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New Books in Music
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Inhalt bereitgestellt von New Books Network and Marshall Poe. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von New Books Network and Marshall Poe oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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775 Episoden
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Manage series 3338092
Inhalt bereitgestellt von New Books Network and Marshall Poe. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von New Books Network and Marshall Poe oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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New Books in Music

1 antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025) 42:37
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan , explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
In this episode Pat speaks with Dr Timothy Deane-Freeman. Dr Timothy Deane-Freeman works as a teacher and researcher in philosophy in Naarm/Melbourne. His work is primarily focussed on the intersection of politics and art, and the ways in which sensible materials can be combined to produce different forms of thought. He is currently co-editing a book on philosophical accounts of artistic agency. They discuss bourgeoise culture, shock, chronopolitics, and Afrofuturism as the place of the new. A transcript of this episode will be available on the Concept : Art website ( www.conceptart.fm ). Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Gwynne Kuhner Brown, "William L. Dawson" (University of Illinois Press, 2024) 1:08:56
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William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson’s career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson’s other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Colleen Renihan, John Spilker, and Trudi Wright eds., "Sound Pedagogy: Radical Care in Music" (University of Illinois Press, 2024) 1:07:47
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Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, developing course syllabi, and curricula. Far more than simply treating students with dignity and compassion, pedagogies of care can infiltrate every aspect of teaching and higher education by centering the interests of students, instructors, and the larger communities to which they belong. As the essays in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness. The contributors draw from personal experience to address issues including radical kindness through universal design; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. The premise of the book is that care-based approaches to pedagogy can facilitate the systemic transformation that remains both possible and necessary for musicology, other disciplines, and institutions of higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power to the politics of higher education as much as they did to upstart bohemian music scenes coast to coast. Dr. Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation’s culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture. Our guest is: Dr. Katherine Rye Jewell, who is a historian and a professor at Fitchburg State University. She writes about the intersection of business, politics, and culture, and is the author of Live From the Underground: A History of College Radio (University of North Carolina Press, 2023). Our host is: Dr. Christina Gessler , who is a freelance book editor and dissertation coach. She is the producer and host of the Academic Life podcast. Playlist for listeners: 100 Years of Radio in South Africa Interview with NPR host Celeste Headlee A Conversation with Marshall Poe about founding the NBN A conversation with tuba professor Richard A. White Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025) 1:20:03
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Elton John is not only "still standing," he is a living superlative, the ultimate record-breaking, award-winning survivor of the great era of pop and rock music that he helped to shape during his six decades in the music industry. Yet few of his numerous biographies and song guides take him as a historical subject worthy of scholarly study. In contrast, On Elton John: An Opinionated Guide (Oxford University Press, 2025) approaches the artist seriously and analytically, while still couched in a highly accessible style. Author Matthew Restall offers a new way to explore Sir Elton's career and music within the contexts of other artists and of sweeping shifts in popular culture during his lifetime. Each of the ten chapters is anchored to an Elton song, rooted in its pop culture history, and advances a clear argument, pairing him with figures ranging from Bernie (Bernie Taupin, his lyricist) to Bennie (of the Jets), from "frenemy" David Bowie to artists like Rod Stewart, Aretha Franklin, and Dua Lipa, from Diana (the princess) to Jesus (yes, that one). Restall contends that Sir Elton's career offers us a novel way to see and understand the last half century of pop music and culture history--whether we call the era that of the album, of rock, of postmodernism, or of something else. The yellow brick road of Sir Elton's career has been long, winding, and bumpy, but, as Restall argues, his success has come not just despite but because of those challenges. The artist's transformations from Reg to Elton to Sir Elton to Uncle Elton, from ugly duckling to bedazzled swan, from the world's biggest rock star to creator of the world's largest AIDS fundraising organization, from tabloid punching bag to pop royalty, have all served as survival strategies that illuminate the era he has thereby navigated. Matthew Restall teaches at the Pennsylvania State University, where he is Edwin Erle Sparks Professor of History, Anthropology, and Women's, Gender, and Sexuality Studies, and Director of Latin American Studies. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper! Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos. Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective. Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon , Rolling Stone , and The Guardian . She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song . Annie Zaleski on Bluesky . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025) 50:11
