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The Agile Brand with Greg Kihlström®: Expert Mode Marketing Technology, AI, & CX


Does your AI-based interface talk to customers the way a real person would or is it tech for tech’s sake? We are here at Forrester CX in Nashville, TN and hearing all about the latest insights and ideas for brands to create better experiences for their customers. Agility is less about bolting on new features just because the tech is available and more about making tomorrow’s experiences feel intuitive and natural to the end customer using them. Today we’re diving into designing for the future of experiences with AJ Joplin, Senior Analyst at Forrester. About AJ Joplin AJ is the lead analyst for Forrester’s research on experience design (XD), design organizations, and design leadership. Helping XD and customer experience (CX) leaders develop and deliver on research-based strategy is AJ’s professional passion. She has observed that the most effective organizations combine clear purpose with the right people and leverage systems to clarify decision-making, prioritization, and workflows. AJ also has years of workshop facilitation experience in human-centered design and design thinking. Using her professional coaching skills, AJ bring clients through ambiguity and into alignment on what matters and what’s next. Resources Forrester: https://www.forrester.com https://www.forrester.com Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brands Don't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150 " Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstrom Don't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company…
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×About Ocean Vuong: Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. About The Emperor of Gladness: Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink. Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.…
About Curtis McRae: Curtis John McRae is editor-in-chief at Yolk Literary Journal. His fiction has appeared in The New Quarterly, Prairie Fire, Chronicling the Days anthology (Guernica Editions, 2021), and others. Quietly, Loving Everyone is his debut short story collection. About Quietly, Loving Everyone: A striking debut collection by one of Montreal’s brightest young writers. Quietly, Loving Everyone, Curtis McRae’s debut collection of stories, assembles a meditative and often profound cycle of portraits pulled from everyday Canadian life. A young boy raises James Dean from the dead, only to find out the cult icon is not the playmate he’d hoped for. A university student riddled with ulcers silently spirals after being diagnosed with an autoimmune disease. A young girl takes a road trip with her older sister to Cape Cod, and years later reconstructs the tragic circumstances behind what she remembers. A couple goes on a date at an old porn theatre that is the last remaining vestige of a neighbourhood that has moved on. McRae plays witness characters at those crucial beginnings or ends of relationships, with lovers, friends, family, and most importantly themselves.…
About Adelaide Faith: Adelaide Faith worked as an editor in the Schools Department of Channel 4 before training to be a veterinary nurse at Battersea Cats and Dogs Home, after which she worked as a nurse at the RSPCA and the PDSA. Her short fiction has appeared in Forever Magazine, Hobart, Vol. 1 Brooklyn, Maudlin House, Farewell Transmission, ExPat Press, and Stone of Madness Press. She is a member of Chelsea Hodson’s Morning Writing Club, and she lives in Hastings with her young daughter and old dog, Pierrot. About Happiness Forever: A complete refreshment and uplift of energy: a hilarious, beguiling first novel for the head and the heart. Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure. Outside therapy Sylvie has what she considers to be a small life: a job as a veterinary nurse, companionship from her tattoo artist friend via text, and seaside walks with her brain-damaged dog, Curtains. But maybe therapy is making a difference, inviting her to imagine possibilities—possibilities that include a new friend she meets on the beach. When the therapist starts to prepare Sylvie for the terrible fact that all treatment has to come to an end, Sylvie can’t stop herself from imagining sleeping in her car parked outside the therapist’s house. That won’t work. She has to be brave. Be brave, Sylvie! We love you. In this wonderful, hilarious, stunning debut, Adelaide Faith captures the vulnerability, difficulty and joy of personhood, of being a person, of being alive.…
About Adam Ross: ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. About Playworld: “In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.…
