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Inhalt bereitgestellt von Yo, Adrian and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Yo, Adrian and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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YO ADRIAN Ep. 23: Great Films vs. The #MuslimBan

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Manage episode 172618329 series 1141915
Inhalt bereitgestellt von Yo, Adrian and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Yo, Adrian and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
In this episode, Fariha and Kiva use the “Muslim ban” put in place by U.S. President Trump as a jumping-off point to highlight some of the exceptional filmmakers working in the seven countries affected by the Executive Order. They discuss Iraqi filmmaker Hussein Hassan’s decision not to bring his documentary THE DARK WIND to the Miami Film Festival because of the ban. Asghar Farhadi, similarly, opted not to attend the Academy Awards despite the Best Foreign Language Film nomination for THE SALESMAN. They discuss the importance of being an ally to these filmmakers, and the role that programming and criticism can play. Not to mention the importance of simply seeing these films, and telling your friends to see them too. Film is powerful at a moment like this, Fariha and Kiva believe, because of the humanizing effect of experiencing stories about real people's lives from regions which are often considered by the news media solely in terms of politics or conflict. Listen in to find out about some filmmakers to watch from these seven countries: Iran: Asghar Farhadi, THE SALESMAN, A SEPARATION (and a shout out to actor Golshifteh Farahani) Iraq: Mohamed Al-Daradji, SON OF BABYLON Atia Al Daradji and Mohamed Al-Daradji, IN MY MOTHER’S ARMS Somalia: Fathia Absie, BROKEN DREAMS Sudan: Atak Ngor, ATAK’S FILM Libya: Various Directors, LIBYA IN MOTION Yemen: Sara Ishaq, KARAMA HAS NO WALLS, THE MULBERRY HOUSE Syria: Diana El Jeiroudi, DOLLS: A WOMAN FROM DAMASCUS Further reading: Kerry James Marshall is expanding the canon with his latest show at the Met: http://theartnewspaper.com/news/museums/kerry-james-marshall-makes-his-picks-from-the-met-s-collection/ At the Miami Film Festival, Hussein Hassan protested the ban by cancelling his visa application: http://www.indiewire.com/2017/01/iraq-filmmaker-protests-trump-muslim-ban-withdraws-visa-application-miami-film-festival-1201774530/ If you are in Toronto, check out Hot Docs’ Ban This Series, a free screening series of documentaries from the banned countries: http://www.hotdocscinema.ca/responsive/content/ban_this_series
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Manage episode 172618329 series 1141915
Inhalt bereitgestellt von Yo, Adrian and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Yo, Adrian and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
In this episode, Fariha and Kiva use the “Muslim ban” put in place by U.S. President Trump as a jumping-off point to highlight some of the exceptional filmmakers working in the seven countries affected by the Executive Order. They discuss Iraqi filmmaker Hussein Hassan’s decision not to bring his documentary THE DARK WIND to the Miami Film Festival because of the ban. Asghar Farhadi, similarly, opted not to attend the Academy Awards despite the Best Foreign Language Film nomination for THE SALESMAN. They discuss the importance of being an ally to these filmmakers, and the role that programming and criticism can play. Not to mention the importance of simply seeing these films, and telling your friends to see them too. Film is powerful at a moment like this, Fariha and Kiva believe, because of the humanizing effect of experiencing stories about real people's lives from regions which are often considered by the news media solely in terms of politics or conflict. Listen in to find out about some filmmakers to watch from these seven countries: Iran: Asghar Farhadi, THE SALESMAN, A SEPARATION (and a shout out to actor Golshifteh Farahani) Iraq: Mohamed Al-Daradji, SON OF BABYLON Atia Al Daradji and Mohamed Al-Daradji, IN MY MOTHER’S ARMS Somalia: Fathia Absie, BROKEN DREAMS Sudan: Atak Ngor, ATAK’S FILM Libya: Various Directors, LIBYA IN MOTION Yemen: Sara Ishaq, KARAMA HAS NO WALLS, THE MULBERRY HOUSE Syria: Diana El Jeiroudi, DOLLS: A WOMAN FROM DAMASCUS Further reading: Kerry James Marshall is expanding the canon with his latest show at the Met: http://theartnewspaper.com/news/museums/kerry-james-marshall-makes-his-picks-from-the-met-s-collection/ At the Miami Film Festival, Hussein Hassan protested the ban by cancelling his visa application: http://www.indiewire.com/2017/01/iraq-filmmaker-protests-trump-muslim-ban-withdraws-visa-application-miami-film-festival-1201774530/ If you are in Toronto, check out Hot Docs’ Ban This Series, a free screening series of documentaries from the banned countries: http://www.hotdocscinema.ca/responsive/content/ban_this_series
  continue reading

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