist could do it all, and here is but a sampling of his versatility.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - IN SEARCH OF SOMETHING NOVEL: TWO MANIFESTATIONS OF GIDDY STRANGENESS FROM JERRY BLAVAT AND LARRY GROCE. DOUBLE DOWN!! 9:53

vor 16 Tagen9:53

9:53

The “Novelty” song has deep roots in popular culture. Masters of the form, like Weird Al Yankovic, Warren Zevon, Tom Lehrer, Spike Jones, and Allen Sherman have illuminated our consciousness and tickled our sense of the absurd. How much WAS that doggie in the window?…., WTF is Marzy dotes and dozy dotes about?…, They’re coming to take me away, Haha…(that one actually scared me). Probably each of us can recall from childhood some goofy ditty that either made you feel smarter, or got stuck inside your head like RFK’s brain worm. Let’s give thanks to Doctor Demento for archiving and disseminating many of these gems for future generations, and my introduction to Larry Groce’s Junk Food Junkie came from one of his collections. Jerry Blavat’s One More Time, Back to School may not demonstrate the same amount of cleverness, but its delivered lustily by one of the premier DJs of his time. LARRY GROCE Junk Food Junkie comes from 1975, and is perfectly in key with today’s anti-woke sentiments. But, Mr. Groce delivers his mockery with such gentleness and good humor that it creates a universal warmth devoid of malice. Yes, he intimates, you can try to be upright and health conscientious, but the reptilian brain in all of us needs to be satisfied - even if it has to happen under cover of darkness. Hypocrisy is the target here, and Mr. Groce, cast as the titular shlemiel, puts himself first in line for ridicule. JERRY BLAVAT Jerry Blavat’s “Horatio Alger” story reads like a Martin Scorsese screenplay. His colorful bio, recounting his journey from son of a Philly bookmaker, valet to Don Rickles, mob-connected DJ and club owner, to broadcasting Hall of Fame icon, could be the stuff of a Netflix series. Known as “the Big Boss with the Hot Sauce,” and “the Geater with the Heater,” Jerry swaggered through his bigger than life life like a toreador. But, lest we forget - it was always his love of those Philadelphian musical goodies - that made him a beloved home town super hero. 1965’s One More Time Back to School, on the Cameo Parkway label, is an fascinating glimpse into his inexhaustible energy. It’s delightfully sadistic as the singer declares the end of vacation time fun. Not only that, there is something in the edgy cacophony of its production, with the clanging cowbells, that evokes that end of summer feeling.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE." MYSTERIOUS, SWINGIN’ RHYTHMS CONJURED BY BENNY GOODMAN AND LITTLE JOEY AND THE FLIPS, DOUBLE DOWN!! 10:15

vor 22 Tagen10:15

10:15

What is it about a swing rhythm that sets hearts a flutter? It’s a universal truth. It may have started as an African secret formula, but it was co-opted and catapulted into white western culture by some hip caucasian standard bearers. Here we’ll examine the psycho-physical connection through two seemingly unrelated musical delicacies: one by the undisputed titan of respectable jazz, and the other by a racially mixed group of Philadelphia teens who barely made it out before the doo-wop death spiral. Bongo Stomp, from 1962, by Little Joey and the Flips, doesn’t even feature real bongos (the drummer Jeff Leonard is simulating the jungle signature on his toms). But, it definitely swings. The other showcases legendary stickman, Gene Krupa, who showed the world his undeniable big swinging dick energy. BENNY GOODMAN 1938 was ground zero, the big bang, the crossroads of Jazz and its soon to be birthed step-child, Rock n Roll. Benny Goodman and his band played Carnegie Hall and made history. First as a cultural event, and later, when the live recording was released in 1950 as a double album which sold over a million copies. Bei Mir Bist Du Schöen is a defiantly wonderful conglomeration of Yiddish lyrics delivered by Martha Tilton- (remember, simultaneously, Hitler was ramping up his power in Europe) - and, an irresistible swing rhythm smoothly rendered - which breaks into a kind of super charged klezmer section. It must have been startling in 1938, and it hasn’t lost its power to captivate almost 100 years later. LITTLE JOEY AND THE FLIPS By 1962, Doo-Wop was about to be consigned to the dust bin of History, along with the crooners that had dominated the previous decade. The British Invasion was about to begin, which would turn the record business on its head. But, just prior to that cataclysm, Joseph Hall and his 4 Pendleton wearing compadres arrive, dip dip dipping their striped hearts out, and they release this anomaly on Joy Records, which makes it to 33 on the charts. This was followed by only a couple more tries… then, oblivion. Maybe it was that swinging “bongo” break that lifted the Frankie Lymon-esque knock-off to its catchy heights?…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE BOHEMIA FILES- ROKY ERICKSON- "THE REVEREND OF KARMIC YOUTH"-THE THIN LINE BETWEEN ECSTASY AND NIGHTMARES- A COIN OF MADNESS AND THOUGHTFUL THUNDER- THIS WILL LEAVE YOU STANDING IN THE SHADOWS… 45:09