About Amanda Leduc: AMANDA LEDUC is a disabled writer whose most recent novel, The Centaur's Wife, is "an exquisite magical world, perfectly rendered, for [a] dark and wonderful story about the dream life of outsiders and the disabled" (Heather O'Neill). Her non-fiction book Disfigured: On Fairy Tales, Disability, and Making Space was nominated for the 2020 Governor General’s Award. Her essays and stories have appeared across Canada, the US, the UK and Australia, and she speaks regularly across North America on accessibility and the role of disability in storytelling. Amanda holds a Master's degree in Creative Writing from the University of St. Andrews. She has cerebral palsy and presently makes her home in Hamilton, Ontario, where she lives with a very lovable dog named Sitka, who once ate and peed on a manuscript. (Everyone’s a critic, it seems.) About Wild Life: Amanda Leduc’s dazzling new novel follows two walking, talking hyenas as they interact with humans over decades. Blurring the line between human and animal, these strange messengers reveal what is possible when the cages that contain us are broken. In 19th-century Scotland, young Josiah is banished by his father for seeing the divine in the animals around him and sent to Siberia with a small Christian mission to purge such nonsense from his soul. Miserably scrubbing the chapel floor one night, Josiah is visited by what he thinks is God in animal form. When his saviours, a hyena and her mate, rescue him from a natural disaster that kills the other missionaries and then bring him safely home, he founds a religion based on his belief that God granted speech to the hyenas as part of a divine plan to heal and exalt the human race. The hyena pair, Barbara and Kendrith, aren't so sure that Josiah has it right. But with their beautiful strangeness, they utterly transform the people they encounter over succeeding generations. As Josiah's church gathers adherents, more and more animals start to speak to humans—from signing baby gorillas to seductive alligators. At first one or two rebellious pets make a break for freedom, but then comes a mass exodus of all animals held captive, forcing people to contend with a wildness in themselves they have spent millennia denying. The end of this remarkable fairytale is both joyful and devastating, completely dissolving the boundary between what's "human" and what's "animal."…
About Katie Kitamura: Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. About Audition: One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.…
About Kevin Nguyen: Kevin Nguyen is the author of the novel New Waves. He is the features editor at The Verge and was previously a senior editor at GQ. He lives in Brooklyn. About My Documents: Ursula, Alvin, Jen, and Duncan grew up as cousins in the sprawling Nguyen family. As young adults, they’re on the precipice of new ventures: Ursula as a budding journalist in Manhattan, Alvin as an engineering intern for Google, Jen as a naïve freshman at NYU, and Duncan as a promising newcomer on his high school football team. Their lives are upended when a series of violent, senseless attacks across America creates a national panic, prompting a government policy that pushes Vietnamese Americans into internment camps. Jen and Duncan are sent with their mother to Camp Tacoma while Ursula and Alvin receive exemptions. Cut off entirely from the outside world, forced to work jobs they hate, Jen and Duncan try to withstand long, dusty days in camp and acclimate to life without the internet. That is, until Jen discovers a way to get messages to the outside. Her first instinct is to reach out to Ursula, who sees this connection as a chance to tell the world about the horrors of camp—and as an opportunity to bolster her own reporting career in the process. Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.…
About Laurie Woolever: Laurie Woolever is a writer and editor. She spent nearly a decade assisting Anthony Bourdain, with whom she coauthored the cookbook Appetites and World Travel. She’s written about food and travel for the New York Times, GQ, Food & Wine, Lucky Peach, Saveur, Dissent, Roads & Kingdoms, and others, and has worked as an editor at Art Culinaire and Wine Spectator. She is also the New York Times bestselling author of Bourdain: The Definitive Oral Biography. About Care and Feeding: A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain. Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all—from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli—while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood. As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.…