Gospel singer and seven-time Grammy winner Andraé Crouch (1942-2015) hardly needs introduction. His compositions--"The Blood Will Never Lose Its Power," "Through It All," "My Tribute (To God be the Glory)," "Jesus is the Answer," "Soon and Very Soon," and others--remain staples in modern hymnals, and he is often spoken of in the same "genius" pantheon as Mahalia Jackson, Thomas Dorsey and the Rev. James Cleveland. As the definitive biography of Crouch published to date, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch (Oxford University Press, 2025) celebrates the many ways that his legacy indelibly changed the course of gospel and popular music. 10 Songs chosen by the authors: The Blood (Will Never Lose Its Power) I’ve Got Confidence My Tribute (to God be the Glory) Satisfied Bless His Holy Name Take Me Back Soon and Very Soon Bless His Holy Name Jesus is the Answer Just Like He Said He Would Robert F. Darden is Emeritus Professor of Journalism at Baylor University and the founder of the Black Gospel Music Preservation Project. He is the author of more than two dozen books and former Gospel Music Editor for Billboard magazine. Stephen M. Newby holds the Lev H. Prichard III Endowed Chair in the Study of Black Worship as Professor of Music and serves as Ambassador for Black Gospel Music Preservation at Baylor University. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Mike Miley, "David Lynch’s American Dreamscape: Music, Literature, Cinema" (Bloomsbury, 2025) 58:46
How are David Lynch's films as much in dialogue with literary and musical traditions as they are cinematic ones? By interrogating this question, David Lynch’s American Dreamscape: Music, Literature, Cinema (Bloomsbury, 2025) broadens the interpretive horizons of Lynch's filmography, calling for a new approach to Lynch's films that goes beyond cinema and visual art to explore how Lynch's work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children's literature to teen tragedy ballads, Nathanael West and Cormac McCarthy to folk music and mixtapes, David Lynch's American Dreamscape investigates the cultural frequencies Lynch's films tune into and positions Lynch's work as a conduit for American popular culture, a medium or channel through which the subconscious of American life finds its way into full view. The book expands upon this approach by discussing how artists such as David Foster Wallace and Lana Del Rey graft Lynch's affiliative, cinematic sensibility onto their own projects. Reading their work as intertextual engagements with Lynch's films further illustrates the versatile interactions among creators and audiences to generate more works, readers, and readings. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025) 1:05:20
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Leonard Bernstein, in his famous Norton Lectures , extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances , as well as in galant music in general. The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris , Andy Warhol’s Campbell's Soup Cans, and Jackson Pollock’s drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia — Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme. The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025) 56:12
From the Shadow of the Blues: My Story of Music, Addiction, and Redemption (Rowman & Littlefield, 2025) is powerful memoir of redemption from the son of blues legend John Lee Hooker. Born in Detroit and exposed to the music world from an early age, John Lee Hooker Jr. began singing as a featured attraction in his father's shows as a teenager. His father was a sharecropper's son who became known for hit songs like "Boogie Chillin," "I'm in the Mood," and "Boom Boom," and in 1972, he and his father performed live and recorded an album in Soledad Prison. Junior seemed to have a golden ticket to a successful music career as a child, but trouble brewed as his father's marriage was in trouble and ripped apart the family. Drug addiction and a series of related crimes, including as a con player, landed Junior in and out of jails & prisons for several decades. An early brush with the law led to a sentence at Synanon, the infamous drug rehabilitation program turned religious cult. Later arrests resulted in time served in prisons including at Soledad, San Quentin, and Avenal. Shot, stabbed, and convicted multiple times, Junior was at his lowest point doing time at a Santa Rita jail, but it was at that moment that he found the Lord. He emerged clean and sober and began a successful career as a blues singer, earning two Grammy nominations as well as the Bobby "Blue" Bland Lifetime Achievement Award. He eventually devoted himself fully to his faith. Reverend John Lee Hooker Jr. testifies, preaches, and performs gospel music in churches and prisons in both Germany and America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025) 1:29:18
