Art Of The Cut podcast

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Vor zwei Jahren hinzugefügt

Inhalt bereitgestellt von Steve Hullfish, ACE, Steve Hullfish, and ACE. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Steve Hullfish, ACE, Steve Hullfish, and ACE oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Talkin‘ Politics & Religion Without Killin‘ Each Other

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David French | Friends or Enemies? Overcoming Divides with Justice, Kindness, and Humility in a Polarized America 1:15:36

vor 19 Tagen1:15:36

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1:15:36

In this episode, we welcome back David French, columnist for The New York Times , former constitutional attorney, and author of Divided We Fall . We discuss the current state of American democracy, the challenges of political division, and how we can engage in civil discourse despite deep ideological differences. David also shares a personal update on his family and reflects on the profound trials and growth that come with adversity. 📌 What We Discuss: ✔️ How David and his family navigated the challenges of a serious health crisis. ✔️ The rise of political polarization and the factors driving it. ✔️ Why distinguishing between “unwise, unethical, and unlawful” is crucial in analyzing political actions. ✔️ How consuming different perspectives (even opposing ones) helps in understanding political dynamics. ✔️ The role of Christian values in politics and how they are being redefined. ⏳ Episode Highlights 📍 [00:01:00] – David French’s background and his journey from litigation to journalism. 📍 [00:02:30] – Personal update: David shares his wife Nancy’s battle with cancer and their journey as a family. 📍 [00:06:00] – How to navigate personal trials while maintaining faith and resilience. 📍 [00:10:00] – The danger of political paranoia and the pitfalls of extreme polarization. 📍 [00:18:00] – The "friend-enemy" paradigm in American politics and its influence in Christian fundamentalism. 📍 [00:24:00] – Revisiting Divided We Fall : How America’s divisions have devolved since 2020. 📍 [00:40:00] – The categories and differences of unwise, unethical, and unlawful political actions. 📍 [00:55:00] – The balance between justice, kindness, and humility in political engagement. 📍 [01:00:00] – The After Party initiative: A Christian approach to politics focused on values rather than policy. 💬 Featured Quotes 🔹 "You don't know who you truly are until your values are tested." – David French 🔹 "If we focus on the relational, we can have better conversations even across deep differences." – Corey Nathan 🔹 "Justice, kindness, and humility—if you're missing one, you're doing it wrong." – David French 🔹 "The United States has a history of shifting without repenting. We just move on." – David French 📚 Resources Mentioned David French’s Writing: New York Times David’s Book: Divided We Fall The After Party Initiative – More Info Advisory Opinions Podcast (with Sarah Isgur & David French) – Listen Here 📣 Call to Action If you found this conversation insightful, please: ✅ Subscribe to Talkin' Politics & Religion Without Killin' Each Other on your favorite podcast platform. ✅ Leave a review on Apple Podcasts, Spotify, or wherever you listen: ratethispodcast.com/goodfaithpolitics ✅ Support the show on Patreon: patreon.com/politicsandreligion ✅ Watch the full conversation and subscribe on YouTube: youtube.com/@politicsandreligion 🔗 Connect With Us on Social Media @coreysnathan: Bluesky LinkedIn Instagram Threads Facebook Substack David French: 🔗 Twitter | BlueSky | New York Times Our Sponsors Meza Wealth Management: www.mezawealth.com Prolux Autogroup: www.proluxautogroup.com or www.granadahillsairporttransportation.com Let’s keep talking politics and religion—with gentleness and respect. 🎙️💡…

Art of the Cut

Serie-Home•Feed

Conversations with Film, TV, and Documentary editors.

146 Episoden

#Cinema #Steve Hullfish

Art of the Cut

updated vor etwa einem Tag

Serie-Home•Feed

Conversations with Film, TV, and Documentary editors.

146 Episoden

#Cinema #Steve Hullfish

Alle Folgen

Art of the Cut

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WILL & HARPER 55:30

vor 1 day55:30

55:30

Today on Art of the Cut we speak with Monique Zavistovski, ACE about editing the documentary Will & Harper . The film was nominated for a BAFTA, and Monique was nominated for an ACE Eddie and a BFE Cut Above award for Best Documentary Editing. Also this year, she edited The Only Girl in the Orchestra , a documentary short that won the Oscar for that category. We’ll speak with her about both films. Monique has also edited the documentaries They Call me Magic, Raise Hell: The Life and Times of Molly Ivins and Served Like a Girl. This discussion includes - among other things - staying true to the emotional journey of the characters, the difficult choices in killing your darlings, and using empathy to time reaction shots. Read along with the podcast on the BorisFX.com blog to see trailers and exclusive images. borisfx.com/blog/aotc…

