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Inhalt bereitgestellt von Shannon Clute and Richard Edwards and Clute and Edwards. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Shannon Clute and Richard Edwards and Clute and Edwards oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Episode 27: Scott Phillips Revealed

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Manage episode 156656798 series 1195510
Inhalt bereitgestellt von Shannon Clute and Richard Edwards and Clute and Edwards. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Shannon Clute and Richard Edwards and Clute and Edwards oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

It is hard to imagine a sequel that is any more tightly intertwined with, or distinct from, its predecessor than Scott Phillips's 2002 THE WALKAWAY. His 2000 debut novel THE ICE HARVEST was a tight tale of one day in the tragicomic life of small-time Wichita mobster Charlie Arglist. THE WALKAWAY is an ambitious prequel-sequel to that bestseller, a complex narrative that alternates between first and third person points of view, and three different time frames. It opens in the immediate aftermath of the fateful accident that ended the first book, then traces the life of Gunther Fahnstiel, from his morally ambiguous young adulthood the prepared him for that fateful accident, to his current advanced age as he tries to remember how he became the man he is—and how he might still profit by it. If the first novel was the portrait of a man in his boudoir, THE WALKAWAY is like one of those vast tapestries you see on castle walls: caught in the weft and warp of fragile memory are entire genealogies of morally deficiently but somehow noble middle-America hoodlums. It is the Comédie humaine of Kansas, and establishes Phillips as a writer of vast talent and ambition who refuses to write the same type of story twice. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Behind the Black Mask: Mystery Writers Revealed" at http://btbm.libsyn.com.

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36 Episoden

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iconTeilen
 
Manage episode 156656798 series 1195510
Inhalt bereitgestellt von Shannon Clute and Richard Edwards and Clute and Edwards. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Shannon Clute and Richard Edwards and Clute and Edwards oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

It is hard to imagine a sequel that is any more tightly intertwined with, or distinct from, its predecessor than Scott Phillips's 2002 THE WALKAWAY. His 2000 debut novel THE ICE HARVEST was a tight tale of one day in the tragicomic life of small-time Wichita mobster Charlie Arglist. THE WALKAWAY is an ambitious prequel-sequel to that bestseller, a complex narrative that alternates between first and third person points of view, and three different time frames. It opens in the immediate aftermath of the fateful accident that ended the first book, then traces the life of Gunther Fahnstiel, from his morally ambiguous young adulthood the prepared him for that fateful accident, to his current advanced age as he tries to remember how he became the man he is—and how he might still profit by it. If the first novel was the portrait of a man in his boudoir, THE WALKAWAY is like one of those vast tapestries you see on castle walls: caught in the weft and warp of fragile memory are entire genealogies of morally deficiently but somehow noble middle-America hoodlums. It is the Comédie humaine of Kansas, and establishes Phillips as a writer of vast talent and ambition who refuses to write the same type of story twice. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Behind the Black Mask: Mystery Writers Revealed" at http://btbm.libsyn.com.

  continue reading

36 Episoden

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