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Liz Pelly has been closely following the evolution of Spotify and other music streaming services and the effect they have had on the music sector and musicians themselves for several years. Her book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist (Atria, 2025), paints a depressing picture of how the company has exploited the popularity of playlists to grab a larger share of the money we spend on recorded music. Along with the record companies, Spotify has done this at the expense of musicians themselves and especially those is less popular areas like jazz and classical. I spoke to Liz at an event in Brussels organised by music venue Ancienne Belgique. Later we were joined by Jozefien Vanharpe of Leuven university, professor of intellectual property law, and Nick Yule of AEPO Artis, an association for collecting societies for performing artists. This is Simon Taylor with a podcast for New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025) 41:06
Transatlantic Drift: The Ebb and Flow of Dance Music (Reaktion, 2025) by Dr. Katie Milestone & Dr. Simon A. Morrison explores the emergence and evolution of nightclubs and electronic dance music from the 1950s onwards. It traces the rhythmic journey of dance music, following the pulse as it bounced between Europe, North America and the Caribbean. Music, dance styles and nightclub spaces are not created in isolation; they are shaped by collective influences and shared experiences. This book uncovers the interconnected story of dance music, taking in hotspots such as New York, Detroit, London, Manchester, Chicago, Düsseldorf and Ibiza. Transatlantic Drift offers an engaging exploration of how people have come together to share melodies and rhythms, forming a global conversation through electronic music. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher , wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Mixing the spirit and energy of punk with synths. electronic body music (or EBM) took off in the early 80s in Germany, Belgium, and the UK – with bands like DAF, Front 242 and Nitzer Ebb. In their new book - Electronic Body Music (published by Mionaetti) - Yuma Hampejs and Marcel Schulze chronicle how this hybrid of heavy beats and basslines, shouted vocals, and militaristic imagery developed. They talked to me in late April at a live event at Tropicall Records in Brussels. I'm Simon Taylor and this is a podcast for the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Alexandra Birch, "Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe" (U Toronto Press, 2025) 1:22:04
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Music was an integral part of statecraft and identity formation in the Third Reich. Structured thematically and semiotically around the Wagnerian tetralogy of the Ring cycle, Hitler’s Twilight of the Gods: Music and the Orchestration of War and Genocide in Europe (U Toronto Press, 2025) provides a sonic read of the Second World War and the Holocaust. Alexandra Birch sheds light on the specific type of music promoted under Nazism, linked to larger Teutonic mythologies and histories espoused in rhetoric and personal styling. The book explores the musical fixation of the command as it was extended to the ordinary troops of the Wehrmacht and SS in instances of musical sadism and destruction during the Holocaust. It reveals how, in constructing what was "German," this process also intentionally fashioned a subaltern other with an assigned set of music and aesthetics. The book draws on analysis of testimony and perpetrator documents to reveal the execution of this binary identity and the inclusion of music even in extreme genocidal conditions. From drinking games in the interwar period, to musical sadism in the Holocaust, to the final delusions of the command in collapse, Hitler's Twilight of the Gods illuminates how music was a component of camaraderie, identity, masculinity, and warfare. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024) 1:00:19
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The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Paul Lisicky, "Song So Wild and Blue: A Life with the Music of Joni Mitchell" (HarperOne, 2025) 22:31
Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master’s in creative fiction and working in the world of professional writing. He continued to follow Joni’s career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell. Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master’s degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers’ Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later , The Narrow Door, and Lawn Boy . His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly . He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What’s Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She’s one of Mack’s go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph’s research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He’s a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “ Voice as Ecology: Voice Donation, Materiality, Identity ” by Steph Ceraso in Sounding Out (2022) . “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “ Embodied meaning in a neural theory of language ” by Jerome Feldman and Srinivas Narayanan (2003). “ The Contemporary Theory of Metaphor ” by George Lakoff (1992). Today’s show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023) 23:27
