In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Inhalt bereitgestellt von Data Cult Audio and DC Audio. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Data Cult Audio and DC Audio oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Data Cult Audio 0260 - Glinca
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Manage episode 333971824 series 1438392
Inhalt bereitgestellt von Data Cult Audio and DC Audio. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Data Cult Audio and DC Audio oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
About: Glinca is Tazio Iacobacci, a composer from Sicily, Italy. In the early ‘90’s he started making music as a drummer with several noise bands. In 2002 he joined a band called “Tellaro", a slow core project signed to 2nd Records which put out four releases. At the same time he developed his interest in composing music ranging from acoustic to electronic soundscapes and he mainly did this under the moniker "Pola" (three records, the first released on Ionik Recordings). He joined several productions as a drummer, guitarist and programming electronic stuff. Actually he started making music with modular synths under the “Glinca" moniker and put out three records, the last one on Werra Foxma Records. "In general, the way I compose does not follow a pre-determined path.Sometimes I search for a sound.Melodic lines are often extrapolated by a process of subtraction: I make a pattern of 16 random notes, I keep 4 or 5 of them, just to make things clear. I leave a lot of room for randomness and in this particular respect, modular synths are perfect. I am into the idea of preserving as much as possible the random melodic line I get from the overall modular process. Lately I've been trying to write music with just a few lines, no superstructures. For instance, the tracks I'm writing right now are compositions with two oscillators and only two melodic lines. No overdubs, pretty stripped down and minimalistic." Links: https://glinca.bandcamp.com/ https://open.spotify.com/artist/5Cn6XI5iZOGTvJkU8f272T https://www.instagram.com/glincamusic
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268 Episoden
MP3•Episode-Home
Manage episode 333971824 series 1438392
Inhalt bereitgestellt von Data Cult Audio and DC Audio. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Data Cult Audio and DC Audio oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
About: Glinca is Tazio Iacobacci, a composer from Sicily, Italy. In the early ‘90’s he started making music as a drummer with several noise bands. In 2002 he joined a band called “Tellaro", a slow core project signed to 2nd Records which put out four releases. At the same time he developed his interest in composing music ranging from acoustic to electronic soundscapes and he mainly did this under the moniker "Pola" (three records, the first released on Ionik Recordings). He joined several productions as a drummer, guitarist and programming electronic stuff. Actually he started making music with modular synths under the “Glinca" moniker and put out three records, the last one on Werra Foxma Records. "In general, the way I compose does not follow a pre-determined path.Sometimes I search for a sound.Melodic lines are often extrapolated by a process of subtraction: I make a pattern of 16 random notes, I keep 4 or 5 of them, just to make things clear. I leave a lot of room for randomness and in this particular respect, modular synths are perfect. I am into the idea of preserving as much as possible the random melodic line I get from the overall modular process. Lately I've been trying to write music with just a few lines, no superstructures. For instance, the tracks I'm writing right now are compositions with two oscillators and only two melodic lines. No overdubs, pretty stripped down and minimalistic." Links: https://glinca.bandcamp.com/ https://open.spotify.com/artist/5Cn6XI5iZOGTvJkU8f272T https://www.instagram.com/glincamusic
…
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268 Episoden
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