vor 27 Tagen45:09

45:09

THE REVEREND OF KARMIC YOUTH- 1The Interpreter 2Starry Eyes 3For You 4Bloody Hammer 5The Wind And More 6Night Of The Vampire 7You're Gonna Miss Me 8I Walked With A Zombie 9Stand For The Fire Demon 10 When You Get Delighted 11 To Think 12 Warning 13 True Love Cast Out All Evil 14 Loving Isn't A Part Time Thing 15 The Looking Glass Song As lead singer of Texas’ infamous 13th Floor Elevators — one of rock’s earliest, strangest and greatest psychedelic bands — Roky Erickson explored the far reaches of musical and personal extremes. The Elevators’ first two albums (Psychedelic Sounds of the 13th Floor Elevators and Easter Everywhere, released, respectively, in 1966 and ’67) are essential classics whose far-reaching influence transcends genre boundaries. Following a nightmarish ’70s mental-hospital stint that reportedly had a devastating long-term effect on his mental health, Erickson’s subsequent work revealed a singularly brilliant songwriter and performer whose talent was no less impressive for the fact that he was singing about zombies, vampires and aliens. Indeed, the demons that abound in Roky’s songs are all-too-real reflections of his own troubled psyche, and the combination of the artist’s oddly poetic lyrical constructions and his bracing banshee wail makes it clear, as it wasn’t always, that he’s not kidding. The Elevators fell apart in the late ’60s, when Erickson began a three-year stretch in a state mental institution to avoid criminal prosecution on a drug charge. He didn’t return to recording until the second half of the ’70s, with a string of one-off singles and the four-song Sponge-label EP (reissued in 1988 as Two Headed Dog). Three of the EP’s numbers were re-recorded for the 1980 CBS UK LP (the title of which is actually five unpronounceable ideograms). Roky Erickson and the Aliens is an excellent manifestation of his post-Elevators persona, expressing dark dilemmas through creepy horror-movie imagery. Roky sings such offbeat gems as “I Walked with a Zombie” and “Creature With the Atom Brain” in a tremulous voice that insists he’s telling the truth — or at least believes he is. Former Creedence Clearwater bassist Stu Cook turned in an excellent production job, bringing the hard electric guitars (and Bill Miller’s electric autoharp) into a sharp focus that underscores Roky’s excitable state. Erickson and band seem less unstable than the drug-crazed Elevators (best remembered for “You’re Gonna Miss Me”), but just barely.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE BOHEMIA FILES- "IN THE BEGINNING"- RICH BUCKLAND'S 2009 TEST EPISODE FOR WHAT WOULD LATER BECOME THE PODCAST SERIES THE WORLD COULD EASILY LIVE WITHOUT- OR CAN IT? WITH WILLY DEVILLE, LENNY… 18:39

vor 28 Tagen18:39

18:39

SPLENDOR OF BOHEMIA PRESENTS- "IN THE BEGINNING"- RICH BUCKLAND'S 2009 TEST EPISODE FOR WHAT WOULD LATER BECOME THE PODCAST SERIES THE WORLD COULD EASILY LIVE WITHOUT- OR CAN IT? WITH WILLY DEVILLE, LENNY BRUCE AND OUR SPECIAL GUEST CHARLES MANSON-DIG THIS!