In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project , an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami , her field recordings and playlist selections are mixed into the story. And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction . And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. Today’s musical selections and soundscapes are by Maya Cunningham . The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Joseph Straus, "Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians" (Routledge, 2024) 43:50
Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians (Routledge, 2024) discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Joseph Straus argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. This book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. Straus’ text seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape. Joseph Straus is Distinguished Professor of Music at the City University of New York Graduate Center, specializing in music since 1900. He has written technical music-theoretical articles, analytical studies of music by a variety of modernist composers, and, more recently, a series of articles and books that engage disability as a cultural practice. You can also listen to his episodes on SMT-POD in which he further discusses musicking in old age. Emily Ruth Allen is an Instructor in Music History and Southern Studies at the University of South Carolina. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
Today we speak to Hildegard Westerkamp , the pioneering composer, radio artist and sound ecologist. The centerpiece of all of her work is a close attention to the sonic environment and its relation to culture. We will listen to excerpts of six soundscape compositions made between 1975 and 2005, all of which reward the close listener–conceptually and aesthetically–with a deeper relationship to the sonic environment. Mack Hagood interviewed Westerkamp shortly after the death of R. Murray Schafer in late 2021 . Westerkamp worked closely with Schafer in the early 1970s and she graciously agreed to talk about him despite the grief being fresh. They also discussed her own amazing career and that’s the part of the tape we are sharing in this episode. They talk about her formative years as a 20-something working with Schafer and his World Soundscape Project and then we jump into a number of her compositions, ending with the piece “Breaking News” from 2012. Incredibly, she said Mack was the first person to ever ask her about that piece, even though it is one of her favorites. And sure enough, not long after this interview she released a retrospective album on Earsay Music called Breaking News , which features that piece and a number of others created between 1988 and 2012. For our Patreon members we have the full, unedited interview for those who want to hear all her thoughts on R. Murray Schafer and her career. Join at Patreon.com/phantompower. And a quick correction: Hildegard wanted me to clarify that the sentence “When there is no sound, hearing is most alert,” which she uses in “Whisper Study,” is a quote from the Indian mystic Kirphal Singh in his book Naam (or Word ). Pieces featured in this episode: “ Gently Penetrating beneath the Sounding Surfaces of Another Place ” (1997) “ Whisper Study ” (1975) “ Fantasie for Horns ” (1978) “ A Walk through the City ” (1981) “ Für Dich – For You ” (2005) “ Breaking News ” (2002) Today’s show was written and edited by Mack Hagood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024) 49:29
The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer. In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, The Business of Bobbysoxers shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Jeff Gomez, "There Was No Alternative: Generation X, AIDS, and the Making of a Classic Nineties Record" (McFarland, 2023) 56:12
Grunge. Flannel. Generation X. In 1993, Seattle was the capital of the world, Nirvana was king, and slackers were everywhere. When the Red Hot organization, a group of activists dedicated to raising money and awareness of AIDS, released their third compilation CD featuring the biggest bands of the era--Soundgarden, Smashing Pumpkins, Beastie Boys, The Breeders, Nirvana and more it quickly became the touchstone of a generation. Rolling Stone called No Alternative a "jaw-dropping compilation of musical gems." This book takes a look back at what happened to the bands involved with No Alternative . It includes new interviews with the musicians and others behind the record, and chronicles the downfall of an industry, the taming of a devastating illness, and the arrival of another global pandemic. It's about growing up, saying goodbye, and proving once more that you can't go home again (even if that's where you left all of your CDs). Jeff Gomez has been writing about the worlds of Generation X and alternative music for over 25 years and is the author of several books including Zeppelin Over Dayton: Guided By Voices Album By Album and Math Rock . Jeff Gomez’s website . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Samantha Ege, "South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene" (U Illinois Press, 2024) 1:03:31
