In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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Rabbi Shalom Rosner on The Parsha
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From the creators of the #1 documentary SCORE comes this award-winning podcast inviting you into the world of today's most beloved film composers and brilliant musical storytellers.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
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DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
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In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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In Dead Pilots Society, scripts that were developed by studios and networks but were never produced are given the table reads they deserve. Starring actors you know and love from television and film, a live audience, and a good time in which no one gets notes, no one is fired, and everyone laughs. Presented by Andrew Reich (Friends; Worst Week) Ben Blacker (The Writers Panel podcast; co-creator, Thrilling Adventure Hour), and Noah Findling (The New York Times, Comedy Central).
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Whether you’re just beginning to explore the Western United States or you’ve been living here since the day you were born, the Via Podcast will introduce you to new and unique adventures that will change your perspective. Hosts Mitti Hicks and Michelle Donati bring their travel expertise to interviews with some of the West’s most fascinating experts, residents, and adventurers. In each episode, you will discover deep conversations in the hopes of igniting a new interest—foraging anyone?—or planting the seeds of a new-to-you road trip. You might even learn something about a place you’ve explored dozens of times before.
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This week on Friday Night Frightfest , we’re tempting fate and dodging elaborate death traps as we look at the beginnings of a beloved horror franchise! In anticipation of the highly anticipated new film, Final Destination: Bloodlines , we’re going back to where it all began, comparing the terrifying ingenuity of Final Destination (2000) and its thrilling sequel, Final Destination 2 (2003). Final Destination (2000) Directed by James Wong, the original Final Destination introduces us to Alex Browning, who has a premonition of a catastrophic plane crash and, along with a handful of others, manages to cheat death. But Death, as they soon learn, doesn’t like to be cheated. What follows is a relentlessly suspenseful and inventive series of “accidents” as Death comes to claim its due, showcasing Rube Goldberg-esque kills that became the franchise’s trademark. Final Destination 2 (2003) Directed by David R. Ellis, Final Destination 2 escalates the stakes with a truly unforgettable opening highway pile-up. Kimberly Corman has a vision of this horrific event and saves herself and several strangers. However, they soon discover they’ve merely placed themselves at the top of Death’s new list. This sequel famously expands on the rules of Death’s design and offers even more elaborate and shocking sequences of unfortunate demises. Join us as we discuss these first two films in the series. If you don’t have time to watch them yourself before seeing Final Destination: Bloodlines, this episode offers a good synopsis of the films. We discuss how they established the franchise’s unique blend of supernatural horror and inventive practical effects, and what makes each of these early entries so enduringly terrifying. Prepare for a grim reminder that you can’t escape your destiny! Spoilers Start around 4:27.…
This week on Friday Night Frightfest , we’re revisiting an episode about the terrifying and sometimes darkly comedic world of time loops! With the recent release of the Until Dawn , we thought it was the perfect time to dust off this classic comparison between two fantastic films that trap their protagonists in a recurring nightmare: Happy Death Day (2017) and Source Code (2011). Happy Death Day (2017) Directed by Christopher Landon, Happy Death Day puts a slasher twist on the time loop concept. College student Tree Gelbman finds herself reliving the day of her murder over and over again. To break the loop, she must figure out who her killer is and stop them, all while navigating the increasingly bizarre and dangerous repetitions of her final day. It’s a clever blend of horror, comedy, and mystery with a charismatic lead performance. Source Code (2011) Directed by Duncan Jones, Source Code takes a more sci-fi thriller approach to the time loop. Captain Colter Stevens, a helicopter pilot, wakes up in the body of an unknown man on a commuter train moments before it explodes. He’s part of a top-secret program that allows him to inhabit the last few minutes of a person’s life to gather information and prevent future terrorist attacks. Each jump back offers new clues and increasingly complex moral dilemmas. Tune in for a repeat dose of temporal terror!…
