Is AUKUS Really Viable & Is There A Plan B?; Macron's Gamble: The 2024 French Elections; Alison Croggon On The State Of Australian Theatre

Uncommon Sense

Professor James Curran delves into the discussions and real intentions behind the AUKUS agreement and Australia's plan to obtain nuclear submarines from the US and the UK. How exactly does the US perceive AUKUS? James reveals how the US' view differs greatly from the Australian government's view. With so many practical questions weighing around the delivery of the submarines and the cooperation of the US, UK, and Australian navies, does Australia have a Plan B? James Curran is International Editor of the AFR and Professor of Modern History at the University of Sydney. In our discussion he talks about his essay on AUKUS in the Australian Book Review, 'AUKUS in the Dock: Questions and challenges for the Albanese government.' Read his ABR essay here and his AFR columns here.

Dr Bertrand Bourgeois speaks in-depth about the snap French elections for the National Assembly (lower house) called by President Emmanuel Macron. With the far-right National Rally or Rassemblement National (led by Marine Le Pen and Jordan Bardella) leading in the polls, closely followed by the far left coalition, the New Popular Front or Le Nouveau Front Populaire (comprising La France Insoumise or France Unbowed, the Greens, Communists, and Socialists), and Macron’s centrist coalition Ensemble, including his Renaissance party coming in third – was it a miscalculated gamble to go early? Why is Jean-Luc Mélenchon such a polarising figure? What do the parties and coalitions stand for and why is the far-right becoming “mainstream” in France? Dr Bertrand Bourgeois is a Senior Lecturer in French Studies at the University of Melbourne.

Alison Croggon, theatre critic and Arts Editor for The Saturday Paper talks with Amy about the state of Australian theatre. Alison writes in The Monthly that, “a generation of small independent theatremakers has been betrayed by government neglect and bad policy, creating a cultural crisis.” Read Alison's essay in The Monthly here.