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE BOHEMIA FILES- CHARLES MANSON- "THE WHITE ALBUM"- WITH THE EXCEPTION OF THE CHIPMUNKS CHRISTMAS ALBUM, THESE TRACKS COMPRISE THE FEEL GOOD, BAD & UGLY ALBUM OF ANY SEASON- THE ENTIRE 28 TRACK… 1:11:26

vor 28 Tagen1:11:26

1:11:26

'69 AND THE CRIME ETCHED IN TIME - "When I Was 17, It was not a very good year" Rich Buckland Well. Here is something I've yet to get over in all the years since I first read the grisly details of Sharon Tate’s murder in the Sunday newspaper’s Parade magazine when I was just a wacky hippie teen and beach Boys fanatic. Cult-leader and killer Charles Manson and Beach Boy drummer and surfer Dennis Wilson were friends. For a while, at least. Good enough friends that Manson and his “family” of young women lived with Wilson for several months. Good enough friends that Wilson convinced the Beach Boys to include a song written by Manson, who had musical ambitions, on their album 20/20 . Which brings me back to the main bad guy, Charles Manson. I knew as early as the Parade magazine article that Manson and his “family” had gone to Sharon Tate’s house looking for Terry Melcher, who did not live there. And I knew that Manson’s actual target was this Terry Melcher, who I also knew was Doris Day’s son. As it turns out, he was an important producer in the music industry. Yes indeed gand. The 60's was not all Peace, Love and Understanding. In 1988, Melcher earned a Golden Globe nomination for co-writing the song " Kokomo " with John Phillips , Scott McKenzie and Mike Love . Recorded by the Beach Boys, the song was featured in the 1988 Tom Cruise film Cocktail and hit No. 1 (the band's career fourth overall) on the Billboard Hot 100 . The single was certified gold with U.S. sales of more than one million copies. [18] Melcher later co-wrote and produced the band's 1992 studio album Summer in Paradise , which was the first record produced digitally on Pro Tools . Charles Manson- The White Album One of the two great influences on the thinking of Charles Manson, along with the Book of Revelation, was the musical group the Beatles. According to Family members, Manson would most often quote "the Beatles and the Bible." The two influences were linked, in that Manson saw the four Beatles members as being the "four angels" referred to in Revelation 9. Revelation 9 also tells of "locusts"--the Beatles, of course--coming out upon the earth. It describes prophets as having "faces as the faces of men" but with "the hair of women"--an assumed reference too the long hair of the all-male English group. In Revelation 9, the four angels with "breastplates of fire"--electric guitars--"issued fire and brimstone"--song lyrics. Manson believed that the Beatles spoke to him through their lyrics, especially those included in the White Album, released in December 1968. Several songs from the White Album crystalized Manson's thinking about a coming revolt by blacks against the white Establishment. He interpreted many of the songs idiosyncratically, believing, for example, that "Rocky Raccoon" meant black people and "Happiness is a Warm Gun" was a song about getting firearms to carry on the&…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE." A HEX AND THE CURSE OF LOVE CONJURED BY COCK ROBIN AND OLIVIA RODRIGO. DOUBLE DOWN! 12:34

