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236 Sunlit beach below the Warren

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Inhalt bereitgestellt von Hugh Huddy. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Hugh Huddy oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Capturing the experience and 'sound-feel' of crashing waves is always a challenge. Strong on-shore breezes and the unbridled energy of thousand ton waves breaking over unyielding rock can simply be too much for sensitive microphones. Yet as we sit on the concrete sea defences, bathed in hot afternoon August sun, waiting for the first tingles of cold sea spray to land on our legs, the experience is as serene as it is thrilling. How can this be? Something huge, heavy and aurally overwhelming is also serenely calming and relaxing?

Our ears hear the landscape around us and let us feel its space and physicality. Hearing, in a way, is a kind of touching. Given the power and tumult of these waves as they break over the rocks, it isn't possible to be bodily touching them, but we can touch their weight and mass through our ears. Layers of white noise produced by crashing waves, rising and falling, folding over each other, straddling us with their weight, reveals how mere vibrations in the air that land on our eardrums are instantly sensed and translated into physical responses. Responses that are felt as a result of being heard. This is what we mean by 'sound feel'. We might say the thrill is the head's response, the excitement that comes with loudness and chaos. The serenity is the bodily response. Nerves, bones and muscles, relaxing, as they do when massaged.

So sitting on the sea wall facing crashing waves, hot in the sunshine and still in earshot of the odd cricket hiding in the seagrass, is a bath and a massage. Wild sweet peas dancing in the breeze on an empty path. Buzzards circling overhead. We feel drawn to this ragged edge of land and to capture it as an audio experience that can be re-experienced when we cannot physically be there.

* This piece of time we captured in early August from a nearby location to last week's episode (235) from Folkestone in Kent. This stretch of exposed beach at the foot of The Warren. Two perspectives on the same stretch of coast called the Strait of Dover. Without the sea, The Warren would not exist in the aurally rich way it does.

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241 Episoden

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236 Sunlit beach below the Warren

Radio Lento podcast

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Manage episode 438924866 series 2796876
Inhalt bereitgestellt von Hugh Huddy. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Hugh Huddy oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Capturing the experience and 'sound-feel' of crashing waves is always a challenge. Strong on-shore breezes and the unbridled energy of thousand ton waves breaking over unyielding rock can simply be too much for sensitive microphones. Yet as we sit on the concrete sea defences, bathed in hot afternoon August sun, waiting for the first tingles of cold sea spray to land on our legs, the experience is as serene as it is thrilling. How can this be? Something huge, heavy and aurally overwhelming is also serenely calming and relaxing?

Our ears hear the landscape around us and let us feel its space and physicality. Hearing, in a way, is a kind of touching. Given the power and tumult of these waves as they break over the rocks, it isn't possible to be bodily touching them, but we can touch their weight and mass through our ears. Layers of white noise produced by crashing waves, rising and falling, folding over each other, straddling us with their weight, reveals how mere vibrations in the air that land on our eardrums are instantly sensed and translated into physical responses. Responses that are felt as a result of being heard. This is what we mean by 'sound feel'. We might say the thrill is the head's response, the excitement that comes with loudness and chaos. The serenity is the bodily response. Nerves, bones and muscles, relaxing, as they do when massaged.

So sitting on the sea wall facing crashing waves, hot in the sunshine and still in earshot of the odd cricket hiding in the seagrass, is a bath and a massage. Wild sweet peas dancing in the breeze on an empty path. Buzzards circling overhead. We feel drawn to this ragged edge of land and to capture it as an audio experience that can be re-experienced when we cannot physically be there.

* This piece of time we captured in early August from a nearby location to last week's episode (235) from Folkestone in Kent. This stretch of exposed beach at the foot of The Warren. Two perspectives on the same stretch of coast called the Strait of Dover. Without the sea, The Warren would not exist in the aurally rich way it does.

  continue reading

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