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South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene by Samantha Ege (University of Illinois Press, 2014) is a collective biography of a group of Black women living in Chicago who were at the center of the support, promotion, and circulation of classical music by Black composers—often specifically Black women composers—in the years between the World Wars. Women like Nora Holt, Maud Roberts George, Estella Conway Bonds, and her daughter Margaret Bonds founded and led institutions, raised money, wrote music criticism, composed music, played in and arranged concerts, opened their homes to salons and their wallets to support concerts and even individuals. This “behind the scenes” book, shows how these Race Women made Chicago’s South Side into a center of Black classical music making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Thanks to Life: A Biography of Violeta Parra 1:07:44
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Our book is: Thanks to Life: A Biography of Violeta Parra (UNC Press, 2025), by Ericka Verba, which explores the life of Chilean musician and artist Violeta Parra (1917–1967). Parra is an inspiration to generations of artists and activists across the globe. Her music is synonymous with resistance, and it animated both the Chilean folk revival and the protest music movement Nueva Canción (New Song). Her renowned song "Gracias a la vida" has been covered countless times, including by Joan Baez, Mercedes Sosa, and Kacey Musgraves. A self-taught visual artist, Parra was the first Latin American to have a solo exhibition at the Museum of Decorative Arts in the Louvre. In this remarkable biography, Dr. Ericka Verba traces Parra's radical life and multifaceted artistic trajectory across Latin America and Europe and on both sides of the Iron Curtain. Drawing on decades of research, Dr. Verba paints a vivid and nuanced picture of Parra's life. From her modest beginnings in southern Chile to her untimely death, Parra was an exceptionally complex and talented woman who exposed social injustice in Latin America to the world through her powerful and poignant songwriting. This examination of her creative, political, and personal life, flaws and all, illuminates the depth and agency of Parra's journey as she invented and reinvented herself in her struggle to be recognized as an artist on her own terms. CW: suicide Our guest is: Dr. Ericka Verba, who is Director and Professor of Latin American Studies at California State University, Los Angeles. She has received grants from the National Endowment for the Humanities, the Mellon Foundation, the Social Science Research Council, the Fulbright, and the Los Angeles Department of Cultural Affairs. She is a founding member of SCALAS (Southern California Association of Latin American Studies) and the recipient of the E. Bradford Burns Award for service to the Pacific Coast Council on Latin American Studies. She is the author of the book Thanks to Life: A Biography of Violeta Parra . Our host is: Dr. Christina Gessler , who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Remembering Lucille I'm Possible Dear Miss Perkins Sophonisba Breckinridge The Rise and Fall of Henry Christophe Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Neil Fox, "Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music" (Bloomsbury, 2024) 59:43
In Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Musi c (Bloomsbury, 2024), Dr. Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024) 1:19:07
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Cold Glitter: The Untold Story of Canadian Glam (Feral House, 2025) uncovers a forgotten yet fascinating chapter on glam rock music and culture...from Canada. Los Angeles-based multi-disciplinary artist Robert Dayton taps his Canadian roots to reveal mind-blowing stories of musicians fighting to be heard. It's a universal story of determined creators striving to make their voices heard. Dayton has spent years researching and interviewing these ground-breaking musicians trapped by geography, colonial mindsets, and the cultural behemoth that is the United States. There's no denying that glam rock was marginalized in Canada. In fact, RCA almost didn't release the 1973 Bowie-produced Lou Reed album "Transformer" in Canada because they didn't see a market for it. Of course, they were wrong! Young Canadians, like youth around the world, were rebelling against the oppressive conservative mainstream culture and saw themselves in the anything-goes freedom of glam rock. Cold Glitter gets at the reasons why: nature vs. artifice, old world values vs. new freedoms, and how transgressive actions--including gender play--shook the Canadian art establishment to its core. Filled with stories from musicians about what they did to build a career and fight against the old guard controlling the airwaves and stages. Readers everywhere will find solidarity with the all-too-familiar story of artists who were attacked for appearing outrageous and daring to be different. Within the struggle to be fabulous are mind-blowing anecdotes of fun and mayhem. Readers will be taken back to the seventies as they meet the unknown and infamous musicians and artists who dared to be glamorous. Familiar names like magician Doug Henning, Vancouver band Sweeney Todd and their lead singer and one-hit-wonder, Nik Gilder, and his replacement, Bryan Adams, to underground heroes like the Hollywood Brats to hundreds of musicians who put away their mascara and left their glamorous wild days behind. Cold Glitter is filled with rare (and sometimes outrageous) images throughout and additional chapters on glam fashion, film, and comedy in Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023) 1:07:01
