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Stage Apart: My Neighbor Totoro with Tom Morton-Smith

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Manage episode 500307551 series 2711077
Inhalt bereitgestellt von Script Apart. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Script Apart oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

All aboard the Cat Bus for a moving conversation about one of the greatest animations of all time – and the emotional madness of trying to bring that tale to the stage in London’s West End. If you’re in London at the moment, you need to see the current theatrical adaptation of My Neighbour Totoro currently showing in the West End. Produced by the Royal Shakespeare Company with puppet designs by Jim Henson's Creature Shop, this magical re-telling of the iconic Studio Ghibli animation was written by our guest today, Tom Morton-Smith – a storyteller whose past work includes Oppenheimer (not the Christopher Nolan movie, but an acclaimed stage drama) and Ravens, a Cold War thriller set at the 1972 World Chess Championship.


Taking on Totoro was an undertaking as big and daunting as the titular forest spirit himself. Set in post-war Japan, Hayao Miyazaki’s story told the tale of a father and his two daughters who move to the edge of an enchanted forest, to be closer to the hospital where the girls’ mother is undergoing medical care. As uncertainty gathers, strange creatures reveal themselves to little Satsuki and Mei – leading them on an adventure of wonder and awe. In the spoiler conversation you’re about to hear, Tom details how he translated that wonder and awe to the stage. He’s also open about his persoal experience, writing the play amid huge change in his family life. The grief and loss – or potential for loss – that sits in the background of the Totoro story is something Tom was moving through himself as he sat down to pen this adaptation.


We break down the tale’s themes of environmentalism and the kindness we owe to each other. We also get into the darkness of Ghibli that is often erased or reduced in how the west talks about films like this one. Finally, we talk about “ma” – the Japanese word for “emptiness” – that Miyazaki fills Totoro with, and why it might just be the secret to the joy of this film, now more than ever, in a frantic, digital world.


Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on [email protected].


Screenwriters – get comprehensive feedback on your latest script from Al Horner by visiting ScriptApart.com/coverage.


To get ad-free episodes and exclusive content, join us on Patreon.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

161 Episoden

Artwork
iconTeilen
 
Manage episode 500307551 series 2711077
Inhalt bereitgestellt von Script Apart. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Script Apart oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

All aboard the Cat Bus for a moving conversation about one of the greatest animations of all time – and the emotional madness of trying to bring that tale to the stage in London’s West End. If you’re in London at the moment, you need to see the current theatrical adaptation of My Neighbour Totoro currently showing in the West End. Produced by the Royal Shakespeare Company with puppet designs by Jim Henson's Creature Shop, this magical re-telling of the iconic Studio Ghibli animation was written by our guest today, Tom Morton-Smith – a storyteller whose past work includes Oppenheimer (not the Christopher Nolan movie, but an acclaimed stage drama) and Ravens, a Cold War thriller set at the 1972 World Chess Championship.


Taking on Totoro was an undertaking as big and daunting as the titular forest spirit himself. Set in post-war Japan, Hayao Miyazaki’s story told the tale of a father and his two daughters who move to the edge of an enchanted forest, to be closer to the hospital where the girls’ mother is undergoing medical care. As uncertainty gathers, strange creatures reveal themselves to little Satsuki and Mei – leading them on an adventure of wonder and awe. In the spoiler conversation you’re about to hear, Tom details how he translated that wonder and awe to the stage. He’s also open about his persoal experience, writing the play amid huge change in his family life. The grief and loss – or potential for loss – that sits in the background of the Totoro story is something Tom was moving through himself as he sat down to pen this adaptation.


We break down the tale’s themes of environmentalism and the kindness we owe to each other. We also get into the darkness of Ghibli that is often erased or reduced in how the west talks about films like this one. Finally, we talk about “ma” – the Japanese word for “emptiness” – that Miyazaki fills Totoro with, and why it might just be the secret to the joy of this film, now more than ever, in a frantic, digital world.


Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on [email protected].


Screenwriters – get comprehensive feedback on your latest script from Al Horner by visiting ScriptApart.com/coverage.


To get ad-free episodes and exclusive content, join us on Patreon.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

161 Episoden

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