vor 4 weeks12:34

12:34

Ok, folks, we’ve got an unlikely pairing of unrequited torch anthems with an almost 40 year time span between them, featuring points of view which diverge 180 degrees. The first, from Cock Robin, showcases synthesized sounds which seem like they were caught in amber in 1985, and the second, an astounding display of songwriting and vocal pyrotechnics from prodigy of the moment, Olivia Rodrigo. COCK ROBIN / WHEN YOUR HEART IS WEAK The Europeans understand love…it’s Amore in Italy, L’amour to the French, In German it’s Die Liebe, and it’s Liefde to the Dutch. Perhaps this is why Europe is where Cock Robin’s music made its biggest impact. This song, “When Your Heart Is Weak” which only made it to #35 in the US, was a top 20 hit across the European continent. Singer-songwriter Peter Kingsbury croons insinuatingly that he’ll patiently wait for his love object’s moment of weakness so he can pick the lock to her heart, and he clearly means business. (With an obsessiveness that borders on harassment, the song insists that her conquest is inevitable). As the synths swell in an oceanic tidal wave, the lover, who’s been waiting in the shallows for his moment, will swim over to his drowning muse, life preserver in his teeth, and rescue the maiden in distress - and she, eternally grateful, will be his forever. OLIVIA RODRIGO / VAMPIRE In the next scenario things have gone horribly wrong. Whatever strategy the “Vampire” of the title used to seduce this seething innocent, he left her wanting to eviscerate him publicly - which she has done in spades. This world wide chart topper, which started life as a plaintive piano ballad, was expanded, under Dan Nigro’s production, to become an operatic, pop rock anthem. Even the use of the epithet “fame fucker” did not deter the public’s monumental thirst to hear this song over and over again on repeat. (Although there is a clean version with the substituted “Dream Crusher” - which doesn’t quite compare, does it?) Olivia is 22, model gorgeous, and has amassed an army of pre-teen followers (Ala Taylor Swift). Her outspoken opinions and free use of sexual language have alarmed some parents, but, Ms. Rodrigo is a nice, well brought up lady who only wants to be a good role model, and gifted with a prodigious talent that promises to carry her the distance, expect more musical revelations in the years to come.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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BILL MESNIK'S SUNNY SIDE OF MY STREET PRESENTS: DAYS OF WINE AND ROSES BY BILL EVANS AND TONY BENNETT (FANTASY, 1975) EPISODE #94 4:57

vor 5 weeks4:57

4:57

Here is a “Sunny Song”, wherein the fleeting sunlight is a dappled reminder of the evanescence of existence. They’re all gone now: Bill Evans (piano), Tony Bennett (vocals), Henry Mancini (Composer), and Johnny Mercer (Lyricist), but their beautiful creation lives on to remind us to gather our rosebuds while we may. Sadness, and gratitude run in equal measure throughout all of the song’s manifestations. The title itself derives from an 1896 poem by Ernest Dowson, taken from the Roman poet, Horace, whose latin translates as: “The brief sum of life forbids us the hope of enduring long;” The film for which Mancini and Mercer furnished this deathless song, was so tragic in its portrayal of addiction, that, even as a 10 year old, I mourned for the hopelessness of Jack Lemmon and Lee Remick’s doomed romance that should have produced nothing but happiness, but brought only sorrow. In the magician's hands of Bill Evans, the chordal melody seems to waft in the breeze, and Tony Bennett’s voice, never more supple, interprets the wistfulness of unfulfilled longing with a seasoned perfection. The results: a collaborative triumph. Tony was quoted as saying that their recordings were “the most prestigious thing I ever did”. Quite a statement from the acknowledged master.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" DOUBLE STANDARD: A CHEATER’S PURGATORY - A LANDSCAPE OF DECEPTION DELINEATED BY DON COVAY, MASTER OF MUSICAL PAIN AND PRIDE. FEATURING DON COVAY AND… 12:03

