Artwork

Inhalt bereitgestellt von Sarah Monk. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Sarah Monk oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Jacob Cartwright: Embrace

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Manage episode 267304575 series 2639010
Inhalt bereitgestellt von Sarah Monk. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Sarah Monk oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Born into an artistic family in Australia, Jacob has been living in Italy, on and off, since he was two-years-old. He began his musical training very young and brings these sensibilities to his art. All the music in this episode was composed by Jacob.

The Embrace series was inspired by a hug Jacob’s wife Jacqueline gave him. He explains that when his wife gave him a hug he saw a certain form. This form became a piece and this piece then developed into a series of work about the embrace. He also feels that his deep links with music played a part in influencing the outcome. He says, ‘It’s a beautiful subject matter because an embrace is a paradox: giving and receiving at the same time. It’s like two things at once and everything at once’.

Jacob loves carving wood and working to optimise its fibre and grain, discovering how it might split or break. He describes his love of the textures of wood and explains both the process of burning wood and using the burnt wood with oil to make a patina. Sometimes in making a sculpture he will cover whole sections of wood with nails.

Jacob usually worked with the aid of machinery but admits that he hasn’t yet made up his mind about whether or not to use a robot in future. When health and safety regulations around dust became an issue, Jacob decided to embrace a change within his studio and reverted to working marble by hand and avoid machinery altogether. He tells us how this meditative way of working influences his life.

jacobcartwright.com

instagram.com/jacobcartwrightartist

  continue reading

58 Episoden

Artwork
iconTeilen
 
Manage episode 267304575 series 2639010
Inhalt bereitgestellt von Sarah Monk. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Sarah Monk oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

See pictures and read more on materiallyspeaking.com

Born into an artistic family in Australia, Jacob has been living in Italy, on and off, since he was two-years-old. He began his musical training very young and brings these sensibilities to his art. All the music in this episode was composed by Jacob.

The Embrace series was inspired by a hug Jacob’s wife Jacqueline gave him. He explains that when his wife gave him a hug he saw a certain form. This form became a piece and this piece then developed into a series of work about the embrace. He also feels that his deep links with music played a part in influencing the outcome. He says, ‘It’s a beautiful subject matter because an embrace is a paradox: giving and receiving at the same time. It’s like two things at once and everything at once’.

Jacob loves carving wood and working to optimise its fibre and grain, discovering how it might split or break. He describes his love of the textures of wood and explains both the process of burning wood and using the burnt wood with oil to make a patina. Sometimes in making a sculpture he will cover whole sections of wood with nails.

Jacob usually worked with the aid of machinery but admits that he hasn’t yet made up his mind about whether or not to use a robot in future. When health and safety regulations around dust became an issue, Jacob decided to embrace a change within his studio and reverted to working marble by hand and avoid machinery altogether. He tells us how this meditative way of working influences his life.

jacobcartwright.com

instagram.com/jacobcartwrightartist

  continue reading

58 Episoden

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