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The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political movements that tore through the 1960s and 1970s. In Women in American Operas of the 1950s: Undoing Gendered Archetypes (University of Rochester Press, 2023), Monica A. Hershberger considers the main female characters in four operas written in the 1950s: The Ballad of Baby Doe, Lizzie Borden, The Tender Land, and Susannah . For each work, Hershberger analyzes the historical context and musical treatment of these four characters, who are all stereotyped as the virgin or the whore, or sometimes even both. In an unusual and productive analytical choice, Hershberger also includes the interpretive decisions and perspectives of the sopranos who originated or popularized these four roles, rather than focusing exclusively on the scores and the views of the male creative teams that wrote the works. Several of the operas include instances of emotional abuse as well as gendered and sexual violence that have long been ignored or downplayed by opera scholars, but Hershberger does not shy away from these disturbing subjects in the book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024) 1:00:45
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Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death. In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection. Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono ; Weird Al: Seriously ; and Insulting Music: A Lexicon of Insult in Music . Lily on Twitter and Bluesky . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter and Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Maurice Jackson, "Rhythms of Resistance and Resilience: How Black Washingtonians Used Music and Sports in the Fight for Equality" (Georgetown UP, 2025) 57:35
In the Nation's Capital, music and sports have played a central role in the lives of African Americans, often serving as a barometer of social conflict and social progress―for sports clubs and ball games, jam sessions and concerts, offered entertainment, enlightenment, and encouragement. At times, they have also offered a means of escape from the harsh realities of everyday life. Rhythms of Resistance and Resilience (Georgetown UP, 2025) tells the story of these musicians and athletes who have used their skills and their determination to achieve success in the face of discrimination. Jackson begins with pioneers such as James Reese Europe, who formed the first musicians' union and fought as a member of the Harlem Hellfighters in World War I, and ends with giants of the twentieth century, such as Duke Ellington and Georgetown University basketball coaching legend John Thompson Jr. Readers interested in the history of Washington, DC, the civil rights movement, racial justice, music, and sports will draw important lessons from these stories of the Black men and women who found in sports and music spaces to combat racial prejudice and bring people in the District of Columbia together. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025) 1:09:04
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Although the history of Indonesian music has received much attention from ethnomusicologists and Western composers alike, almost nothing has been written on the interaction of missionaries with local culture. Missionaries, Anthropologists, and Music in the Indonesian Archipelago (U California Press, 2025) represents the first attempt to concentrate on the musical dimension of missionary activities in Indonesia. In fourteen essays, a group of distinguished scholars show the complexity of the topic: while some missionaries did important scholarship on local music, making recordings and attempting to use local music in services, others tried to suppress whatever they found. Many were collaborating closely with anthropologists who admitted freely that they could not have done their work without them. And both parties brought colonial biases into their work. By grappling with these realities and records, this book is a collective effort to decolonize the project of making music histories. Byung Ho Choi is a Ph.D. candidate in the History and Ecumenics program at Princeton Theological Seminary, concentrating in World Christianity and history of religions. His research focuses on the indigenous expressions of Christianities found in Southeast Asia, particularly Christianity that is practiced in the Muslim-dominant archipelagic nation of Indonesia. More broadly, he is interested in history and the anthropology of Christianity, complexities of religious conversion and social identity, inter-religious dialogue, ecumenism, and World Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025) 1:01:31
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John Cale's enigmatic masterpiece, Paris 1919 , appeared at a time when the artist and his world were changing forever. It was 1973, the year of the Watergate hearings and the oil crisis, and Cale was at a crossroads. The white-hot rage of his Velvet Underground days was nearly spent; now he was living in Los Angeles, working for a record company and making music when time allowed. He needed to lay to rest some ghosts, but he couldn't do that without scaring up others. Paris 1919 was the result. In John Cale’s Paris 1919 (Bloomsbury, 2025), Mark Doyle hunts down the ghosts haunting Cale's most enduring solo album. There are the ghosts of New York - of the Velvets, Nico, and Warhol - that he smuggled into Los Angeles in his luggage. There is the ghost of Dylan Thomas, a fellow Welshman who haunts not just Paris 1919 but much of Cale's life and art. There are the ghosts of history, of a failed peace and the artists who sought the truth in dreams. And there are the ghosts of Christmas, surprising visitors who bring a nostalgic warmth and a touch of wintry dread. With erudition and wit, Doyle offers new ways to listen to an old album whose mysteries will never fully be resolved. Mark Doyle is a Professor of History at Middle Tennessee State University, USA. He is the author of The Kinks: Songs of the Semi-Detached (2020), Communal Violence in the British Empire (Bloomsbury 2016), and Fighting Like the Devil for the Sake of God (2009). Mark Doyle on Bluesky . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley Morgan on Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Warren Zanes: Rockstar Biographer 1:15:37