vor 6 weeks12:03

12:03

When it comes to infidelity: can we have our cake and eat it too? In the following two songs, written by the incomparable Don Covay, this theme is explored. The two men narrating these tales of inconstancy are in turmoil - one cheater feels guilty, while the other betrayer is suffering from hurt pride - because his woman is playing the same game. The soulful bard who created these parables of marital strife covers the gamut here: in the first you’ll hear the voice of the creator himself, Mr. Covay, on a special alternate track of “I Was Checking Out While She Was Checking in”; the second song, “I Stole Some Love” features one of his best interpreters, Peter Wolf, of the J. Geils Band. Donald James Randolph, aka Don Covay aka “Superdude” left us in 2015 with a legacy of pungent excavations of the human psyche, often delivered with toe tapping, humorous perfection. Although he was a charismatic performer in his own right, he was known predominantly as a songwriter with an unerring instinct for hits. Starting out in the fifties as a chauffeur and opening act for Little Richard, Covay went on to pen a raft of chart toppers such as Mercy Mercy (recorded by the Stones), See Saw, and Chain of Fools, for which Aretha Franklin won a Grammy. But it was in ’72, doubling as an A&R man for Mercury Records, that Don hit performing pay dirt with “Superdude,” which contained the following song-monologue, which we are honored to present here with this alternate take, where the singer ruminates on the irony of his unique situation. In ’92, Don suffered a stroke, and Ronnie Wood of the Faces and the Stones, produced a tribute album entitled “Back to the Streets” which contained the Covay classic “I Stole Some Love,” delivered here with characteristic swagger by the one and only Peter Wolf - former front man for the J. Geils Band. 79 years old and still going strong, the ex late night DJ “Woofa Goofa”, turned undeniable Rock Star and raconteur, has recently delivered an engrossing memoir “Waiting on the Man: Artists, Poets, Drifters, Grifters, and Goddesses” about his life’s journey, and the iconic artists he’s encountered along the way- starting with his stint studying art at Tufts University, and rooming with David Lynch. (He was also married to Faye Dunaway for five years)…, so he knows a lot about a lot of stuff, including failed romance. And, on this cut, his tortured vocal attests to the emotional vise he’s caught in.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

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THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" -NEW SERIES! WITH PETER COOK, DUDLEY MOORE, JAN BERRY, AND DEAN TORRANCE. TWO PAIRS OF ODD-FELLOWS, CAVORTING FOR OUR PLEASURE - DOUBLE DOWN! 7:58

vor 7 weeks7:58

7:58

Right here, squaring off, from opposite sides of the Atlantic, we present: Dueling tag-teams of zaniness — wearing fanciful disguises, winking at traditional forms, and tweeting in a birdlike falsetto… Good stuff! BEDAZZLED The Faustian satire Bedazzled, created by genius comedian Peter Cook (who plays the Devil trying to bargain for souls), makes good use of the talents of his Chaplin-esque comedy partner, Dudley Moore (who you might remember from the hit films Ten and Arthur), who plays the shlumpy Wimpy Burger cook, Stanley, willing to bargain away his mortal soul for love. The team first worked together in the early 60s smash stage revue BEYOND THE FRINGE, then coalesced on the BBC as Pete and Dud, (and, later, even more darlingly in the scatalogical bootleg recordings of Derek and Clive). In 1966, with Bedazzled they were on the rise commercially, and Moore, an Oxford trained classical and jazz pianist, wrote all the music for the film. In this cut, entitled Leaping Nuns chorus, the sisters of the Order of Saint Beryl (including Stanley in full habit) show their devotion to the Saint by jumping on trampolines. JAN AND DEAN MEET BATMAN Also in ‘66, laboring secretly on a similar track, energized by the same Goon Show type inspiration, Jan Berry and Dean Torrance were working to expand, (but not abandon) their surf sound by adding a storyline and special effects, and creating some nutty theater of the mind. Who knows where this might have led, if Jan’s tragic car collision a few week’s after the record’s release, (resulting in his massive head injuries), hadn’t sidelined the team’s ambitions? Perhaps a blockbuster TV series…? There was always a comic element to the Jan and Dean performance style. (Check out the classic Rock concert film Tami Show, which they hosted). They may have looked like copper toned surf hunks, but maybe there was some Abbott and Costello lurking beneath the Golden Boy surface.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

1
BILL MESNIK'S SUNNY SIDE OF MY STREET PRESENTS: BIG BAD BILL (IS SWEET WILLIAM NOW) BY RY COODER, (REPRISE, 1978) EPISODE #93 6:02

