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Inhalt bereitgestellt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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388 - The Fabelmans

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Manage episode 354808621 series 1952570
Inhalt bereitgestellt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Steven Spielberg's long-awaited semi-autobiographical reminiscence of his childhood is here, and it's perfect. Too perfect. José swoons over the way The Fabelmans transports him to its place and time and shows love and understanding to everybody it depicts, but has to admit that a few rougher edges here and there would have done it a favour. There's only so much drama in the life of Spielberg's young avatar, Sammy Fabelman, and that which there is is on the tame side. But Spielberg's love for his parents is obvious and appealing, as is his love for cinema, which he's unafraid to get specific about - the sequences that show Sammy making and screening films convey an interest in the aesthetics, technicalities, and effects of film, rather than giving it the far vaguer "magic of the movies" treatment such "love letters to cinema" often offer. The Fabelmans is as unwilling to explore the dark side of humanity as we're used to Spielberg being, but it avoids his proclivity for schmaltz, and José loved it. So there. Recorded on 31st January 2023.
  continue reading

430 Episoden

Artwork
iconTeilen
 
Manage episode 354808621 series 1952570
Inhalt bereitgestellt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Eavesdropping at the Movies, Jose Arroyo, and Michael Glass oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Steven Spielberg's long-awaited semi-autobiographical reminiscence of his childhood is here, and it's perfect. Too perfect. José swoons over the way The Fabelmans transports him to its place and time and shows love and understanding to everybody it depicts, but has to admit that a few rougher edges here and there would have done it a favour. There's only so much drama in the life of Spielberg's young avatar, Sammy Fabelman, and that which there is is on the tame side. But Spielberg's love for his parents is obvious and appealing, as is his love for cinema, which he's unafraid to get specific about - the sequences that show Sammy making and screening films convey an interest in the aesthetics, technicalities, and effects of film, rather than giving it the far vaguer "magic of the movies" treatment such "love letters to cinema" often offer. The Fabelmans is as unwilling to explore the dark side of humanity as we're used to Spielberg being, but it avoids his proclivity for schmaltz, and José loved it. So there. Recorded on 31st January 2023.
  continue reading

430 Episoden

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