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Warren Zanes is a “rockstar biographer” in more ways than one: he has experienced life as a rockstar, a biographer, and a biographer of rockstars. When Mack first met Warren in New Orleans sometime in the late 80s or early 90s, Zanes was then emerging from the wreckage of meteoric success. He’d been the teenage guitarist in critically acclaimed band The Del Fuegos , who briefly broke into the national popular consciousness—and then just plain broke up. But in the years since, Zanes remade himself into one of our most erudite and entertaining public scholars of popular music. Among other things, he’s been Vice President of Education and Public Programs at The Rock and Roll Hall of Fame, a consulting producer on the Oscar-winning film Twenty Feet from Stardom , a producer on the Grammy-nominated PBS/ Soundbreaking series, and he conducted interviews for Martin Scorsese’s George Harrison documentary. All while keeping up a solo recording career with collaborators such as the Dust Brothers. Warren’s books include the first volume in the celebrated 33 1/3 Series, Dusty in Memphis ; Petty: The Biography and Revolutions in Sound: Warner Bros. Records . His latest book is called Deliver Me from Nowhere . On its face, it’s a book about the making of Bruce Springsteen’s classic lo-fi album Nebraska . But it’s also about sound technology, musicianship teetering in a moment between the analog and digital eras, what it means to be in a band, and the relationship between the four-track cassette recorder and social alienation in Reagan era. In this interview, Warren talks about his journey, the recent book, his craft as a writer, and—as part of our mini-theme this season on audiobooks—the process of narrating his own audiobooks and why he does so. And for our Patrons we’ll have Warren’s What’s Good segment, with something good to read, listen to, and do. You can join us at patreon.com/phantompower . Today’s show was edited by Nisso Sacha and Mack Hagood. Transcript and web content by Katelyn Phan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Julie Malnig, "Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s" (Oxford UP, 2023) 48:05
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood. Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025) 40:28
Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher , wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
In 1994, Fuse opened its doors on the Rue Blaes in downtown Brussels. From early on, this nightclub attracted Detroit techno pioneers Carl Craig, Jeff Mills, and Juan Atkins and cutting-edge French innovators like Laurent Garnier and Daft Punk. Over time, Fuse became one of the most important clubs on the European techno scene and, to celebrate its 30th birthday last year, Koen Galle published Fuse: 30yrs Of Making Noise (AfterClub, 2024). In this recording of a live event, Galle talks to Simon Taylor about the glory days of Fuse and what has made it one of the longest-surviving clubs in Europe – outlasting and predating more famous venues like Trezor and Bergheim in Berlin. Formerly a DJ, Koen Galle founded publishing house AfterClub to uncover stories about Belgium's rich electronic music culture and nightlife. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024) 37:10
Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire's worth of music, and navigated the imperial Russian court to great advantage. In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky's complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. Morrison reexamines the relationship between Tchaikovsky's music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky's Empire: A New Life of Russia's Greatest Composer (Yale UP, 2024) unsettles everything we thought we knew--and gives us a vivid new appreciation of Russia's most popular composer. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024) 1:04:50
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Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story ; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Radha Kapuria and Vebhuti Duggal, "Punjab Sounds: In and Beyond the Region" (Routledge, 2024) 1:09:44
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Punjab Sounds (Routledge, 2024) nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in 'regioning', i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing , knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab's music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others. Radha Kapuria is Assistant Professor of South Asian History at Durham University, UK, and the author of Music in Colonial Punjab: Courtesans, Bards, and Connoisseurs, 1800 – 1947 . Vebhuti Duggal is Assistant Professor in Film Studies at the School of Culture and Creative Expressions, Ambedkar University Delhi, and Associate Editor of the journal BioScope: South Asian Screen Studies . Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Lauren E. Osborne, "Hearing Islam: The Sounds of a Global Religious Tradition" (Routledge, 2024) 1:41:18
