In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Schubert seeks a publisher
MP3•Episode-Home
Manage episode 426484803 series 2996988
Inhalt bereitgestellt von American Public Media. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von American Public Media oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Synopsis
On today’s date in 1826, Franz Schubert completed what would be his last string quartet, published posthumously as his Opus 161.
1826 was a rather frustrating year for Schubert. Prospects for commissions didn’t pan out, and he wrote the following note to the oldest publishing house in Germany, Breitkopf & Härtel:
“In the hope that my name is not wholly unknown to you, I am venturing to ask whether you would be disposed to take over at a moderate price some of my compositions, for I very much want to become as well-known as possible in Germany. Your selection could be made from the following: songs, strings quartets, piano sonatas, etc. etc. Signed, Franz Schubert, Auf der Wieden #100, in Frühwirth’s house, fifth staircase, second floor — Vienna”
The publishing firm responded with a proposal to try out one or two of Schubert’s piano pieces, but as payment only offered him free copies of the printed music. Schubert was definitely not “as well-known as possible” in Germany, and nine years earlier, when he submitted his now-famous setting of Goethe’s poem, “The Erl King” to Breitkopf and Härtel, they confused him with another composer named Franz Schubert who lived in Dresden.
Music Played in Today's Program
Franz Schubert (1795-1828): String Quartet No. 15; Emerson String Quartet; DG 459 151
93 Episoden
MP3•Episode-Home
Manage episode 426484803 series 2996988
Inhalt bereitgestellt von American Public Media. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von American Public Media oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Synopsis
On today’s date in 1826, Franz Schubert completed what would be his last string quartet, published posthumously as his Opus 161.
1826 was a rather frustrating year for Schubert. Prospects for commissions didn’t pan out, and he wrote the following note to the oldest publishing house in Germany, Breitkopf & Härtel:
“In the hope that my name is not wholly unknown to you, I am venturing to ask whether you would be disposed to take over at a moderate price some of my compositions, for I very much want to become as well-known as possible in Germany. Your selection could be made from the following: songs, strings quartets, piano sonatas, etc. etc. Signed, Franz Schubert, Auf der Wieden #100, in Frühwirth’s house, fifth staircase, second floor — Vienna”
The publishing firm responded with a proposal to try out one or two of Schubert’s piano pieces, but as payment only offered him free copies of the printed music. Schubert was definitely not “as well-known as possible” in Germany, and nine years earlier, when he submitted his now-famous setting of Goethe’s poem, “The Erl King” to Breitkopf and Härtel, they confused him with another composer named Franz Schubert who lived in Dresden.
Music Played in Today's Program
Franz Schubert (1795-1828): String Quartet No. 15; Emerson String Quartet; DG 459 151
93 Episoden
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