Art of the Cut

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CHIMP CRAZY 52:30

vor 8 Tagen52:30

52:30

Today on Art of the Cut we’re speaking with the ACE Eddie-winning team of editors for Best Documentary Series - for HBO's Chimp Crazy. With us are supervising editor, Evan Wise, ACE, editors, Adrienne Gits, ACE, Doug Abel, ACE, Charles Divak, ACE, and additional editor Sascha Stanton Craven. Evan’s been nominated for multiple Emmys and ACE Eddies, including for his work on Q: Into the Storm, and The Circus: Inside the Greatest Political Show on Earth. He’s also edited on the TV series The Anarchists. Doug's been nominated for numerous Emmys and ACE Eddies. He edited the TV series Tiger King. He’s edited for The Oscars, and he edited the documentary Manda Bala: Send a Bullet. Adrienne’s also been nominated for multiple Emmys and ACE Eddies including for her work on the documentaries and documentary series, Fearless, 100 Foot Wave, and Challenger: The Final Flight. Charles has similarly been nominated for multiple Emmys and ACE Eddies including for his work on Full Frontal with Samantha Bee, and The Circus: Inside the Greatest Political Show on Earth. Sascha edited the Jackass Forever Movie and Jackass 4.5. And cut the TV series On Cinema. This discussion includes - among other things - how story structure informs the audience’s emotions, the joy of a good montage, and how Stanley Kubrick helped to deliver a climactic moment. If you'd like to read along with this interview and see exclusive photos and timelines and watch the trailer, check out the Art of the Cut blog on BorisFX.com borisfx.com/blog/aotc…

Art of the Cut

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SKELETON CREW 45:38

vor 15 Tagen45:38

45:38

Today on Art of the Cut we speak with the three editors of the Disney+/LucasFilm show Skeleton Crew which is from the Star Wars story universe. Editor Andrew Eisen, ACE, has been on Art of the Cut before to talk about The Mandalorian for which he’s been nominated for two Emmys. He’s edited feature films including The Imitation Game and A House with a Clock in its Walls and was an additional editor on Guardians of the Galaxy 2. Terel Gibson, ACE, also edited the recently released feature film The Astronaut , as well as the feature films Sorry to Bother You and Ready or Not . He also edited episodes of the TV series Hawkeye. Kathryn Naranjo was an editor on Stranger Things and has been an assistant editor on feature films including The Adam Projec t, and Free Guy , also on TV series including Halt and Catch Fire. This discussion includes - among other things - cutting the show three times: in storyboards, previs, and finally with live action footage from The Volume, how sound creates believable world-building, and when exactly do you use a “Star Wars Wipe.” You can read along with the podcast on the blog where you can see timeline screenshots, exclusive images and more. Check out: borisfx.com/blog/aotc…

Art of the Cut

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LADIES AND GENTLEMEN: 50 YEARS OF SNL MUSIC 1:07:45

vor 22 Tagen1:07:45

1:07:45

Today on Art of the Cut we speak with three guests: the co-director and show editor and montage editor of the documentary Ladies and Gentlemen: 50 Years of SNL Music. Oz Rodriguez co-directed the documentary with Ahmir “Questlove” Thompson. Oz directed many of your favorite SNL Shorts, and has also directed episodes of Goosebumps and Nobody Wants This . John MacDonald was an associate producer on SNL. He’s an editor, composer and segment producer on The Tonight Show Starring Jimmy Fallon . You’ve probably had some of his YouTube videos running on repeat. Jimmy Lester has been nominated for a Documentary Emmy for Stockton on My Mind . He’s edited episodes of Wu-Tang Clan: Of Mics and Men , History Channel’s FDR series, and the doc, Getting Naked: A Burlesque Story. This discussion includes - among other things - why so many editors are also musicians, the value of a great assistant editor - and how to be one - and the art of using a talking head. This is a really good show to check out the blog, which has many exclusive images that help show how the montage, in particular, was edited. Visit: borisfx.com/blog/aotc…

