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2020-02-09 - 5th Sunday in Ordinary Time
Manage episode 252935639 series 2364480
9 February 2020
The Fifth Sunday in Ordinary Time
Matthew 5:13-16 + Homily
14 Minutes 11 Seconds
Link to the Readings:
http://www.usccb.org/bible/readings/020920.cfm
(New American Bible, Revised Edition)
From the parish bulletin:
Luke the Evangelist is the patron saint of artists because he paints pictures with words. In describing the scene of old Simeon in the Temple encountering Jesus, Luke wrote that he “took him up in his arms” (Luke 2:28).
That word picture of an old man holding a forty-day-old baby, reminds one of the 1490 painting by the master Domenico Ghirlandaio, of a grandfather and his grandson embracing. The old man is anything but beautiful, save for his smile as he gazes at the angelic boy. The grandfather’s problematic nose is “warts and all,” as the bleak Oliver Cromwell instructed his own portraitist, Samuel Cooper. For noses, it competes with that of the vaudevillian Jimmy Durante who, incidentally, was married in 1921 in our sister parish of Holy Innocents.
That juxtaposition of old age and youth bonded by love is the “leitmotif” of the encounter in the Temple. But by what power of perception did Simeon recognize the infant Messiah? You might ask the same of the seventeen-year-old Saint Joan of Arc when she entered the Chateau of Chinon in 1429 and recognized the disguised future King Charles VII.
Good teachers discern potential in the classroom, like Saint Albert the Great seeing in his student Thomas Aquinas, mocked as a “Dumb Ox,” a future Doctor of the Church. But to discern the Messiah in diapers requires heavenly help, since prodigy is not greater than divinity.
God comes to us often in obscurity, through unexpected events and persons, rather than through celebrities. Famous people come and go, often through the passing of fashion. In the second century, Plutarch compared the celebrities of his Roman days with the heroes of classical Greece; but who today remembers Cleomenes, whom he matched with Camillus, or Philopoemen compared with Poplicola?
There are natural intuitions, such as Saint Albert recognizing in the clumsy young Thomas Aquinas the future Doctor of the Church. But Simeon and his accompanying prophetess Anna, like Joan of Arc, had their eyes opened by the Holy Spirit.
Albert Schweitzer was a hero of my youth and one of the most revered figures of the day. Now he is as remote in present consciousness as Jimmy Durante. He left us an image of the Messiah that Simeon would have understood: “He comes to us as One unknown, without a name, as of old, by the lakeside, He came to those men who knew Him not. He speaks to us the same words: ‘Follow thou me!’ and sets us to the tasks which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and, as an ineffable mystery, they shall learn in their own experience Who He is.”
101 Episoden
Manage episode 252935639 series 2364480
9 February 2020
The Fifth Sunday in Ordinary Time
Matthew 5:13-16 + Homily
14 Minutes 11 Seconds
Link to the Readings:
http://www.usccb.org/bible/readings/020920.cfm
(New American Bible, Revised Edition)
From the parish bulletin:
Luke the Evangelist is the patron saint of artists because he paints pictures with words. In describing the scene of old Simeon in the Temple encountering Jesus, Luke wrote that he “took him up in his arms” (Luke 2:28).
That word picture of an old man holding a forty-day-old baby, reminds one of the 1490 painting by the master Domenico Ghirlandaio, of a grandfather and his grandson embracing. The old man is anything but beautiful, save for his smile as he gazes at the angelic boy. The grandfather’s problematic nose is “warts and all,” as the bleak Oliver Cromwell instructed his own portraitist, Samuel Cooper. For noses, it competes with that of the vaudevillian Jimmy Durante who, incidentally, was married in 1921 in our sister parish of Holy Innocents.
That juxtaposition of old age and youth bonded by love is the “leitmotif” of the encounter in the Temple. But by what power of perception did Simeon recognize the infant Messiah? You might ask the same of the seventeen-year-old Saint Joan of Arc when she entered the Chateau of Chinon in 1429 and recognized the disguised future King Charles VII.
Good teachers discern potential in the classroom, like Saint Albert the Great seeing in his student Thomas Aquinas, mocked as a “Dumb Ox,” a future Doctor of the Church. But to discern the Messiah in diapers requires heavenly help, since prodigy is not greater than divinity.
God comes to us often in obscurity, through unexpected events and persons, rather than through celebrities. Famous people come and go, often through the passing of fashion. In the second century, Plutarch compared the celebrities of his Roman days with the heroes of classical Greece; but who today remembers Cleomenes, whom he matched with Camillus, or Philopoemen compared with Poplicola?
There are natural intuitions, such as Saint Albert recognizing in the clumsy young Thomas Aquinas the future Doctor of the Church. But Simeon and his accompanying prophetess Anna, like Joan of Arc, had their eyes opened by the Holy Spirit.
Albert Schweitzer was a hero of my youth and one of the most revered figures of the day. Now he is as remote in present consciousness as Jimmy Durante. He left us an image of the Messiah that Simeon would have understood: “He comes to us as One unknown, without a name, as of old, by the lakeside, He came to those men who knew Him not. He speaks to us the same words: ‘Follow thou me!’ and sets us to the tasks which He has to fulfill for our time. He commands. And to those who obey Him, whether they be wise or simple, He will reveal himself in the toils, the conflicts, the sufferings which they shall pass through in His fellowship, and, as an ineffable mystery, they shall learn in their own experience Who He is.”
101 Episoden
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