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Friday Night Frightfest
This week on Friday Night Frightfest , we’re revisiting the terrifying world of alien seduction and deadly offspring! We’ll be comparing the second and third installments in the Species franchise: Species II (1998) and Species III (2004). Species II (1998) Directed by Peter Medak, Species II picks up where the original left off. This time, the alien DNA has returned to Earth via a manned mission to Mars. When the astronaut infected with the alien pathogen begins a violent and rapid evolution, a new, even more dangerous alien threat emerges, focused on procreation and domination. Species III (2004) Directed by Brad Turner, Species III takes a slightly different approach. It focuses on Sara, the human/alien hybrid daughter of Eve (from the first two films). As Sara matures, she grapples with her alien instincts while scientists attempt to understand and control her unique biology. This installment explores themes of nature versus nurture and the potential for hybrid existence. Join us as we delve into the evolutionary horrors of the Species sequels. We’ll discuss how each film expands upon the original’s themes of alien biology and sexual predation, analyze their creature designs and special effects, and debate which sequel offers the more compelling and terrifying vision of alien infiltration. Spoilers start around 7:28.…
This week on Friday Night Frightfest , we’re diving into the late-stage slasher sequels, comparing two sixth entries that took their respective franchises in wildly different directions. We’re pitting Friday the 13th Part VI: Jason Lives (1986) against A Nightmare on Elm Street 6: Freddy’s Dead: The Final Nightmare (1991). Friday the 13th Part VI: Jason Lives (1986) Directed by Tom McLoughlin, Jason Lives marks a significant shift for the Friday the 13th series. After a brief hiatus, Jason returns, but this time, he’s a resurrected, supernatural force of nature. This entry leans heavily into self-aware humor and action-oriented set pieces, giving us a more playful, albeit still violent, take on the iconic killer. A Nightmare on Elm Street 6: Freddy’s Dead: The Final Nightmare (1991) Directed by Rachel Talalay, Freddy’s Dead attempts to wrap up the Nightmare on Elm Street saga with a surreal and cartoonish finale. This film delves into Freddy’s origins, revealing his childhood and the source of his evil. It’s known for its over-the-top special effects, bizarre dream sequences, and a generally more comedic tone than previous entries. Join us as we dissect these two films, exploring how they attempted to revitalize their franchises, the impact of their tonal shifts, and whether they succeeded in delivering satisfying sequels. Spoilers start around 5:50…
This week on Friday Night Frightfest , explore the world of quirky werewolf movies! We’ll be comparing the American film Werewolves Within (2021) and the French film Teddy (2020). Werewolves Within (2021) Directed by Josh Ruben, Werewolves Within is a horror-comedy based on the Ubisoft VR game of the same name. It follows a newly arrived forest ranger who finds himself trapped in a snowbound Vermont town with a group of eccentric residents, all of whom suspect each other of being a werewolf. The film is known for its witty dialogue, ensemble cast, and its blend of humor and suspense. Teddy (2020) Directed by Ludovic and Zoran Boukherma, Teddy is a French horror-comedy-drama that follows a young man named Teddy, who is scratched by a mysterious creature in the woods. As he begins to experience strange physical and behavioral changes, Teddy must confront the possibility that he is turning into a werewolf. The film is known for its grounded approach to the werewolf mythos, its dark humor, and its exploration of themes like adolescence and identity. Join us as we discuss the unique charms and quirks of these two werewolf flicks. Spoilers start around 7:10…
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Friday Night Frightfest