Art of the Cut

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ERNEST COLE: LOST AND FOUND 53:05

vor 29 Tagen53:05

53:05

Today on Art of the Cut we speak with the director and editor of the documentary film Ernest Cole: Lost and Found. Director Raoul Peck won the Cannes Golden Eye Award and was nominated for a Palme d’or. He was nominated for a DGA Award for Outstanding Directorial Achievement. He won a BAFTA, an Emmy and was nominated for an Oscar and an Independent Spirit Award for his previous film, I Am Not Your Negro . Editor Alexandra Strauss has been nominated for three Cinema Eye Honors Awards for Outstanding Achievement in editing including one for this film and two others you’ll hear about in the interview: I Am Not Your Negro and Exterminate all the Brutes . This discussion includes - among other things - the ethical considerations of showing violence, how tone affects pace, and how the director/editor relationship can open the director up to be more objective. If you'd like to read along with this podcast and see clips and trailers and stills from the documentary, check out: borisfx.com/blog/aotc…

Art of the Cut

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THE FIRE INSIDE 46:41

vor 5 weeks46:41

46:41

Today on Art of the Cut we speak with Harry Yoon, ACE about his editing of the film The Fire Inside. Harry has been on Art of the Cut before for his work on the films Shang-Chi and the Legend of the Ten Rings, Minari - for which he was nominated for an ACE Eddie, also The Best of Enemies , and Detroit . He’s also been on for the TV series, Beef , for which he won an ACE Eddie. This discussion includes - among other things - working with a first time feature director, streamlining a narrative to increase impact, and how to build a scene that was never shot. While you're listening you can also READ ALONG with this interview and see exclusive photos and clips and the trailer. There's a cool timeline screenshot and a picture of Harry's assistant editors with the STORY WALL in the cutting room! Borisfx.com/blog/aotc…

Art of the Cut

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PORCELAIN WAR 1:00:15

vor 6 weeks1:00:15

1:00:15

Today on Art of the Cut we speak with writer/director/editor, Brendan Bellomo of the Oscar-nominated documentary, Porcelain War. The film was nominated for an ASC Award for cinematography for its cinematographer, even though it was his first time using a camera. It won the DGA Award for Outstanding Directorial Achievement in Documentary. It won the PGA Award for Producing, won the Australian Screen Sound Guild Award and the HPA Award for Best Sound, and won the Sundance Grand Jury Prize award. This discussion includes - among other things - determining the structure of the film based on emotion, why color grading needed to be part of the off-line edit, and how the editing pace was determined by the personality of the documentary’s subjects. You can read along with this interview and see images including the timeline and clips and trailers on the BorisFX blog at: borisfx.com/blog/aotc…

Art of the Cut

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ANORA 44:49

vor 7 weeks44:49

44:49

Today on Art of the Cut we speak with director, writer, editor Sean Baker who was nominated for Oscars for Best Picture, Best Director, Best Screenplay, and Best Editing for his film, Anora . He was nominated for BAFTAs for Best Film, Best Editing, Best Casting, Best Screenplay and Best Director. He won AFI’s Movie of the Year, and was nominated for an ACE Eddie. Sean’s other feature films include Red Rocket, Tangerine , and The Florida Project. This discussion includes - among other things - why he chose to edit for himself, the importance of sound effects in a movie with no score, and Sean’s aversion to editing shot/reverse shot. You can read along with this podcast and see trailers, clips and photos on the BorisFX blog site. borisfx.com/blog/aotc…

Art of the Cut

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THE BRUTALIST 39:52

vor 8 weeks39:52

39:52

Today on Art of the Cut we speak with Dávid Jancsó, the editor of The Brutalist. David’s been busy! He also edited last year’s Monkey Man as well as films like Evolution and Pieces of a Woman as well as the TV series The Crowded Room and Treadstone. This discussion includes - among other things - how editing is like Brutalist architecture, the purpose behind fracturing time, and the decisions on what to keep in a movie that runs three and a half hours. You can read along with this interview and see clips and images at: borisfx.com/blog/aotc…

Art of the Cut

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UNSTOPPABLE 45:55

vor 9 weeks45:55

45:55

Today on Art of the Cut we speak with Oscar-winning editor - and now DIRECTOR - William Goldenberg, ACE about his directorial debut - the NUMBER ONE GLOBAL MOVIE on Amazon - Unstoppable. Of course, we also have William’s editor - no, he didn’t edit it himself - Brett Reed. Brett and William have been working together for more than 20 years. William has been on Art of the Cut many times, including for The Instigators, Air, The Outfit, News of the World, 22 July, Detroit, and Live By Night. Billy won the Oscar for Best editing, a BAFTA and an ACE Eddie for Argo. He was nominated for an ACE Eddie for Air, an Oscar nomination and a BAFTA nom for The Imitation Game, nominated for an Oscar for Zero Dark Thirty, nominated for an Oscar and an ACE Eddie for Seabiscuit, and for The Insider… and an Emmy for Citizen X. Brett was also on The Instigators. He was an editor on M. Night Shyamalan’s Old. He was also an additional editor on Transformers: Rise of the Beasts, Detroit and Live by Night. This discussion includes - among other things - the editing skills that helped William transition to director, why - other than their long working relationship - that William chose Brett as his editor, editing handheld footage - and a fascinating bit of Hollywood lore about Led Zeppelin and the movie Argo. If you'd like to read along with this interview and see the complete clips that we discuss in the interview, please go to: borisfx.com/blog/aotc…