About Andrew Lipstein: Andrew Lipstein is the author of Last Resort (2022), The Vegan (2023), and Something Rotten (2025). He lives in Brooklyn, New York, with his wife and three sons. About Something Rotten: In his provocative, crackling new novel, Andrew Lipstein spins a wicked web through the heart of Copenhagen. You'll question everyone and everything—even the very nature of truth. Cecilie is a fed-up New York Times reporter. Her husband, Reuben, is a disgraced former NPR host and grudging stay-at-home dad. Neither can wait to flee New York and spend the summer in Copenhagen, Denmark, Cecilie’s hometown. But their vacation begins to turn inside out as soon as they land: Cecilie’s first love, Jonas, has been diagnosed with a rare, fatal illness. All of Cecilie’s friends are desperate to get him help—that is, except for Mikkel, a high-powered journalist who happens to be the only one Jonas will listen to. Mikkel’s influence quickly extends to Reuben, who’s not only intoxicated by Mikkel’s charm, but discovers in him a new model of masculinity—one he found hopelessly absent in America. As Mikkel indoctrinates Reuben with ever more depraved stunts, Reuben senses something is seriously amiss. Cecilie, too, begins to question who to trust—even herself. Drawn in by the gravity of the past, she can’t help but stray onto the road not taken. A twisting, thrilling tale of loyalty and deceit, lovers and fools, Andrew Lipstein's Something Rotten proves that sometimes to be kind you have to be cruel beyond belief.…
About Haley Mlotek: HALEY MLOTEK is a writer, editor, and organizer whose work has appeared in the New York Times Magazine, The New Yorker, The Nation, T Magazine, ELLE, Harper’s Bazaar, Hazlitt, and n+1, among others. She is a founding member of the Freelance Solidarity Project, a distinct division for digital media workers within the National Writers Union, and teaches in the English and Journalism departments at Concordia University. Previously, Mlotek was the deputy editor of SSENSE, the style editor of MTV News, the editor of The Hairpin, and the publisher of WORN Fashion Journal. About No Fault: When Haley Mlotek was ten years old, she told her mother to leave her father. Divorce was all around her. Her mother ran a mediation and marriage counseling practice out of Mlotek’s childhood home, and Mlotek spent her preteen years answering the phones and typing out parenting plans for couples in the process of leaving each other. She grew up with the sense that divorce was an outcome to both resist and desire, an ordeal that promised something better on the other side of something bad. But when she herself went on to marry—and then divorce—the man she had been with for twelve years, suddenly, she had to reconsider everything she thought she understood about divorce. Deftly combining her personal story with wry, searching social and literary exploration, No Fault is a brilliant account of 21st century divorce—its remarkably common yet seemingly singular impact, and what it reveals about our society and our desires for family, love, and friendship. Mlotek asks profound questions about what divorce should be, who it is for, and why the institution of marriage maintains its power, all while charting a poignant and cathartic journey away from her own marriage and towards an unknown future. Brilliant, funny, and unflinchingly honest, No Fault is a kaleidoscopic look at marriage, secrets, ambitions, and what it truly means to love and live with uncertainty, betrayal, and hope.…
About Torrey Peters: Torrey Peters is the bestselling author of the novel Detransition, Baby, which won the PEN/Hemingway Award for Debut Novel and was named one of the 100 Best Books of the 21st Century by The New York Times. It was also a finalist for the National Book Critics Circle’s John Leonard Prize, a finalist for the Brooklyn Public Library Book Prize, and longlisted for the Women’s Prize for Fiction. She has an MFA from the University of Iowa and an MA in comparative literature from Dartmouth. Peters rides a pink motorcycle and splits her time between Brooklyn and an off-grid cabin in Vermont. About Stag Dance: n this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.…
About Lauren Elkin: Lauren Elkin is the author of Art Monsters and Flâneuse, a New York Times Book Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among other publications. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. About Scaffolding: The debut novel by the acclaimed author of Flâneuse and Art Monsters, Lauren Elkin’s Scaffolding is a story of Paris, desire, love, psychoanalysis, and the turbulent affairs of two couples across time. Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn’t sure he’s ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin’s Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we’ve loved live on in us.…
