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S2E4 - The Four Gospel Frontispieces by Mokoto Fujimura (Ft. Anna Mason)
Manage episode 339913740 series 3003416
Inhalt bereitgestellt von Raymond Dokupil and Sophie Klomparens, Raymond Dokupil, and Sophie Klomparens. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Raymond Dokupil and Sophie Klomparens, Raymond Dokupil, and Sophie Klomparens oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Japanese-American artist Makoto Fujimura says, "We have a language for waywardness, but not a language for coming back home.” What does this mean? Anna Mason, art major at Hillsdale College, joins us to explore Fujimura's art series The Four Gospel Frontispieces, confirming for us once and for all that God approves of abstract art!
What is "slow art" and why is it so important in modern times? What does Fujumura mean by "generative reality"? We talk about the history of Christian art going all the way back to medieval illuminated manuscripts from Iona, but wait till the end of the episode where Trinity brings us back home at the last possible second!
Check out "The Four Gospel Frontispieces" on Fujimura's website: https://makotofujimura.com/art/the-four-gospels-frontispieces
In our next episode, we will be discussing Billy Joel's 1977 hit song "Vienna."
Questions? Comments? E-mail us at unreliablenarratorsstoa@gmail.com, visit our website atunreliablenarratorspodcast.wordpress.com, or say hi on Instagram @unreliablenarratorspodcast.
Theme music is "No New Words" by Caleb Klomparens. Check out his music at https://soundcloud.com/kappamuse
Access the 2022-2023 Stoa Mars Hill list here: https://stoausa.org/wp-content/uploads/2022/06/Mars-Hill-Topics-2022-2023-1.pdf)
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