In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S20 - Ep 4 - The Dead Don’t Hurt - Costume Design
Manage episode 433651727 series 2440576
Inhalt bereitgestellt von Skid - DGA Assistant Director. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Skid - DGA Assistant Director oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
“The Dead Don’t Hurt” is an indie western written and directed by Viggo Mortenson, who also starred in the film and composed the score. Costume Designer Anne Dixon joins me to discuss both the challenges of working on a multinational, low-budget film, the rewards of working with Viggo and the tone he sets (both on set and in front of the camera), and little easter eggs that thread through the entire film. It had a theatrical run earlier this summer and is now available for streaming.
226 Episoden
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Manage episode 433651727 series 2440576
Inhalt bereitgestellt von Skid - DGA Assistant Director. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Skid - DGA Assistant Director oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
“The Dead Don’t Hurt” is an indie western written and directed by Viggo Mortenson, who also starred in the film and composed the score. Costume Designer Anne Dixon joins me to discuss both the challenges of working on a multinational, low-budget film, the rewards of working with Viggo and the tone he sets (both on set and in front of the camera), and little easter eggs that thread through the entire film. It had a theatrical run earlier this summer and is now available for streaming.
226 Episoden
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
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…
continue reading
Determining if all these so called classic films are indeed just that.
…
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DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
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If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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