About Fawn Parker: FAWN PARKER is the author of the novels What We Both Know, longlisted for the 2022 Scotiabank Giller Prize, Set-Point, and Dumb-Show, and the poetry collection Soft Inheritance, winner of the Fiddlehead Poetry Book Prize and the J. M. Abraham Atlantic Poetry Award. Her story “Feed Machine” was longlisted for the 2020 Writers’ Trust McClelland & Stewart Journey Prize, and her story “WunderHorse II” was anthologized in André Forget’s After Realism. Fawn is a Ph.D. student at the University of New Brunswick. She divides her time between Toronto and Fredericton. About Hi, It's Me: Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs. Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages. I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her. In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?…
About Sofia Ajram: Sofia Ajram (he/she) is a metalsmith and literary horror writer who specializes in feverish stories of anomalous architecture and gay pining. He is the editor of the forthcoming Bury Your Gays: An Anthology of Tragic Queer Horror. She has also given lectures on contemporary horror films at Monstrum Montreal and serves as a moderator of r/horror on Reddit. Sofia lives in Montreal with her cat Isa. Find them on Twitter and Instagram @sofiaajram. About Coup de Grâce: A mindbending and visceral experimental horror about a young man trapped in an infinite Montreal subway station, perfect for readers of Mark Z. Danielewski and Susanna Clarke. Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn’t been trapped there accidentally, and amongst the shadows and concrete, he comes to realise that he almost certainly is not alone. A terrifying psychological nightmare from a powerful new voice in horror.…
In celebration of our 100th episode, Alex and Sruti reflect on just a few of their favourite conversations throughout the years, including conversations with Elif Batuman, Sean Thor Conroe, Lillian Fishman, Isle McElroy, Ottessa Moshfegh, Larissa Pham, and Marie-Helene Bertino.
About Nora Lange: Nora Lange's writing has appeared or is forthcoming in BOMB , Hazlitt , Joyland , American Short Fiction , Denver Quarterly , HTMLGiant , LIT , The Fairy Tale Review, and elsewhere. Her project Dailyness was longlisted for the 2014 Leslie Scalapino Award for Innovative Women Performance Writers. She received her MFA from Brown University's Literary Arts Program where she was a Kaplan Fellow, and will be a 2024 fellow at the Los Angeles Institute for the Humanities. An earlier iteration of Us Fools was shortlisted for The Novel Prize in 2020, a prize to recognize and publish novels that explore and expand the possibilities of the form. She lives in Los Angeles, California. About US Fools: A tragicomic, intimate American story of two precocious sisters coming of age during the Midwestern farm crisis of the 1980s. Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents’ volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie’s imaginative solutions for escape come up short against their parents’ realities, the family leaves their farm for Chicago, where Joanne—free-spirited, reckless, and unable to tame her inner violence—rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she’s learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the…
About Kevin Lambert: Born in 1992, Kevin Lambert grew up in Chicoutimi, Quebec. May Our Joy Endure won the Prix Médicis, Prix Décembre, and Prix Ringuet, and was a finalist for the Prix Goncourt. His second novel, Querelle de Roberval, was acclaimed in Quebec, where it was nominated for four literary prizes; in France, where it was a finalist for the Prix Médicis and Prix Le Monde and won the Prix Sade; and Canada, where it was shortlisted for the Atwood Gibson Writers' Trust Fiction Prize. His first novel, You Will Love What You Have Killed, also widely acclaimed, won a prize for the best novel from the Saguenay region and was a finalist for Quebec’s Booksellers’ Prize. Lambert lives in Montreal. Donald Winkler is a translator of fiction, non-fiction, and poetry. He is a three-time winner of the Governor General's Literary Award for French-to-English translation. He lives in Montreal. About May Our Joy Endure: Winner of the 2023 Prix Médicis, Prix Décembre, and Prix Ringuet Céline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social fabric of neighborhoods, ushering in a new era of gentrification, and many even deadlier sins. When she is deposed as CEO of her firm, Céline must make sense of the charges against herself and the people in her elite circle. For the first time in danger of losing their footing, what fictions must they tell themselves to justify their privilege and maintain their position in the world that they themselves have built? Moving fluidly between Céline’s perspective and the perspectives of her critics, and revealing both the ruthlessness of her methods and the brilliance of her aesthetic vision, May Our Joy Endure is a shrewd examination of the microcosm of the ultra-privileged and a dazzling social novel that depicts with razor-sharp acuity the terrible beauty of wealth, influence, and art.…
