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242 - Polly Braden

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Manage episode 446458109 series 2639246
Inhalt bereitgestellt von Ben Smith. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Ben Smith oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Polly Braden is a documentary photographer whose work features an ongoing conversation between the people she photographs and the environment in which they find themselves. Highlighting the small, often unconscious gestures of her subjects, Polly particularly enjoys long-term, in depth collaborations that in turn lends her photographs a unique, quiet intimacy. She works on long-term, self-initiated projects, as well as commissions for international publications.

Polly has produced a large body of work that includes not only solo exhibitions and magazine features, but a number of books published by Dewi Lewis, including Holding The Baby (2022), Out of the Shadows: The Untold Story of People with Autism or Learning Disabilities (2018), and China Between (2010), and two published by Hoxton Mini Press: London’s Square Mile: A Secret City (2019) and Adventures in the Lea Valley), (2016).

Polly teaches regularly at The University of Westminster and London College of Communication (LCC), she is a winner of the Jerwood Photography Prize, The Guardian Young Photographer of the Year, 2002, and the Joanna Drew Bursary 2013. Polly is nominated by Hundred Heroines 2020 and she has exhibited at numerous venues internationally. Her most recent solo exhibition, of her project Leaving Ukraine, just ended at the Foundling Museum in London, where it was on show from March 15th to October 20th 2024.

In episode 242, Polly discusses, among other things:

  • Exhitibition at the Foundling Museum, Leaving Ukraine and how it came about
  • Some of the people she focussed on
  • Holding The Baby , her project on single parents
  • Jena’s story
  • Why she has started working with film projects
  • Her introduction to photography
  • Her first trip to China: “an exercise in isolation”
  • Her project on Chinese factories and their workers
  • Great Interactions book on people with learning disabilities
  • Her current project she’s working on
  • Securing funding, building partnerships and being an entrepreneur

Referenced:

Website | Instagram

“I’m not someone who wanted to just jump in, point a camera at someone and walk away. I think I’ve always been someone who wanted it to feel very collaborative. Whether you’re on the street and you’ve made eye contact and you feel like someone’s ok with it, at the very basic level, to now as I get older, when I’d be as interested in someone doing all the work and me just being a vehicle through which someone can tell their story.”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.
  • Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.
  • Follow me on Instagram here.
  • Build Yourself a Squarespace Website video course here.

  continue reading

63 Episoden

Artwork
iconTeilen
 
Manage episode 446458109 series 2639246
Inhalt bereitgestellt von Ben Smith. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Ben Smith oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Polly Braden is a documentary photographer whose work features an ongoing conversation between the people she photographs and the environment in which they find themselves. Highlighting the small, often unconscious gestures of her subjects, Polly particularly enjoys long-term, in depth collaborations that in turn lends her photographs a unique, quiet intimacy. She works on long-term, self-initiated projects, as well as commissions for international publications.

Polly has produced a large body of work that includes not only solo exhibitions and magazine features, but a number of books published by Dewi Lewis, including Holding The Baby (2022), Out of the Shadows: The Untold Story of People with Autism or Learning Disabilities (2018), and China Between (2010), and two published by Hoxton Mini Press: London’s Square Mile: A Secret City (2019) and Adventures in the Lea Valley), (2016).

Polly teaches regularly at The University of Westminster and London College of Communication (LCC), she is a winner of the Jerwood Photography Prize, The Guardian Young Photographer of the Year, 2002, and the Joanna Drew Bursary 2013. Polly is nominated by Hundred Heroines 2020 and she has exhibited at numerous venues internationally. Her most recent solo exhibition, of her project Leaving Ukraine, just ended at the Foundling Museum in London, where it was on show from March 15th to October 20th 2024.

In episode 242, Polly discusses, among other things:

  • Exhitibition at the Foundling Museum, Leaving Ukraine and how it came about
  • Some of the people she focussed on
  • Holding The Baby , her project on single parents
  • Jena’s story
  • Why she has started working with film projects
  • Her introduction to photography
  • Her first trip to China: “an exercise in isolation”
  • Her project on Chinese factories and their workers
  • Great Interactions book on people with learning disabilities
  • Her current project she’s working on
  • Securing funding, building partnerships and being an entrepreneur

Referenced:

Website | Instagram

“I’m not someone who wanted to just jump in, point a camera at someone and walk away. I think I’ve always been someone who wanted it to feel very collaborative. Whether you’re on the street and you’ve made eye contact and you feel like someone’s ok with it, at the very basic level, to now as I get older, when I’d be as interested in someone doing all the work and me just being a vehicle through which someone can tell their story.”

  • Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.
  • For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.
  • Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.
  • Follow me on Instagram here.
  • Build Yourself a Squarespace Website video course here.

  continue reading

63 Episoden

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