Artwork

Inhalt bereitgestellt von The Great Women Artists Podcast and Katy Hessel. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Great Women Artists Podcast and Katy Hessel oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Kirsten Buick on Edmonia Lewis

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Manage episode 389163578 series 2566975
Inhalt bereitgestellt von The Great Women Artists Podcast and Katy Hessel. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Great Women Artists Podcast and Katy Hessel oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
I am so excited to say that my guest on the GWA Podcast is the renowned art historian, Kirsten Pai Buick to discuss EDMONIA LEWIS! Edmonia Lewis (1844–1907) is hailed for her stunningly chiselled marble busts and figurative sculptures – with their elegantly coiled hair, elastic-like folds of drapery, idealised nudes with strong, robust builds. She was the first sculptor of African American heritage (of any gender) to achieve such fame and recognition. Buick is the author of a highly distinguished book Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject – about the sculptor acclaimed for her marble busts and figures that portray local people to mythical subjects, as well as deal with vital political narratives of the late 1800s. In this episode we go into depth about Lewis's life and work – focussing on how Lewis reworked classical narratives from a distinctly female perspective. We also look at how she interpreted vital political narratives of the time in artworks such as Forever Free, 1867, referencing the Emancipation Proclamation of four years previously. Originally titled The Morning of Liberty, this smaller-than-life-size, yet weighty and mighty statuette immortalises an empowered, freed African American couple. Muscular and heroic, on the right we see a Herculean male figure breaking from his chains and raising a clenched fist. Buick’s vital scholarship explores the material and visual culture of the first British Empire, the art of the US, African American art, landscape representation, women as patrons and collectors of art. She also focuses on pro- and anti-abolitionist images in the Atlantic world. In 2022, Buick was named Distinguished Scholar by the College Art Association, and is currently working on a book – In Authenticity: Kara Walker and the Eidetics of Racism, about the artist renowned for her work that dismantles racist imagery through cut outs, and colossal sculptures, challenging the imperialist language that surrounds us. ENJOY!! -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
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149 Episoden

Artwork

Kirsten Buick on Edmonia Lewis

The Great Women Artists

212 subscribers

published

iconTeilen
 
Manage episode 389163578 series 2566975
Inhalt bereitgestellt von The Great Women Artists Podcast and Katy Hessel. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Great Women Artists Podcast and Katy Hessel oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
I am so excited to say that my guest on the GWA Podcast is the renowned art historian, Kirsten Pai Buick to discuss EDMONIA LEWIS! Edmonia Lewis (1844–1907) is hailed for her stunningly chiselled marble busts and figurative sculptures – with their elegantly coiled hair, elastic-like folds of drapery, idealised nudes with strong, robust builds. She was the first sculptor of African American heritage (of any gender) to achieve such fame and recognition. Buick is the author of a highly distinguished book Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject – about the sculptor acclaimed for her marble busts and figures that portray local people to mythical subjects, as well as deal with vital political narratives of the late 1800s. In this episode we go into depth about Lewis's life and work – focussing on how Lewis reworked classical narratives from a distinctly female perspective. We also look at how she interpreted vital political narratives of the time in artworks such as Forever Free, 1867, referencing the Emancipation Proclamation of four years previously. Originally titled The Morning of Liberty, this smaller-than-life-size, yet weighty and mighty statuette immortalises an empowered, freed African American couple. Muscular and heroic, on the right we see a Herculean male figure breaking from his chains and raising a clenched fist. Buick’s vital scholarship explores the material and visual culture of the first British Empire, the art of the US, African American art, landscape representation, women as patrons and collectors of art. She also focuses on pro- and anti-abolitionist images in the Atlantic world. In 2022, Buick was named Distinguished Scholar by the College Art Association, and is currently working on a book – In Authenticity: Kara Walker and the Eidetics of Racism, about the artist renowned for her work that dismantles racist imagery through cut outs, and colossal sculptures, challenging the imperialist language that surrounds us. ENJOY!! -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield
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