In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Steve Hullfish, ACE, Steve Hullfish, and ACE oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Manage episode 388179253 series 3485936
Inhalt bereitgestellt von Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Steve Hullfish, ACE, Steve Hullfish, and ACE oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Today on Art of the Cut, we’re talking with Oscar-winner, Claire Simpson and Sam Restivo about editing Ridley Scott’s “Napoleon.”
Claire won an Oscar, a BAFTA, and an ACE Eddie for editing Platoon. She won a BAFTA and was nominated for an Oscar and an ACE Eddie for The Constant Gardner. Other films include Nine, Wall Street, and The Last Duel.
Sam Restivo has been an additional editor on several films including The Greatest Showman, The Last Duel and House of Gucci. He was also an additional editor on the TV series Raised By Wolves.
Don't forget to READ this interview with great visual support at borisfx.com/blog/aotc.
125 Episoden
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Manage episode 388179253 series 3485936
Inhalt bereitgestellt von Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Steve Hullfish, ACE, Steve Hullfish, and ACE oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Today on Art of the Cut, we’re talking with Oscar-winner, Claire Simpson and Sam Restivo about editing Ridley Scott’s “Napoleon.”
Claire won an Oscar, a BAFTA, and an ACE Eddie for editing Platoon. She won a BAFTA and was nominated for an Oscar and an ACE Eddie for The Constant Gardner. Other films include Nine, Wall Street, and The Last Duel.
Sam Restivo has been an additional editor on several films including The Greatest Showman, The Last Duel and House of Gucci. He was also an additional editor on the TV series Raised By Wolves.
Don't forget to READ this interview with great visual support at borisfx.com/blog/aotc.
125 Episoden
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Ähnelt Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Talking Dead is a fan podcast dedicated to The Walking Dead Universe on AMC and AMC+. Tune in for full episode recaps, news, rumours, and any other info related to The Walking Dead.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Join Tom Elliot in the Rondo award winning Twilight Zone Podcast. A journey through Rod Serling’s classic television series. With reviews, interviews and readings from The Twilight Zone… Become a supporter of this podcast: https://www.spreaker.com/podcast/the-twilight-zone-podcast--5856481/support.
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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