This week on Friday Night Frightfest , we’re diving into the unsettling realm of technology gone awry, exploring the anxieties surrounding our increasingly digital world. We’ll be comparing the Polish film The Glitch (2019) and the Companion (2025). The Glitch (2019) Directed by Patricia Ryczko, The Glitch (Panacea) is a polish Sci-Fi, drama, thriller, that centers around Renata, an android, who lives a seemingly normal life. After a mysterious glitch occurs, her reality begins to unravel, and she is forced to face the truth of her nature. The film explores themes of identity, reality, and the ethical implications of artificial intelligence. Companion (2025) Companion (2025) by Drew Handcock, is an science fiction horror film that explores themes of artificial intelligence and human connection. It considers the potential dangers of advanced technology and how it can blur the lines between human and machine. Spoilers start around 4:34…
This week on Friday Night Frightfest , we’re howling at the moon with a classic monster movie double feature! We’ll be comparing two iconic takes on the werewolf legend: The Wolf Man (1941) and Wolf Man (2025). The Wolf Man (1941) Directed by George Waggner, this classic Universal Monsters film tells the tragic tale of Lawrence Talbot, an American actor who returns to his ancestral home in England and becomes cursed by a werewolf. This film is renowned for its atmospheric cinematography, iconic imagery (like the memorable “Even a man who is pure at heart can become a wolf-man” line), and its exploration of themes like guilt and the primal nature of man. Wolf Man (2025) Directed by Leigh Whannell from a screenplay he co-wrote with Corbett Tuck, this reboot of The Wolf Man franchise, follows a family man seeking to protect his wife and daughter from a werewolf, only to become infected and slowly transform into the creature. Jason Blum produces alongside his Blumhouse Productions banner. Join us as we dissect these two films, exploring their different approaches to the werewolf legend, their visual styles, and their impact on the horror genre. Spoilers start around 6:06.…
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Friday Night Frightfest
This week on Friday Night Frightfest , we’re exploring the terrifying concept of alien parasites with two sci-fi horror classics: Lifeforce (1985) and Species (1995). Lifeforce (1985) Directed by Tobe Hooper, Lifeforce tells the story of a space mission to Halley’s Comet that unearths a terrifying alien species that feeds on human life energy. When the aliens arrive on Earth, they unleash a wave of chaos and terror, leaving a trail of drained and lifeless victims in their wake. Species (1995) Directed by Roger Donaldson, Species explores the arrival of a genetically engineered alien on Earth. This seductive and deadly creature seeks a mate to continue its species, and it quickly becomes apparent that she poses a significant threat to human existence. Join us as we dissect these two iconic sci-fi horrors, discussing their special effects, their exploration of alien sexuality, and their enduring impact on the genre. We’ll also delve into the social and cultural anxieties reflected in these films, such as the fear of the unknown and the dangers of scientific tampering. Spoilers Start around 7:10.…
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This week on Friday Night Frightfest , we’re diving headfirst into the world of 2024 vampire cinema! We’ll be comparing two distinct takes on the classic vampire mythos: Nosferatu (2024) and Abigail (2024). Nosferatu (2024) Directed by Robert Eggers, Nosferatu is a visually stunning and atmospheric reimagining of the 1922 silent film. This modern adaptation boasts a star-studded cast and breathtaking visuals, promising a chilling and unforgettable cinematic experience. Abigail (2024) Directed by Matt Bettinelli-Olpin and Tyler Gillett, Abigail tells the story of a group of criminals who kidnap the 12-year-old daughter of a powerful underworld figure. They believe they’re in for an easy payday, holding the girl for ransom in an isolated mansion. However, their plan quickly unravels when they discover their young captive is not what she seems. Abigail is not just a spoiled rich kid; she’s a bloodthirsty vampire. Join us as we dissect these two films, exploring their unique approaches to vampire lore, their visual styles, and their impact on the horror genre. Spoilers start around 6:00.…