About Kristen Felicetti: Kristen Felicetti is a writer based in Rochester, NY. For over a decade, she edited the literary magazine The Bushwick Review. Log Off is her debut novel. About Log Off: In the early 2000s, from a dial-up connection in a Western New York suburb, sixteen-year-old Ellora Gao logs on to the Internet to start a secret LiveJournal. Abandoned as a child by her troubled mother and left with her former stepfather Brian, an emotionally distant alcoholic, Ellora hopes to find the close relationships online that are missing from her real life. But her online diary isn't entirely serious, it's also where she can gossip and rant about music, books, and everyone at her high school, including two intriguing new friends, Alice, a reformed bad girl, and Tiff, a cocky musical prodigy. As the school year unfolds, Ellora shares every challenge she faces with her growing LiveJournal readership: memories of her estranged mother, frustration with Brian's lack of parenting, concern for Alice's health, romantic feelings for Tiff, and her place in a post-Y2K world on the cusp of major change.…
About Jeff VanderMeer: Jeff VanderMeer is the author of Hummingbird Salamander, the Borne novels (Borne, The Strange Bird, and Dead Astronauts), and The Southern Reach Trilogy (Annihilation, Authority, and Acceptance), the first volume of which won the Nebula Award and the Shirley Jackson Award and was adapted into a movie by Alex Garland. He speaks and writes frequently about issues relating to climate change as well as urban rewilding. About Absolution: The surprise fourth volume in Jeff VanderMeer’s Southern Reach series—and the final word on one of the most provocative and popular speculative fiction series of our time. When the Southern Reach trilogy was first published a decade ago, it was an instant sensation, celebrated in a front-page New York Times story before publication, hailed by Stephen King and many others. Each volume climbed the bestseller list; awards were won; the books made the rare transition from paperback original to hardcover; the movie adaptation became a cult classic. All told, the trilogy has sold more than a million copies and has secured its place in the pantheon of twenty-first-century literature. And yet for all this, for Jeff VanderMeer there was never full closure to the story of Area X. There were a few mysteries that had gone unsolved, some key points of view never aired. There were stories left to tell. There remained questions about who had been complicit in creating the conditions for Area X to take hold; the story of the first mission into the Forgotten Coast—before Area X was called Area X—had never been fully told; and what if someone had foreseen the world after Acceptance? How crazy would they seem? Structured in three parts, each recounting a new expedition, Absolution is a brilliant, beautiful, and ever-terrifying plunge into unique and fertile literary territory. There are some long-awaited answers here, to be sure, but also more questions, and profound new surprises. It is the final word on one…
About Kenzie Allen: Kenzie Allen is a Haudenosaunee poet and multimodal artist. A finalist for the National Poetry Series, her work has appeared in Poetry magazine, Boston Review, Narrative, The Paris Review’s The Daily, Best New Poets, Poets.org, and other venues. Born in West Texas, she now shares time between Toronto, Ontario; Stavanger, Norway; and the Oneida reservation in Green Bay, Wisconsin. About Cloud Missives: Intimate, dissecting, and liberating, Cloud Missives is a poetry collection of excavation and renewal. Like an anthropologist, Kenzie Allen reveals a life from what endures after tragedies and acts of survival. Across four sections, poems explore pop culture—the stereotypes in Peter Pan, Indiana Jones, and beyond—fairy tales, myths, protests, and forgotten histories, before arriving at a dazzling series of love poems that deepen our understanding of romantic, platonic, and communal love. Cloud Missives is an investigation, a manifestation, and a celebration: of the body, of what we make and remake, of the self, and of the heart. With care and deep attention, it asks what one can reimagine of Indigenous personhood in the wake of colonialism, what healing might look like when loving the world around you—and introduces readers to a profound new voice in poetry.…