Art of the Cut

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A COMPLETE UNKNOWN 46:59

vor 10 weeks46:59

46:59

Today on Art of the Cut we speak with editors Scott Morris and Oscar-winning editor Andrew Buckland, ACE about editing James Mangold’s A Complete Unknown. Andrew’s been on Art of the Cut before for his work on The Girl on the Train, and for Ford v Ferrari for which he won an Oscar and a BAFTA and was nominated for an ACE Eddie. He also edited Indiana Jones and the Dial of Destiny. Scott Morris has been on Art of the Cut previously to discuss The Creator and Ad Astra. In various capacities he was also worked on several other movies covered by Art of the Cut including Oppenheimer, Don’t Look up, and The Lost City of Z. This discussion includes - among other things - the difficulties of editing folk music, compressing multiple scenes into a montage, and the sacrifices made cutting a three and a half hour editor’s cut down to size. If you'd like to read along with this podcast and see trailers, clips and exclusive photos, check out the blog on: borisfx.com/blog/aotc…

Art of the Cut

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CONCLAVE 37:52

vor 11 weeks37:52

37:52

Today on Art of the Cut we speak with Nick Emerson about editing Conclave , for which he’s nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical. Nick has been on Art of the Cut before, when we discussed the film Emma. His other credits include the feature films L ady MacBeth, Eileen, and Greta, and TV series including The Life and Adventures of Nick Nickleby and Life After Life. This discussion includes - among other things - the importance of slowly “drip-feeding the story to the audience, the use of slo-mo to add weight and importance, and how and when to break the 180 degree rule. If you'd like to read along with this podcast and see some of the clips that we talk about, please check out: borisfx.com/blog/aotc…

Art of the Cut

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NOSFERATU 39:52

vor 12 weeks39:52

39:52

Today on Art of the Cut we speak with Louise Ford, ACE about editing Robert Eggers’ “Nosferatu.” Louise has been on Art of the Cut before, when we discussed Eggers’ The Northman. Her other credits include the features Wildlife, Bad Education, and The Lighthouse among many others. This discussion includes - among other things - the importance of sound design in horror films including the revelation of her personal secret sauce…her method to maintain emotional continuity and how she deals with the dark themes of her work with Eggers. If you want to read along with this podcast and see exclusive images, trailers and film clips, check out: borisfx.com/blog/aotc…

Art of the Cut

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MUFASA: THE LION KING 48:07

vor 13 weeks48:07

48:07

Today on Art of the Cut we speak with Oscar-nominee Joi McMillon, ACE about the editing of Barry Jenkins’ Mufasa: The Lion King. Joi’s been on Art of the Cut before for Moonlight - for which she was nominated for an Oscar and an ACE Eddie and for Underground Railroad . She also edited Jenkins’ If Beale Street Could Talk among many other projects. The discussion today is about - among other things - the workflow similarities between Mufasa and Avatar, the benefits of watching dailies with the director and cinematographer, and the learning curve of cutting animation for the first time. If you want to read along with this podcast, a full transcript - with great visual support of trailers and clips - can be seen at borisfx.com/blog/aotc…

Art of the Cut

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SEPTEMBER 5 38:47

vor 14 weeks38:47

38:47

Today on Art of the Cut we speak with Hansjörg Weißbrich about editing September 5 , which has been nominated for a Golden Globe for Best Picture. It was also nominated for Best Editing by the Independent Spirit Awards and tied for the win for the LA Film Critics Award for Best editing. Hansjörg has been nominated for or won numerous German Best Editing awards. His work includes the feature films The Glory of Life, She Said and I’m Your Man , as well as the TV mini-series, Unorthodox , among many others. The discussion today is about - among other things - editing footage shot documentary-style, the importance of being at the mix, and the precision needed to spot music cues. Also, you can read along with this podcast and also see exclusing images and clips and trailers at borisfx.com/blog/aotc…

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