This week on Friday Night Frightfest , we’re indulging in some delightfully cheesy holiday horror with two B-movie classics: Jack Frost (1997) and The Gingerdead Man (2005). Jack Frost (1997) Directed by Michael Cooney, Jack Frost tells the tale of a serial killer who is horrifically transformed into a monstrous snowman after a freak accident involving chemicals. Now, this icy avenger seeks revenge on the small town that wronged him. The Gingerdead Man (2005) Directed by Charles Band, The Gingerdead Man introduces us to a homicidal gingerbread man created by a convicted serial killer as a means of escaping prison. This deliciously evil cookie embarks on a killing spree, leaving a trail of gingerbread crumbs and terrified victims in his wake. Join us as we dissect these delightfully absurd and over-the-top holiday horrors. We’ll be discussing their campy charm, ridiculous special effects, and enduring place in the pantheon of cheesy B-movie classics. Spoilers start around 4:00.…
This week on Friday Night Frightfest , we’re delving into the chilling world of possession with two films that offer unique and unsettling takes on the classic horror trope. We’ll be comparing Smile 2 (2024) and Suitable Flesh (2023). Smile 2 (2024) Directed by Parker Finn, Smile 2 continues the chilling story of a terrifying entity that spreads through forced smiles. This sequel explores the origins of the curse and delves deeper into the psychological and supernatural elements of the phenomenon. Suitable Flesh (2023) Directed by Joe Lynch, Suitable Flesh is a Lovecraftian horror film that tells the story of a psychiatrist who becomes obsessed with helping a young patient with extreme personality disorder, leading her down a dark and disturbing path. Join us as we dissect these two unsettling films and discuss how they subvert and expand upon the traditional concept of possession. Spoilers start around 5:30.…
This week on Friday Night Frightfest , we’re diving into the darker side of holiday cheer with two films that twist the festive season into something sinister. We’ll be comparing Terrifier 3 (2024) and The Jester (2023). Terrifier 3 (2024) Directed by Damien Leone, Terrifier 3 continues the gruesome legacy of Art the Clown. This slasher sequel promises more blood, more gore, and more terror as Art wreaks havoc on a new group of unsuspecting victims. The Jester (2023) Directed by Christian James, The Jester is a holiday horror film that reimagines the classic slasher formula. A mysterious figure known only as The Jester stalks and kills a group of friends during a Christmas party. Join us as we review these two festive fright fests and discuss their unique takes on holiday horror. Spoilers start around 9:03.…
This Halloween season, we’re taking a spooky detour from the familiar slasher formula to explore two unique horror films that embrace the darker side of the holiday. We’ll be comparing Halloween III: Season of the Witch (1982) and Terrifier 2 (2022). Halloween III: Season of the Witch (1982) Directed by Tommy Lee Wallace, Halloween III is a standalone film that departs from the Michael Myers saga. The story follows a small-town doctor who uncovers a sinister plot involving a mysterious toy company and a deadly ritual. This film is known for its unique blend of horror and science fiction, and its eerie exploration of Halloween traditions. Terrifier 2 (2022) Directed by Damien Leone, Terrifier 2 is a gory and disturbing slasher film that follows the return of the iconic horror villain, Art the Clown. This film is praised for its intense violence, practical effects, and its ability to shock and disturb audiences. Join us as we dissect these two unconventional horror films and discuss their impact on the genre. Spoilers start around 6:38.…
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Friday Night Frightfest
This week on Friday Night Frightfest, we’re celebrating Halloween with a double feature of horror anthologies. We’ll be comparing All Hallows Eve (2013) and its sequel, All Hallows Eve 2 (2015), both directed by Damien Leone. We’re also beginning the first of three episodes with films featuring Art the Clown!! All Hallows Eve (2013) This anthology film is a tribute to classic horror movies, featuring a 3 interconnected short films that explore various horror themes. From haunted houses to demonic possessions, All Hallows Eve offers a nostalgic and terrifying journey through the world of horror. All Hallows Eve 2 (2015) The sequel continues the anthology format, picking up where the first film left off with new characters and eight new gruesome tales. Join us as we dive into the spooky and terrifying world of these Halloween horror anthologies. Spoilers start around 3:06.…