About Charlotte Shane: Charlotte Shane is a nonfiction author and essayist. She is the author of Prostitute Laundry and N.B., both published by TigerBee Press, which she cofounded in 2015. Her writing has appeared in The New York Times, The New York Times Magazine, The Nation, Bookforum, Harper’s, Sports Illustrated, and elsewhere. About An Honest Woman: In her early twenties, Charlotte Shane quit her women’s studies graduate program to devote herself to sex work because it was a way to devote herself to men. Her lifelong curiosity about male lust, love, selfishness, and social capital dovetailed with her own insatiable desire for intimacy to sustain a long career in escorting, with unexpectedly poignant results. Shane uses her “unsparing honestly” (The New York Times Book Review) and her personal and professional history to examine how men and women struggle in their attempts at a romantic and sexual bonding, no matter how true their intentions. As she takes stock of her relationships—with clients, with her father, with friends, with married men, and later, with her own husband—she tells a candid and haunting tale of love, marriage, and (in)fidelity, as seen through the eyes of the perpetual “other woman.” Braiding the personal and the universal, An Honest Woman is a merciless and moving love letter to men and an indictment of habitual dishonesty, a condemnation of every social constraint acting on heterosexual unions, and a hopeful affirmation of the possibility for true connection between men and women.…
About Danzy Senna: Danzy Senna is the author of four previous works of fiction, including the bestselling Caucasia and, most recently, New People, as well as a memoir. The recipient of numerous awards and honors, she teaches writing at the University of Southern California. About Colored Television: A brilliant take on love and ambition, failure and reinvention, and the racial-identity-industrial complex from the bestselling author of Caucasia Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel—a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” Finally, some semblance of stability and success seems to be within her grasp. But things don’t work out quite as hoped. Desperate for a plan B, like countless writers before her Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane—until they go terribly wrong. Funny, piercing, and page turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet.…
About Rumaan Alam: Rumaan Alam is the author of the New York Times bestselling novel Leave the World Behind, which was a finalist for the National Book Award and adapted into a major motion picture, as well as two other novels. His writing has appeared in The New York Times, the Wall Street Journal, The New Yorker, and elsewhere. He lives in Brooklyn. About Entitlement: A novel of money and morality from the New York Times bestselling author of Leave the World Behind Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief? Taut, unsettling, and alive to the seductive distortions of money, Entitlement is a riveting tale for our new gilded age, a story that confidently considers questions about need and worth, race and privilege, philanthropy and generosity, passion and obsession. It is a provocative, propulsive novel about the American imagination.…
About Monica Datta: Monica Datta received degrees in architecture and urban design from the City University of New York, the London School of Economics, and the Bartlett School of Architecture (UCL), as well as an MFA in creative writing from Washington University in St. Louis, from which she received a Divided City/Mellon Foundation Graduate Research Fellowship to study segregation in fiction and urban morphology in France, Morocco, and Germany. Her writing has appeared in The New Inquiry, Conjunctions, and many other journals. She teaches at Pratt Institute and the Cooper Union. About Thieving Sun: In this searing debut novel, for readers of Katie Kitamura and Rachel Cusk, the tragic aftermath of a youthful relationship years after its end brings the life of a mourning woman in New York--and the pursuit of art--into stark relief. Told in short passages through a musical device, this international story follows Julienne and Gaspar to Syria, China, Germany and elsewhere. Julienne, a student of sculpture, and Gaspar, a young composer, fall in love at a small college and share a home for more than a decade before encountering the fundamental rift that will change their lives. The reverberations of grief force Julienne to confront her painful past including the mystery of her own birth and the fantastical story ascribed to it by her flight attendant mother, so that she can envision, for the first time, a real future. Ultimately, Thieving Sun is a profound and contemporary meditation on art, grief, debt, suicide, loss, and the danger of being alive.…