vor 8 weeks6:02

6:02

From the first moment I heard this ditty, it became my theme song. I learned to play it - (in a far cruder fashion than Ry, of course) and worked it into my set list. Just like the character Bill in the narrative, - (my name, btw) - my reprobate ways had also been domesticated by love. And, another harmonic convergence: I had even spent a year in Louisville, Kentucky. Jack Yellen, the Jewish-Polish immigrant who wrote these Jazz-age lyrics, also penned Happy Days are Here Again, and Ain’t She Sweet. If he had only created these three songs, his oeuvre would have been impressive. His art was another example, like that of Irving Berlin and the Gershwins, of the affinity young Jewish musicians expressed for black culture. And, like the Semitic moguls of old Hollywood - they became reflectors of America’s aspirational self-image. Ry Cooder’s Jazz album was not exactly an anomaly - he has always been a musical archeologist, but on this collection he strove for unparalleled authenticity. Check out his jaw dropping rendition of Bix Beiderbecke’s In A Mist. Sublime. He’s a national treasure, and if the jaunty swing-time on this number doesn’t get your feet tapping - check your pulse - you might be dead.…

DIG THIS WITH BILL MESNIK AND RICH BUCKLAND- THE SPLENDID BOHEMIANS

1
HOTEL BOHEMIA PRESENTS "DAMAGE CONTROL"- THE BOYS REFLECT UPON THE ORIGINAL GIRL'S INTERRUPTED, ZAPPA'S MAGIC GROUPIE TROUPE, THE GTO'S - PLUS DAVID JOHANSEN BOARDS THE MYSTERY TRAIN WITH HIS HEART… 54:36

vor 9 weeks54:36

54:36

"GRIEVING IN THE DOLLS HOUSE" David Johansen passed away peacefully at home on February 28, holding the hands of his wife Mara Hennessey and daughter Leah, in the sunlight surrounded by music and flowers. After a decade of profoundly compromised health he died at the age of 75. David and his family were deeply moved by the outpouring of love and support they’ve experienced recently as the result of having gone public with their challenges. He was thankful that he had a chance to be in touch with so many friends and family before he passed. He knew he was ecstatically loved. "My mother and I would like to thank everyone for the fathomless love and support you’ve all shown us since we went public with David’s diagnosis. We were able to make the last few weeks of David’s life with us as serene and anxiety free as possible. As well as alleviating some of our more pressing material concerns, this campaign did make David feel profoundly connected. He really did feel the love from everyone. For the time being we will leave the fund open to contributions, to continue to pay off the debts accrued during David’s long illness. We will share details about memorials and tributes soon. There will be several events celebrating David’s life and artistry, details to follow. Thank you so much for the …LUV Love, Leah and Mara" THE GTO'S -"PERMANENT DAMAGE"- THEIR LONE VINYL FOOTPRINT "HARDLY A CHEAP TRICK" These seven young women left a permanent mark upon my perceptions of the feminine equation and artistic desires during what was known as the 60's Summer of Love. So much to ponder about these girls who just wanted to have fun. They left a legacy which when viewed through the lens of artistic achievement, made them the first female Punk Rockettes. When the testimony is placed under the microscope of human triumph, destiny betrayed them. They were the creation of a time (The 1960's) and a place (Laurel Canyon) where history tells us that the possibilities of inclusion could make a groupie as appreciated as Joni Mitchell. Frank Zappa knew better. Frank understood the nature of Permanent Damage. The most famous and successful of the GTOs is Miss Pamela, currently Pamela Des Barres, author of the groupie-memoir I'm With The Band. Des Barres's new book, Let's Spend the Night Together, a collection of interviews with fellow rock groupies, was released on July 1, 2007. Miss Mercy's 'biography' was expanded at length within the chapter entitled, "Miss Mercy's Blues". Also within the book, Des Barres notes that Miss Cynderella died in 2007 under mysterious circumstances. Miss Christine died on November 5th, 1972, of an overdose in a hotel room, after spending close to a year in a full body cast to correct her crooked spine. Miss Lucy died of an AIDS-related disease in the early 1990s. During her time as a GTO, Sandra became pregnant by Zappa's resident artist, Calvin Schenkel, and had a daughter named Raven. Miss Sandra later moved back to San Pedro and eventually Italy with her new husband and three children. She died of cancer on April 23, 1991. Miss Sparky is still alive, but not much has been divulged of her post-GTO's endeavours. In Circular Circulation, They Circle Continuously. - Rich Buckland…

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