In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von TIFF Long Take and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von TIFF Long Take and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Ep. 89: Why It’s Finally Time to Take Horror Seriously
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Manage episode 219977321 series 1758802
Inhalt bereitgestellt von TIFF Long Take and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von TIFF Long Take and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with ‘Faculty of Horror’ podcast co-host Alexandra West, to discuss the ever increasing legitimacy of the horror films. Thanks in part to the overwhelming critical praise of films like Jennifer Kent’s 'The Babadook', Robert Egger’s 'The Witch', David Robert Mitchell’s 'It Follows', and Jordan Peele’s 'Get Out', the perception of horror has changed over the last decade, from a beloved, but relatively niche genre, to one that cinephiles feel they should be paying attention to.
West talks about the films and filmmakers that taught her to love horror, the factors that have lead to the genre becoming more prestigious, and how film critics are covering horror now, as opposed to 10 years ago.
She also discusses horror’s unique ability to critique social issues, Jason Blum’s recent comments about the lack of women working in horror, and which gateway films she would recommend to someone who is still on the fence about the genre.
102 Episoden
Teilen
Archivierte Serien ("Inaktiver Feed" status)
When?
This feed was archived on October 06, 2024 10:08 (
Why? Inaktiver Feed status. Unsere Server waren nicht in der Lage einen gültigen Podcast-Feed für einen längeren Zeitraum zu erhalten.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 219977321 series 1758802
Inhalt bereitgestellt von TIFF Long Take and TIFF (Toronto International Film Festival). Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von TIFF Long Take and TIFF (Toronto International Film Festival) oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
This week on TIFF Long Take, Rob and Geoff sit down with ‘Faculty of Horror’ podcast co-host Alexandra West, to discuss the ever increasing legitimacy of the horror films. Thanks in part to the overwhelming critical praise of films like Jennifer Kent’s 'The Babadook', Robert Egger’s 'The Witch', David Robert Mitchell’s 'It Follows', and Jordan Peele’s 'Get Out', the perception of horror has changed over the last decade, from a beloved, but relatively niche genre, to one that cinephiles feel they should be paying attention to.
West talks about the films and filmmakers that taught her to love horror, the factors that have lead to the genre becoming more prestigious, and how film critics are covering horror now, as opposed to 10 years ago.
She also discusses horror’s unique ability to critique social issues, Jason Blum’s recent comments about the lack of women working in horror, and which gateway films she would recommend to someone who is still on the fence about the genre.
102 Episoden
Alle Folgen
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Ähnelt TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
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continue reading
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