This week on Friday Night Frightfest, we’re delving into the grotesque and disturbing world of body horror. We’ll be comparing two films that explore the horrifying consequences of medical experimentation gone awry: The Substance (2024) and Body Melt (1993). The Substance (2024) Written, directed, and produced by Coralie Fargeat, this film centers on Elisabeth Sparkle (Demi Moore), renowned for an aerobics show and long career in Hollywood. On her 50th birthday she is fired – only to be replaced by a younger star. Amid her distress, a laboratory offers her a substance which promises to transform her into an enhanced version of herself. Body Melt (1993) In this film directed by Philip Brophy and written by Brophy and Rod Bishop, the residents of Pebbles Court in the suburb of Homesville in Melbourne, Australia are the unknowing test subjects for a new variety of dietary supplement pills that arrive for free in their mailboxes. The pills are designed to produce the ultimate healthy human, but have unexpected side effects, including hallucinations and mutations. Join us as we explore the unsettling themes of body horror, experimentation, and the dangers of scientific advancement in these two disturbing films.…
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Friday Night Frightfest
This week on Friday Night Frightfest, we’re diving into the terrifying world of artificial intelligence gone awry. We’ll be comparing two films that explore the dark side of technology: Afraid (2024) and I Am Mother (2019). Afraid (2024) Produced and directed by Chris Weitz, Afraid is a science-fiction horror film that follows a family whose smart home AI increasingly interjects itself into their lives. I Am Mother (2019) Directed by Grant Sputore, I Am Mother is a post-apocalyptic science fiction film that tells the story of a young girl named Daughter who is raised by a robot named Mother. As Daughter grows older, she begins to question the world around her and the true nature of her upbringing. Join us as we explore the dangers of artificial intelligence in these two chilling films.…
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Friday Night Frightfest
This week we’re diving into the dark and brooding world of The Crow. Comparing the 2024 reboot starring Bill Skarsgård with the iconic original 1994 film that was meant to launch Brandon Lee’s career. The Crow (2024) – Director: Rupert Sanders This reimagining of The Crow follows the same basic premise of a murdered man returning to life to seek vengeance on those who wronged him. However, the 2024 version offers a fresh take on the story, with a new cast and updated visual style. The Crow (1994) – Director: Alex Proyas The original The Crow is a cult classic that tells the story of Eric Draven, a musician brought back to life by a supernatural force to avenge his own death and that of his fiancée. This film is renowned for its dark, gritty atmosphere and Brandon Lee’s powerful performance. Spoilers start around 7:50…
Evil nuns? There sure is a lot of Catholic horror out there. This week we watched two films featuring suspicious and evil nuns. Immaculate (2024) – Directed by Michael Polish This 2024 horror film follows a young woman who joins a secluded convent seeking peace and spiritual guidance. However, she soon discovers a dark secret lurking within the walls of the holy sanctuary. The Convent (2000) – Directed by Mike Mendez This horror-comedy is about a group of college students who go into an abandoned convent, only to discover that it is inhabited by demons intent on possessing them. Spoilers start around 5:30.…
More serial killers!! This week we watched two films about secret serial killers discovered by their families: Trap and The Clovehitch Killer Trap (2024) – Directed by M. Night Shyamalan A seemingly ordinary man takes his daughter to a concert, unaware that a massive police operation is underway to capture a notorious serial killer. As the night unfolds, the man finds himself caught in a high-stakes game of cat and mouse with the authorities. The Clovehitch Killer (2018) – Directed by Duncan Skiles A seemingly perfect family is shattered when evidence linking their father to a notorious serial killer surfaces. As the son investigates the disturbing truth, he must confront the possibility that the man he admires is a monster. Spoilers start around 5:30…
So many serial killer films, so little time. For this episode we watched two films that focus on the hunt for a serial killer: Longlegs (2024) and Kiss the Girls (1997). Longlegs (2024) – Directed by Oz Perkins FBI Agent Lee Harker is assigned to an unsolved serial killer case that takes an unexpected turn, revealing evidence of the occult. Harker discovers a personal connection to the killer and must stop him before he strikes again. Kiss the Girls (1997) – Directed by Gary Fleder This 1997 psychological thriller follows Dr. Alex Cross, a forensic psychologist and detective, as he investigates a series of kidnappings targeting young women. A survivor manages to escape her captor, and Cross works with her to track down the elusive serial killer. Spoilers start around 7:55.…
