Artwork

Inhalt bereitgestellt von No Film School. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von No Film School oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Player FM - Podcast-App
Gehen Sie mit der App Player FM offline!

Rebuilding the Film Industry, Closure, Plus a $400 Doc Short

1:19:14
 
Teilen
 

Manage episode 435220151 series 118896
Inhalt bereitgestellt von No Film School. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von No Film School oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

TV is oversaturated. California is too expensive to film in. Many audiences are underserved. It’s time we indie filmmakers rebuild the film industry on our terms. Plus, we bid farewell to a beloved host of the No Film School podcast.

In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Janek Ambros discuss:

  • Not waiting on labs or studios to give you the green light
  • The influx of people looking for jobs in the market
  • Needing better streamer options for indie projects
  • The benefits of serving an underserved audience
  • Why the distribution process is vital
  • Advice for people who think they are finished with their project
  • The important reasons Charles insists on working in Davinci Resolve
  • Why Charles is leaving the No Film School podcast
  • The origin of the short documentary film, Ukrainians in Exile
  • Why Janek wanted to keep the movie so simple and so short
  • Advice for documentary filmmakers

Memorable Quotes:

  • “We’re going to have this feral resurgence of indie filmmaking because we are so sick of the industry to figure it out.” [5:54]
  • “Breakdowns lead to breakthroughs. We need to break through because the way it’s been working is not sustainable.” [6:35]
  • “It should be a lot easier to shoot in California, it shouldn’t be so expensive.” [13:32]
  • “Because of the way distribution works, distribution never feels finished.” [28:00]
  • “People think I know all these celebrities, but I don’t. I just annoy every single publicist in Hollywood.” [1:03:07]

  • “If you want to make a short doc, you can make a short doc. There’s no excuse for that.” [1:07:50]

Links:

Ukrainians in Exile: A Documentary Short Film

Follow Assembly Line Entertainment on IG

Follow Janek on X

BlueCheck Ukraine

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 Episoden

Artwork
iconTeilen
 
Manage episode 435220151 series 118896
Inhalt bereitgestellt von No Film School. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von No Film School oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

TV is oversaturated. California is too expensive to film in. Many audiences are underserved. It’s time we indie filmmakers rebuild the film industry on our terms. Plus, we bid farewell to a beloved host of the No Film School podcast.

In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Janek Ambros discuss:

  • Not waiting on labs or studios to give you the green light
  • The influx of people looking for jobs in the market
  • Needing better streamer options for indie projects
  • The benefits of serving an underserved audience
  • Why the distribution process is vital
  • Advice for people who think they are finished with their project
  • The important reasons Charles insists on working in Davinci Resolve
  • Why Charles is leaving the No Film School podcast
  • The origin of the short documentary film, Ukrainians in Exile
  • Why Janek wanted to keep the movie so simple and so short
  • Advice for documentary filmmakers

Memorable Quotes:

  • “We’re going to have this feral resurgence of indie filmmaking because we are so sick of the industry to figure it out.” [5:54]
  • “Breakdowns lead to breakthroughs. We need to break through because the way it’s been working is not sustainable.” [6:35]
  • “It should be a lot easier to shoot in California, it shouldn’t be so expensive.” [13:32]
  • “Because of the way distribution works, distribution never feels finished.” [28:00]
  • “People think I know all these celebrities, but I don’t. I just annoy every single publicist in Hollywood.” [1:03:07]

  • “If you want to make a short doc, you can make a short doc. There’s no excuse for that.” [1:07:50]

Links:

Ukrainians in Exile: A Documentary Short Film

Follow Assembly Line Entertainment on IG

Follow Janek on X

BlueCheck Ukraine

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 Episoden

Semua episod

×
 
Loading …

Willkommen auf Player FM!

Player FM scannt gerade das Web nach Podcasts mit hoher Qualität, die du genießen kannst. Es ist die beste Podcast-App und funktioniert auf Android, iPhone und im Web. Melde dich an, um Abos geräteübergreifend zu synchronisieren.

 

Kurzanleitung