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In Hearing Islam: The Sounds of a Global Religious Tradition , Lauren Osborne delves into the sonic dimensions of Islam, exploring how the tradition’s rich soundscape offers deep insights into culture, identity, and spirituality. In this innovative work, Osborne shifts the focus from the written word to the auditory, asking, "What can we learn about Islam when we enter through its sounds, instead of books?" This approach provides a unique lens through which to study the intersections of modernity, belonging, and pluralism in Muslim-majority cultures. The book explores the centrality of sound within Islam, from the recitation of the Qur’an to the daily practices of prayer, the call to prayer ( adhaan ), and the sonic expressions found in Islamic chantings, nasheeds, qawwalis, and even contemporary genres like hip-hop. Osborne also tackles the underexplored intersection of deafness and Islam, shedding light on how the experience of deafness intersects with a traditionally "hearing" religion. In today’s interview, Osborne discusses the core themes of the book, including the debates around music’s role in Islam, the relationship between Sufism and music, and the significant cultural conversations surrounding hip-hop’s place within the Islamic world. This book is an essential resource for students of Islam, religious studies, world music, and anyone interested in the profound role of sound in shaping human experiences across diverse cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
Today we explore the mythology around John Cage’s visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage’s experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review , Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate. For our Patreon members we have bonus content: Mack’s “What’s Good” segment. Join at patreon.com/phantompower . Writing and media content featured in this episode: Mack’s essay “ Cage’s Echoes of the Anechoic ,” in AHR Issue 70 (2022). Nam June Paik’s 1973 video Global Groove John Cage’s 1959 album with David Tudor, Indeterminacy John Cage’s book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium Terry Gross’s 2014 Fresh Air interview with Trevor Cox The album Naxi Live by Jang San and the Dayan Naxi orchestra Shani Diluka’s performance of “ Glassworks: Opening ” by Philip Glass Amit Pinchevsky’s book Echo (MIT, 2022) Helen Rees’ book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today’s show was written and edited by Mack Hagood. Original music and sound design by Mack Hagood. Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which ( I Do Not Want What I Haven't Got ) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website . Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America . He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky . Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

Few towns in America are as famous as Woodstock, New York—although Woodstock may be most famous for an event that happened many miles away! Long before the 1969 Woodstock festival put the town on the map, it had been a center for artists and free thinkers who found refuge in its rural setting. Longtime citizens were often shocked by the arrival of these newcomers who brought new values and attitudes to their once-isolated village. From the transformative arrival of artists in the early twentieth century to the influx of musicians and young people in the 1960s, Woodstockers worked and struggled to balance everyday life in a small, rural community with the attention and notoriety the outside world brought to it. Presented chronologically, Woodstock: From World War to Culture Wars (SUNY Press, 2024) examines the nature of change within Woodstock's uncommon story as it emerges from the Great Depression, confronts the realty of World War II, moves through the 1950s and into an unimagined and unintended future with the arrival of the Sixties through today. At its core, this is a story of how Woodstock's cultural and political institutions, its citizens, and its physical landscape met the ever-changing challenges of changing times. It is a story of community, resilience, conflict, and transition into a world its early settlers could not have imagined. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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New Books in Music

1 Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024) 50:15
George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. He could, quite literally, do it all. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. Cohan's songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. Elizabeth Craft’s Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Oxford University Press, 2024) is not a conventional biography. Each chapter explores a different aspect of his life and career including Cohan’s approach to American nationalism, Irish American identity, celebrity, and the entertainment business along with defining what made Cohan’s shows unique. Craft finds songs and shows that serve as exemplars for each theme she highlights. The book ends with an examination of the 1942 biopic on Cohan and his enduring legacy. Yankee Doodle Dandy offers not only a fuller understanding of Cohan’s shows and career, but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music…
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