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Friday Night Frightfest
The price of fame – that’s the theme for our double feature this week with two films exploring the lengths that two women will go to, to become famous. The first is the final film in the X trilogy by Ti West and the second a film Kickstarted in 2014. Maxxxine (2024) – Directed by Ti West In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. However, as a mysterious killer stalks the starlets of Los Angeles, a trail of blood threatens to reveal her sinister past. Starry Eyes (2014) – Directed by Kevin Kölsch and Dennis Widmyer This 2014 psychological horror film follows Sarah Walker, an aspiring actress struggling in Hollywood. Desperate for a break, she lands a mysterious audition for a powerful production company. As she delves deeper into the opportunity, she uncovers a dark secret about the price of fame. Spoilers start around 8:45.…
For this episode we returned to the Omen franchise for a prequel and a remake. You can’t go wrong with the antichrist. The First Omen (2024) – Directed by Arkasha Stevenson This 2024 prequel to the “Omen” franchise explores the origins of the Antichrist. A young American woman serving the Church in Rome uncovers a terrifying conspiracy involving the birth of a demonic child. The Omen (2006) – Directed by John Moore This 2006 remake of the classic horror film tells the story of Robert Thorn, an American diplomat in Rome. After his newborn son dies, he unknowingly adopts the Antichrist, Damien. As Damien grows, a series of disturbing and violent events plague the family, hinting at the boy’s malevolent nature. Spoilers start around 8:04.…
Depending on your perspective, forests can be serene or terrifying. For this episode we have two films about being hunted in the forest. In a Violent Nature (2024) – Directed by Ise McKeever A horrific secret from the past awakens in a remote forest. When a locket is disturbed in an abandoned fire tower, a vengeful spirit rises, determined to reclaim a stolen possession. This 2024 horror film follows the deadly path of the resurrected entity. The Watchers (2024) – Director by Ryan Heffington Lost and alone in a vast, seemingly pristine forest, a young artist becomes trapped with strangers after seeking shelter. As they fight for survival, they discover they’re not alone. This 2024 film builds suspense as the group faces an unseen threat within the isolated woods. Spoilers start around 5:30.…
Starting off the new season strong with a recent critically-acclaimed film! Our theme for this episode is live demonic possessions and we watched Late Night with the Devil (2024) and The Cleansing Hour (2019). Late Night with the Devil (2024) – Directed by Cameron & Colin Cairnes In this 1970s-set horror film, a desperate late-night talk show host facing declining ratings attempts to boost viewership with a Halloween special featuring a panel of guests including a potentially possessed young girl. As the night unfolds, the line between entertainment and terrifying reality blurs. The Cleansing Hour (2019) – Directed by Damien LeVasseur This 2019 horror film follows a radio host specializing in debunking paranormal claims. His skepticism is tested when he investigates a live exorcism broadcast online, leading him to confront a powerful demonic entity. Spoilers start around 4:43.…
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Friday Night Frightfest
Our 5th annual year in review episode covers he highs and lows from the last year-ish. We took a break last summer, so same number of films just over a longer period. This episode is essentially all spoilers and definitely representative of our general preferences for movies (horror comedy anyone?!) Enjoy!…
Do you know how many vampire films there are? Short answer: A LOT! This week we watched two vampire films with vampire slaughters in enclosed or isolated spaces. To be honest, it didn’t start out with that theme. It was going to be vampire action films, but when one film is not an action thriller, you pivot. The Last Voyage of the Demeter (2023) – Directed by André Øvredal This 2023 horror film tells the story of the doomed crew aboard the Demeter, a ship transporting mysterious cargo from Carpathia to London. Based on a chapter from Bram Stoker’s Dracula, the film explores the terrifying events that unfold as a sinister presence stalks the crew during their ocean voyage. 30 Days of Night (2007) – Directed by David Slade Adapted from a comic book miniseries, this 2007 action horror film depicts the plight of a small Alaskan town plunged into a month of darkness. As the sun sets for 30 days, a bloodthirsty vampire horde descends upon the isolated community, forcing the remaining residents to fight for survival. Spoilers start around 5:03.…
