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BW - EP153—010: Independence Day 1944—Words At War
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Manage episode 428141798 series 1286771
Inhalt bereitgestellt von The WallBreakers and James Scully. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The WallBreakers and James Scully oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Words at War was an anthology of war stories “told by the men and women who have seen them happen.” It was produced in cooperation with the Council on Books in Wartime, promising “stories of the battlefronts, of behind-the scenes diplomacy, of underground warfare, of action on the seas, and of the home front.” Each show was to be “a living record of this war and the things for which we fight.” Debuting on June 24th, 1943 from New York, during its first year on the air despite being given a late-night timeslot, it was praised by Variety as “one of the most outstanding programs in radio,” by the New York Times as the “boldest, hardest-hitting program of 1944,” and by Newsweek as “one of the best contributions to serious commercial radio in many a year.” Initially network cost-sustained, it was given stirring music by NBC’s symphony orchestra. The sound patterns had Japanese dive bombers: the growl of heavy machinery, the chatter of machine guns, the steady drone of an airplane as two pilots stood on a runway and spoke what might be their last thoughts. Though sonically important, the success of Words at War could be attributed to the immediacy of its subject matter. There were dramatizations of “the most significant books to thus far come out of this great world conflict,” with the war’s outcome by no means assured. This atmosphere—of a country fighting for its life—gave the stories maximum impact. In the summer of 1944, the show was sponsored by Johnson’s Wax and took over Fibber McGee and Molly’s Tuesday 9:30PM eastern time slot. On Independence Day 1944, the episode was called “War Criminals And Punishment.”
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1374 Episoden
MP3•Episode-Home
Manage episode 428141798 series 1286771
Inhalt bereitgestellt von The WallBreakers and James Scully. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The WallBreakers and James Scully oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Words at War was an anthology of war stories “told by the men and women who have seen them happen.” It was produced in cooperation with the Council on Books in Wartime, promising “stories of the battlefronts, of behind-the scenes diplomacy, of underground warfare, of action on the seas, and of the home front.” Each show was to be “a living record of this war and the things for which we fight.” Debuting on June 24th, 1943 from New York, during its first year on the air despite being given a late-night timeslot, it was praised by Variety as “one of the most outstanding programs in radio,” by the New York Times as the “boldest, hardest-hitting program of 1944,” and by Newsweek as “one of the best contributions to serious commercial radio in many a year.” Initially network cost-sustained, it was given stirring music by NBC’s symphony orchestra. The sound patterns had Japanese dive bombers: the growl of heavy machinery, the chatter of machine guns, the steady drone of an airplane as two pilots stood on a runway and spoke what might be their last thoughts. Though sonically important, the success of Words at War could be attributed to the immediacy of its subject matter. There were dramatizations of “the most significant books to thus far come out of this great world conflict,” with the war’s outcome by no means assured. This atmosphere—of a country fighting for its life—gave the stories maximum impact. In the summer of 1944, the show was sponsored by Johnson’s Wax and took over Fibber McGee and Molly’s Tuesday 9:30PM eastern time slot. On Independence Day 1944, the episode was called “War Criminals And Punishment.”
…
continue reading
1374 Episoden
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