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Swallow Hill Music Podcast - Harry Tuft

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Inhalt bereitgestellt von Barry Osborne. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Barry Osborne oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Harry grew up singing and playing a series of instruments – from the piano to the clarinet, ukulele, baritone uke, and, in college, a six-string guitar. Philadelphia's lively folk scene provided the setting for Harry's first ventures into public singing. From there, friendships with Dick Weissman and Roger Abrahams fostered a growing interest in Anglo-American folk music.

In 1960, needing a break from his studies (preparing for an architectural career), Harry traveled out to the Rocky Mountains for some skiing. He found a job at "The Holy Cat" in Georgetown, as a dishwasher, busboy, waiter, bartender, janitor, and – if there was a lull in the work at night – he could sing in the bar. There he met Hal Neustaedter – owner of "The Exodus," a folk club in Denver – who suggested that he look into starting a folklore center in Denver. With further encouragement from Izzy Young, owner of the first and (then) only Folklore Center, in New York's Greenwich Village, Harry opened the Denver Folklore Center in March 1962.

Harry founded Swallow Hill Music in 1979. He was inducted into the Colorado Music Hall of Fame in 2012.

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43 Episoden

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Manage episode 199446684 series 2094426
Inhalt bereitgestellt von Barry Osborne. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Barry Osborne oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Harry grew up singing and playing a series of instruments – from the piano to the clarinet, ukulele, baritone uke, and, in college, a six-string guitar. Philadelphia's lively folk scene provided the setting for Harry's first ventures into public singing. From there, friendships with Dick Weissman and Roger Abrahams fostered a growing interest in Anglo-American folk music.

In 1960, needing a break from his studies (preparing for an architectural career), Harry traveled out to the Rocky Mountains for some skiing. He found a job at "The Holy Cat" in Georgetown, as a dishwasher, busboy, waiter, bartender, janitor, and – if there was a lull in the work at night – he could sing in the bar. There he met Hal Neustaedter – owner of "The Exodus," a folk club in Denver – who suggested that he look into starting a folklore center in Denver. With further encouragement from Izzy Young, owner of the first and (then) only Folklore Center, in New York's Greenwich Village, Harry opened the Denver Folklore Center in March 1962.

Harry founded Swallow Hill Music in 1979. He was inducted into the Colorado Music Hall of Fame in 2012.

  continue reading

43 Episoden

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