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Friday Night Frightfest
Get ready for some haunted house sequels. For his episode we watched the sequels to Hell House LLC. Hell House LLC II: The Abaddon Hotel (2018) – Directed by Stephen Cognetti Years after a deadly incident at the Hell House attraction, a team of investigative journalists return to the abandoned Abaddon Hotel. Convinced the official story hides a deeper truth, they delve into the darkness, searching for evidence of what truly transpired. Hell House LLC III: Lake of Fire (2019) – Directed by Stephen Cognetti Nine years after the tragedy, the Abaddon Hotel attracts a new kind of attention. A wealthy entrepreneur plans to launch an immersive theater experience within its haunted halls. A documentary filmmaker follows the production, uncovering a sinister connection between the show’s ambitious creator and the hotel’s malevolent past. Spoilers start around 6:50…
Religious Horror for the start of spring! This week we have to films with religious themes: On the Third Day (2021) and Consecration (2023). In “on the “On the 3rd Day” a woman gets into a car accident with her son. She cannot remember what happened in the days following the crash and as she searches for her son, she discovers connections to other police files involving brutal hunting. In consecration, a young woman is tasked with investigating the reported suicide of a fellow nun at a remote abbey. Upon arrival, she encounters a cloistered community steeped in tradition and a sense of foreboding. As she delves deeper into the abbey’s secrets, she uncovers unsettling truths that challenge her faith and put her own life in jeopardy. Spoilers start around 3:55…
Gen Z vacation horror? Sure, why not. For this episode we watched two films the 2022 Bodies Bodies Bodies and the 2023 horror-thriller Fire Island In Bodies Bodies Bodies , a group of young friends reunite for a weekend getaway at a remote mansion. As a hurricane rolls in, tensions rise, secrets are revealed, and a party game takes a dark turn, leading to chaos and suspicion amidst accusations of murder. In Fire Island , “the perfect summer vacation quickly spirals out of control for a group of friends on the infamous, picturesque party getaway of Fire Island as they find themselves caught in a web of sex, lies and cold blooded murder.” Spoilers start around 7:30.…
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Friday Night Frightfest
OG Vampires for the win! In this episode we discuss the original 1922 Nosferatu by F.W. Murnau and the 1979 remake Nosferatu: The Vampyre by Werner Herzog – both based on Bram Stoker’s Dracula. Both films offer distinctive takes on the classic vampire tale, highlighting different aspects of the myth and creating unique cinematic experiences. Nosferatu (1922) emphasizes horror and expressionistic imagery, while Nosferatu: The Vampyre (1979) delves into psychological themes and offers a more nuanced portrayal of the characters. Spoilers start around 6:10.…
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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Rabbi Shalom Rosner on The Parsha
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From the creators of the #1 documentary SCORE comes this award-winning podcast inviting you into the world of today's most beloved film composers and brilliant musical storytellers.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
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DumTeeDum - A show about BBC Radio's 'The Archers'
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DumTeeDum - A show about BBC Radio's 'The Archers'
Dumteedum
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DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
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In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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In Dead Pilots Society, scripts that were developed by studios and networks but were never produced are given the table reads they deserve. Starring actors you know and love from television and film, a live audience, and a good time in which no one gets notes, no one is fired, and everyone laughs. Presented by Andrew Reich (Friends; Worst Week) Ben Blacker (The Writers Panel podcast; co-creator, Thrilling Adventure Hour), and Noah Findling (The New York Times, Comedy Central).
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