Artwork

Inhalt bereitgestellt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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"Border Art" with guest David Stirrup

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Manage episode 441916794 series 3579322
Inhalt bereitgestellt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

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David mentioned "pretendians," a term used to refer to individuals who falsely claim Indigenous heritage.
David mentioned work by Eric Gansworth (Onondaga). Read more about Gansworth’s work here.
Find a map of Anishinaabe territory here.
Find a map of Mohawk territory here.
The Jay Treaty (1794), a treaty between the United States and Great Britain (and now Canada) signed after the Revolutionary War, guarantees the rights of Indigenous people to cross the border "without hindrance." Read the Treaty here.
Find a map of Tohono O'odham territory here.
Maquiladoras are assembly plants for international corporations that proliferate at the US-Mexico border, especially after the North American Free Trade Agreement (1994).
Unsurprisingly, we talked about a lot of artwork:

The material in this podcast is for informational purposes only. The personal views expressed by the hosts and their guests on the Borders Talk podcast do not constitute an endorsement from associated organisations.
Thanks to the University of Leicester's School of Arts, Media and Communication for use of recording equipment; to India Downton for her invaluable expertise; and to the Foundation for Canadian Studies in the UK and the School of Cultures, Languages and Area Studies at the University of Nottingham for financial support.
Music: “Corrupted” by Shane Ivers - https://www.silvermansound.com
Edited by Steve Woodward at podcastingeditor.com

  continue reading

7 Episoden

Artwork
iconTeilen
 
Manage episode 441916794 series 3579322
Inhalt bereitgestellt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Zalfa Feghali and Gillian Roberts, Zalfa Feghali, and Gillian Roberts oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Send us a Message

David mentioned "pretendians," a term used to refer to individuals who falsely claim Indigenous heritage.
David mentioned work by Eric Gansworth (Onondaga). Read more about Gansworth’s work here.
Find a map of Anishinaabe territory here.
Find a map of Mohawk territory here.
The Jay Treaty (1794), a treaty between the United States and Great Britain (and now Canada) signed after the Revolutionary War, guarantees the rights of Indigenous people to cross the border "without hindrance." Read the Treaty here.
Find a map of Tohono O'odham territory here.
Maquiladoras are assembly plants for international corporations that proliferate at the US-Mexico border, especially after the North American Free Trade Agreement (1994).
Unsurprisingly, we talked about a lot of artwork:

The material in this podcast is for informational purposes only. The personal views expressed by the hosts and their guests on the Borders Talk podcast do not constitute an endorsement from associated organisations.
Thanks to the University of Leicester's School of Arts, Media and Communication for use of recording equipment; to India Downton for her invaluable expertise; and to the Foundation for Canadian Studies in the UK and the School of Cultures, Languages and Area Studies at the University of Nottingham for financial support.
Music: “Corrupted” by Shane Ivers - https://www.silvermansound.com
Edited by Steve Woodward at podcastingeditor.com

  continue reading

7 Episoden

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