In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von Derek Stettler. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Derek Stettler oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Paul Cameron, ASC on Westworld & the Craft of Cinematography
Manage episode 269934998 series 2778563
Inhalt bereitgestellt von Derek Stettler. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Derek Stettler oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Welcome to the Art of the Shot podcast! Join writer and filmmaker Derek Stettler for a brand-new filmmaking show featuring conversations with the artists behind the camera on strikingly-shot films, series, music videos and commercials. Discover how they made their careers happen, hear about their creative process, and learn how they make the shots that make us say: wait, how did they do that?
For this second episode, I speak with acclaimed cinematographer Paul Cameron, ASC. Paul has worked on quite a few visually groundbreaking films, including his first big feature, Gone In 60 Seconds, then Man on Fire, Collateral, Deva Vu, the 2012 remake of Total Recall, the latest Pirates of the Caribbean movie, The Commuter and the last film of his to come out, 21 Bridges. He’s also shot a few Super Bowl commercials!
His cinematography for director Michael Mann’s 2004 film, Collateral, was one of the first Hollywood studio films to embrace and reveal the potential of shooting with digital cameras. But he still adores the medium of film and shot the pilot for HBO’s Westworld on 35mm film, earning an Emmy Award nomination and ASC Award nomination in 2017.
In a wide-ranging conversation, Paul talks about his work with Tony Scott, how he translates a script into imagery, and of course his work as both a cinematographer and director on Season 3 of Westworld.
SPOILER WARNING for Season 3 of Westworld! If you aren’t caught up with episode 4 yet, which Paul directed, go and watch it now. The show is extraordinary and Season 3 is an entirely new direction for it.
The Art of the Shot podcast is brought to you by Evidence Cameras, an outstanding rental house specializing in high-end digital cinema camera packages, lenses, support, and accessories. Check them out at www.evidencecameras.com
If you haven't yet, please subscribe to be notified of future episodes, and share this podcast with others to help grow the show and spread the knowledge! And if you're on Apple Podcasts, a review would be very appreciated!
And if you gain value from this conversation, please consider supporting the show by donating here: https://anchor.fm/art-of-the-shot/support
I handle every aspect of producing, publishing, and promoting the podcast myself, and your support helps me continue to provide these kinds of high-quality episodes with people working at the top of the craft. But even if you can't afford to donate, please know your time spent listening is already a deeply appreciated form of support. Thank you!
Follow Art of the Shot on Social Media:
Derek Stettler:
Paul Cameron, ASC:
Westworld Season 3 trailer audio copyright Home Box Office, Inc. Used with permission courtesy of HBO.
--- Support this podcast: https://podcasters.spotify.com/pod/show/art-of-the-shot/support10 Episoden
Teilen
Manage episode 269934998 series 2778563
Inhalt bereitgestellt von Derek Stettler. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Derek Stettler oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Welcome to the Art of the Shot podcast! Join writer and filmmaker Derek Stettler for a brand-new filmmaking show featuring conversations with the artists behind the camera on strikingly-shot films, series, music videos and commercials. Discover how they made their careers happen, hear about their creative process, and learn how they make the shots that make us say: wait, how did they do that?
For this second episode, I speak with acclaimed cinematographer Paul Cameron, ASC. Paul has worked on quite a few visually groundbreaking films, including his first big feature, Gone In 60 Seconds, then Man on Fire, Collateral, Deva Vu, the 2012 remake of Total Recall, the latest Pirates of the Caribbean movie, The Commuter and the last film of his to come out, 21 Bridges. He’s also shot a few Super Bowl commercials!
His cinematography for director Michael Mann’s 2004 film, Collateral, was one of the first Hollywood studio films to embrace and reveal the potential of shooting with digital cameras. But he still adores the medium of film and shot the pilot for HBO’s Westworld on 35mm film, earning an Emmy Award nomination and ASC Award nomination in 2017.
In a wide-ranging conversation, Paul talks about his work with Tony Scott, how he translates a script into imagery, and of course his work as both a cinematographer and director on Season 3 of Westworld.
SPOILER WARNING for Season 3 of Westworld! If you aren’t caught up with episode 4 yet, which Paul directed, go and watch it now. The show is extraordinary and Season 3 is an entirely new direction for it.
The Art of the Shot podcast is brought to you by Evidence Cameras, an outstanding rental house specializing in high-end digital cinema camera packages, lenses, support, and accessories. Check them out at www.evidencecameras.com
If you haven't yet, please subscribe to be notified of future episodes, and share this podcast with others to help grow the show and spread the knowledge! And if you're on Apple Podcasts, a review would be very appreciated!
And if you gain value from this conversation, please consider supporting the show by donating here: https://anchor.fm/art-of-the-shot/support
I handle every aspect of producing, publishing, and promoting the podcast myself, and your support helps me continue to provide these kinds of high-quality episodes with people working at the top of the craft. But even if you can't afford to donate, please know your time spent listening is already a deeply appreciated form of support. Thank you!
Follow Art of the Shot on Social Media:
Derek Stettler:
Paul Cameron, ASC:
Westworld Season 3 trailer audio copyright Home Box Office, Inc. Used with permission courtesy of HBO.
--- Support this podcast: https://podcasters.spotify.com/pod/show/art-of-the-shot/support10 Episoden
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Ähnelt Art of the Shot
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
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