In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von Future of Film Podcast and Alex Stolz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Future of Film Podcast and Alex Stolz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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83. Ingrid Kopp: The Evolution of Immersive Storytelling
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Manage episode 454142642 series 1399837
Inhalt bereitgestellt von Future of Film Podcast and Alex Stolz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Future of Film Podcast and Alex Stolz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
In this episode, Ingrid Kopp, co-founder of Electric South, returns to the show to explore the dynamic evolution of immersive storytelling. With a particular focus on Africa, Ingrid reveals the shifting landscape of virtual reality (VR) and immersive narratives, highlighting both the challenges and opportunities within the XR space. In a discussion that shines a light on Electric South's pioneering work in bringing African stories into the space, Ingrid also examines the influence of AI on storytelling and the importance of process in artistic creation. The conversation also touches on defining immersive storytelling and its future trajectory, the role of artists in shaping forthcoming narratives, monetisation strategies for XR projects (still!), trends in VR and AR, and avenues for aspiring filmmakers in Africa. IN a conversation that was presnted as part of Future of Film Africa 2024, the dialogue highlights the necessity for innovation and investment in Africa's creative industries while addressing the challenges artists face in accessing technology and funding. More about Ingrid Kopp Ingrid Kopp is a co-founder and co-director of Electric South in South Africa, a non-profit organisation working with interdisciplinary artists across Africa to develop, produce and distribute immersive work. She also co-founded Immerse, a monthly publication on emerging nonfiction storytelling which ran from 2016 until 2023 in partnership with MIT Open Doc Lab and Dot Connector Studio. She is currently co-chair of the World Economic Forum Global Council on the Future of Metaverse. Previously, Ingrid curated the Tribeca Storyscapes programme for interactive and immersive work at the Tribeca Film Festival and was director of the Interactive Department at the Tribeca Film Institute in NYC. She started her career at Channel 4 Television in the UK.
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85 Episoden
MP3•Episode-Home
Manage episode 454142642 series 1399837
Inhalt bereitgestellt von Future of Film Podcast and Alex Stolz. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Future of Film Podcast and Alex Stolz oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
In this episode, Ingrid Kopp, co-founder of Electric South, returns to the show to explore the dynamic evolution of immersive storytelling. With a particular focus on Africa, Ingrid reveals the shifting landscape of virtual reality (VR) and immersive narratives, highlighting both the challenges and opportunities within the XR space. In a discussion that shines a light on Electric South's pioneering work in bringing African stories into the space, Ingrid also examines the influence of AI on storytelling and the importance of process in artistic creation. The conversation also touches on defining immersive storytelling and its future trajectory, the role of artists in shaping forthcoming narratives, monetisation strategies for XR projects (still!), trends in VR and AR, and avenues for aspiring filmmakers in Africa. IN a conversation that was presnted as part of Future of Film Africa 2024, the dialogue highlights the necessity for innovation and investment in Africa's creative industries while addressing the challenges artists face in accessing technology and funding. More about Ingrid Kopp Ingrid Kopp is a co-founder and co-director of Electric South in South Africa, a non-profit organisation working with interdisciplinary artists across Africa to develop, produce and distribute immersive work. She also co-founded Immerse, a monthly publication on emerging nonfiction storytelling which ran from 2016 until 2023 in partnership with MIT Open Doc Lab and Dot Connector Studio. She is currently co-chair of the World Economic Forum Global Council on the Future of Metaverse. Previously, Ingrid curated the Tribeca Storyscapes programme for interactive and immersive work at the Tribeca Film Festival and was director of the Interactive Department at the Tribeca Film Institute in NYC. She started her career at Channel 4 Television in the UK.
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85 Episoden
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