About Heather O'Neill: Heather O’Neill is a novelist, short-story writer and essayist. Her most recent novel, When We Lost Our Heads, was a #1 national bestseller and a finalist for the Grand Prix du Livre de Montréal. Her previous works include The Lonely Hearts Hotel, which won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads, as well as Lullabies for Little Criminals, The Girl Who Was Saturday Night, and Daydreams of Angels, which were shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. O’Neill has also won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, she lives there today. About The Capital of Dreams: From the hugely acclaimed author beloved by literary lights, including Emily St. John Mandel, Kelly Link, and Mona Awad, a dark dystopian fairytale about an idyllic country ravaged by war—and a girl torn between safety and loyalty. Sofia Bottom lives in Elysia, a small country forgotten by Europe. But inside its borders, the old myths of trees that come alive and faeries who live among their roots have given way to an explosion of the arts and the consolations of philosophy. From the clarinetists to the cabaret singers, no artist is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can fourteen-year-old Sofia, with her tin ear and enduring love of ancient myths, ever hope to win her mother’s love? When the country’s greatest enemy invades, and the Capital is under threat, Clara turns to her daughter to smuggle her new manuscript to safety on the last train evacuating children from the city. But when the train draws to a suspicious halt in the middle of a forest, Sofia is forced to run for her life and loses her mother’s most prized possession. Frightened and alone in a country at war, Sofia must find a way to reclaim what she has lost. On an epic journey through woods and razed towns, colliding with soldiers, survivors, and other lost children, Sofia must make the choice between kindness and her own survival. In this stunning novel set in an imaginative world yet reflective of our own times, Heather O’Neill delivers a vivid, breathtaking dark fairytale of life, death, and betrayal.…
About Tony Tulathimutte: Tony Tulathimutte is the author of Private Citizens and Rejection. His work has appeared in The Paris Review, n +1, The Nation, The New Republic, and The New York Times. The recipient of an O. Henry Award and a Whiting Award, he runs the writing class CRIT in Brooklyn. About Rejection: From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.…
About Yasmin Zaher: Yasmin Zaher is a Palestinian journalist and writer born in 1991 in Jerusalem. The Coin is her first novel. About The Coin: A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind The Coin’s narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory, and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in an intercontinental scheme reselling Birkin bags. But America is stifling her—her willfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness, and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness, and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilization, beauty and justice, class and belonging—all while resisting easy moralizing. Provocative, wry, and inviting, The Coin marks the arrival of a major new literary voice.…
About Domenica Martinello: About Good Want: Exploring the value and shame ascribed to our desires both silly and serious – artistic, superficial, spiritual, relational – these poems grapple with deeply rooted questions: How can there be a relationship between goodness and godliness, if god is a character with shifting allegiances and priorities? Is clarity worth the pain of redefining your experience of the world? Is privacy the same as secrecy the same as deceit? Each caveat becomes a prayer, ritual, invocation, dream, or confession, requiring a blind faith that feels increasingly more impossible to sustain. Good Want looks inward, at once both sincere and tongue-in-cheek, to confront the hum of class and intergenerational trauma. Playing with and deconstructing received notions of ‘good,’ ‘bad,’ and ‘god,’ these poems open up a series of further possibilities: empathy for difficult people, acceptance of our difficult selves, and joy in every difficult thing. "These are lush, provocative poems that luxuriate in unexpected detail while examining how economic precarity shapes both shame and desire. Firmly rooted in the working class, Martinello explores the hunger we inherit from our ancestors, what it means to indulge from a position of bottomless want, and to 'Waste not your wanting.' With impressive range, a sense of humor, and entrancing musicality, Good Want is a celebration of the gluttony of girlhood, the paradoxes of faith, and everyday pleasures of a “small, specific life.” – Cassidy McFadzean, author of Crying Dress "Good Want is a baroque painting of Dutch aristocracy, but all the subjects’ garments are secretly from Walmart. I mean this in the best way. Each poem cracks me open and out shines a never-before-seen shade of light." – Shy Watson, author of Cheap Yellow "Sometimes the confessor reckons with the confessional. In Good Want, it's a wracking and lucky sometimes, full of piss and vinegar, and one that finds Domenica Martinello performing the wonderment, the depth and push and pull, between what there is to reveal and what each revelation ruptures or binds. Happily, sadly, the poet scours a life lived and unearths inheritances, burdens, and selves destined for and not for the telling. And tells them brilliantly as she pleases." – D.M. Bradford, author of Bottom Rail on Top…
