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Inhalt bereitgestellt von Kelly Therese Pollock. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Kelly Therese Pollock oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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The Red Summer of 1919 & Black Resistance

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Manage episode 421781465 series 2934593
Inhalt bereitgestellt von Kelly Therese Pollock. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Kelly Therese Pollock oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In 1919, racial tensions in the US, exacerbated by changes brought about by the first wave of the Great Migration and by the return of Black soldiers who demanded equal citizenship from the country they’d fought for, boiled over into a summer of violence. In Washington, DC, 39 people died after days of fighting between white mobs and Black citizens who stood their ground and fought back. The events of the Red Summer are just one example of the ways that Black Americans have resisted white supremacy. Our guest this episode, Dr. Kellie Carter Jackson, the Michael and Denise ‘68 Associate Professor of Africana Studies and the Chair of the Africana Studies Department at Wellesley College and author of We Refuse: A Forceful History of Black Resistance, discusses five remedies by which Black people have responded and continue to respond to white supremacy.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “My way's cloudy,” a traditional negro spiritual, arranged by H.T. Burleigh, and performed by Contralto Marian Anderson and a backing orchestra conducted by Rosario Bourdon, in Camden, New Jersey, on December 10, 1923; the recording is in the public domain and is available via the Library of Congress National Jukebox.

The episode image is “National Guard during the 1919 Chicago Race Riots,” photograph by Jun Fujita; the photograph has no known copyright and is available via the Chicago History Museum, ICHi-065477.

Additional Sources:

Advertising Inquiries: https://redcircle.com/brands

  continue reading

172 Episoden

Artwork
iconTeilen
 
Manage episode 421781465 series 2934593
Inhalt bereitgestellt von Kelly Therese Pollock. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Kelly Therese Pollock oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In 1919, racial tensions in the US, exacerbated by changes brought about by the first wave of the Great Migration and by the return of Black soldiers who demanded equal citizenship from the country they’d fought for, boiled over into a summer of violence. In Washington, DC, 39 people died after days of fighting between white mobs and Black citizens who stood their ground and fought back. The events of the Red Summer are just one example of the ways that Black Americans have resisted white supremacy. Our guest this episode, Dr. Kellie Carter Jackson, the Michael and Denise ‘68 Associate Professor of Africana Studies and the Chair of the Africana Studies Department at Wellesley College and author of We Refuse: A Forceful History of Black Resistance, discusses five remedies by which Black people have responded and continue to respond to white supremacy.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “My way's cloudy,” a traditional negro spiritual, arranged by H.T. Burleigh, and performed by Contralto Marian Anderson and a backing orchestra conducted by Rosario Bourdon, in Camden, New Jersey, on December 10, 1923; the recording is in the public domain and is available via the Library of Congress National Jukebox.

The episode image is “National Guard during the 1919 Chicago Race Riots,” photograph by Jun Fujita; the photograph has no known copyright and is available via the Chicago History Museum, ICHi-065477.

Additional Sources:

Advertising Inquiries: https://redcircle.com/brands

  continue reading

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