About Walter Scott: Walter Scott is an interdisciplinary artist working in comics, drawing, video, performance, and sculpture. His graphic novel series Wendy chronicles the continuing misadventures of a young artist in a satirical imagining of the contemporary art world. Scott's eponymous party girl has previously been featured in three graphic novels Wendy; Wendy's Revenge and Wendy: Master of Art as well as in Canadian Art; Art in America; The New Yorker; The New York Times and MoMA Magazine. Scott has been nominated or longlisted for the Ignatz Awards, Canada Reads, the Believer Book Award, and the Doug Wright Award, and finally, the Sobey Art Award—considered to be the preeminent fine art award in Canada. About The Wendy Award: Everybody’s favorite party girl Wendy is so back When Wendy is nominated for the coveted National FoodHut Contemporary Art Prize alongside her friend Winona, all of her millennial dreams seem to be coming true. She lives a post-pandemic, polyamorous fine artist’s lifestyle in the big city and basks in the glory of national attention with the success of her popular comic strip, “Wanda." But not even achieving bona fide art star fame can hide the truth: a never-ending struggle with imposter syndrome. After she cracks in an online interview and gets dragged in the comments section, she heads straight to a local watering hole to drown her sorrows. Several lines of coke, too many drinks, and one all night rager with fans later, Wendy is ready to curse Gen Z and confront her addictions. All the while, she and Winona drift apart as a younger Indigenous artist wedges herself between them. Will Wendy’s commitment to change wind up short-lived? The Wendy Award incisively skewers the art world with its corporate overlords, performative activism, generational wealth, and weaponized therapy speak. A showcase of Walter Scott’s deft wit and social commentary, The Wendy Award asks the hard questions, like Do they still give awards to men? Should we be grateful for the exposure? And what exactly is Big Auntie Energy?…
About Billy-Ray Belcourt: BILLY-RAY BELCOURT (he/him) is a writer from the Driftpile Cree Nation. His debut novel, A Minor Chorus, won the Ethel Wilson Fiction Prize and was longlisted for the 2022 Scotiabank Giller Prize. His bestselling memoir, A History of My Brief Body, won the Hubert Evans Non-Fiction Prize and was a finalist for the Lambda Literary Award and the Governor General’s Literary Award. He won the 2018 Griffin Poetry Prize for his debut collection, This Wound Is a World, which was also a finalist for the Governor General’s Literary Award. A recipient of the prestigious Rhodes Scholarship and an Indspire Award, Belcourt is Assistant Professor of Indigenous Creative Writing at UBC. About Coexistence: A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds. Across the prairies and Canada’s west coast, on reserves and university campuses, at literary festivals and existential crossroads, the characters in Coexistence are searching for connection. They’re learning to live with and understand one another, to see beauty and terror side by side, and to accept that the past, present, and future can inhabit a single moment. An aging mother confides in her son about an intimate friendship from her distant girlhood. A middling poet is haunted by the cliché his life has become. A chorus of anonymous gay men dispense unvarnished truths about their sex lives. A man freshly released from prison finds that life on the outside has sinister strictures of its own. A PhD student dog-sits for his parents at what was once a lodging for nuns operating a residential school—a house where the spectre of Catholicism comes to feel eerily literal. Bearing the compression, crystalline sentences, and emotional potency that have characterized his earlier books, Coexistence is a testament to Belcourt’s mastery of and playfulness in any literary form. A vital addition to an already rich catalogue, this is a must-read collection and the work of an author at the height of his powers.…
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