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Legendary actor and mental health advocate Glenn Close is on a quest to change how we think about mental health, starting with her decision to speak out about her own family's struggles — a brave choice considering the stigma that pervades the topic. This week, we're revisiting this sweeping conversation with TEDWomen curator Pat Mitchell, where Close shares the inspiration behind the advocacy group she founded to combat the crisis, underscoring the transformative power of community and the critical need for comprehensive mental health care systems. Want to help shape TED’s shows going forward? Fill out our survey ! Become a TED Member today at https://ted.com/join Hosted on Acast. See acast.com/privacy for more information.…
Wind, Reel, & Print explicit
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Inhalt bereitgestellt von Salad Brain Productions. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Salad Brain Productions oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
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Inhalt bereitgestellt von Salad Brain Productions. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Salad Brain Productions oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.
…
continue reading
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1 Australian New Wave 1:15:38
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EPISODE 053: LESSONS IN FILM MOVEMENTS Featuring: Mad Max (1979); Picnic at Hanging Rock (1975); Dead Calm (1989); Walkabout (1971) From the outback gothic Ozploitation of “Mad Max” to the proto-Lynchian affect of “Picnic at Hanging Rock”, the impact of Australian New Wave remains resoundingly influential albeit relatively unheard of. Boasting contemporary Hollywood headliners such as Nicole Kidman, Mel Gibson, George Miller, Peter Weir, and Sam Neill, this film movement from Down Under dominated indie circuits in the 1970s and 80s with daring adventure tales displaying a determined national identity alongside unique cinematic aesthetics. WR&P cohosts Ryan and Kevin give respect to Aussie cinema.…
EPISODE 052: WEIRD @ WR&P In an attempt to repair an irreparable movie, Wind Reel & Print tackles the complicated reputation of Jim Carrey’s 1994 film “The Mask”. Despite having higher reviews than Weird @ WR&P favorite “The Cat in the Hat”, both Ryan and Kevin find “The Mask” to be rather lackluster and quite displeasing. Convoluted in its influence and intention, this comic book adaptation fares better in memory than in execution.…
EPISODE 051: LESSONS IN FILM GENRE Featuring: Early Abstractions (1965); Belladonna of Sadness (1973); Fantastic Planet (1973); Mad God (2021) In the spirit of “getting weird”, WR&P cohosts enter their intergalactic space portal and travel to unique worlds of the experimental and the animated. With guided tours from alien extraordinaires such as Phil Tippett and René Laloux, this adventurous animation exploration remains steeped in blooming psychedelia and rugged world-building. Ryan and Kevin introduce the pod to different representations of animation style by diving straight into the deep end.…

1 Golden Age Hollywood 1:00:06
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EPISODE 050: LESSONS IN FILM HISTORY Featuring: Gone with the Wind (1939); Wizard of Oz (1939); Citizen Kane (1941); Casablanca (1942) The Wind Reel & Print locomotive continues into the capital city of Golden Age Hollywood as the pod takes on the Mt. Rushmore of Hollywood filmmaking. With nothing much else to add to the nearly century-long conversation, Ryan and Kevin get candid with their opinions on early age movie magic, folding their own life experiences into the history of Hollywood while capturing the awe that audiences may have experienced upon original release. WR&P punches their ticket for the next stop.…
EPISODE 049: LESSONS IN FILM HISTORY Featuring: It Happened One Night (1934); Trouble in Paradise (1932); Bringing Up Baby (1938); His Girl Friday (1940) Taking a restful stop at Screwball Station, the Wind Reel & Print locomotive takes another trip into the land of Golden Age Hollywood. With special appearances from the likes of Clark Gable, Katherine Hepburn, and Cary Grant, this whirlwind visit to the early days of cinema brings eclectic adventures, head-scratching hijinks, and lightning-fast dialogue. Ryan and Kevin return with exciting tales.…
EPISODE 048: THEATER ADVENTURES WR&P cohosts catch the opening weekend premiere of Brady Corbet’s moving Oscar-nominated movie The Brutalist (2024). While digesting the film’s impact, Ryan and Kevin praise movie for its insistence on being a serious picture, complete with an overture and an intermission and a real appreciation for sound and image. Kevin also reads into the film’s political position.…

1 Minstrel/Vaudeville 1:12:28
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EPISODE 047: LESSONS IN FILM HISTORY Featuring: Birth of a Nation (1915); The Jazz Singer (1927); Gummo (1997); Bamboozled (2000) Wind Reel & Print explores the history of racism and exploitation in the entertainment industry as Kevin bundles four films that deal with minstrel shows and vaudeville. Starting with the invention of cinematic language at the top of the Twentieth century, this important podcast conversation aims to connect close ups and sound design with the KKK and blackface. Accompanied by Spike Lee’s daring dissection in 2000’s Bamboozled, WR&P cohosts examine the exploitative nature of the camera and how America’s racist history has impacted the entertainment industry.…
EPISODE 046: THEATER ADVENTURES After catching last weekend’s number one box office movie, Ryan and Kevin offer their initial reactions to Ryan Coogler’s newest picture “Sinners”. While connecting this film to Coogler’s debut feature “Fruitvale Station”, WR&P cohosts discuss the progressions of the director’s filmmaking career, including his interest in American race politics, his collaborations with actor Michael B. Jordan, and his Marvel-ized storytelling technique.…
EPISODE 045: LESSONS IN FILM HISTORY (GENRE) Featuring: Notorious (1946); Maltese Falcon (1941); Double Indemnity (1944); Sunset Boulevard (1950); The Third Man (1949) Taking direct influence from German Expressionism, American filmmakers rebranded the dark and paranoid into their own film noir. Popularized in the 1940s and subsequently revived into contemporary movements of neonoir and neon noir, this postwar film genre took Expressionism’s heavy contrast and overlaid it onto stories sourced from hardboiled crime fiction novels of the 1930s. WR&P cohosts Ryan and Kevin dissect four iconic titles from this classic American film genre while utilizing Alfred Hitchcock’s Notorious (1946) as a comparative film to cut against.…

1 “Climbing Outta the Hole” 1:06:23
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EPISODE 044: LETTERBOXD TOP 250 SHUFFLE Featuring: The Bridge on the River Kwai (1957), Sweet Smell of Success (1957), An Autumn Afternoon (1962), The Silence of the Lambs (1991) As Ryan and Kevin do the Letterboxd Top 250 Shuffle, the podcast lands on a quartet of films that uncover the holes we climb out of. Whether that be systems of oppression, wartime prison labor camps, or lofty existential questions, life always presents us with dark caves in which we can gestate while crawling to the light.…
EPISODE 043: THEATER ADVENTURES Featuring: The Fall (2006), Anora (2024) Wind Reel & Print review their recent visit to San Francisco’s historic Roxie Theater to catch a chance double feature consisting of Tarsem’s “The Fall” and Sean Baker’s recent Oscar-darling “Anora”. (Special Shoutout to Willie!)…
EPISODE 042: META MOVIES After a short trip to the scenic American town of “Dogville”, WR&P cohosts Ryan and Kevin report back with glowing reviews. Delivering on the Lars von Trier promise, this 2003 Nicole Kidman-led experimental drama explores Brechtian approaches to narrative and nihilistic ruminations on the Land of the Free. Kevin points a finger at Ryan.…
EPISODE 041: BAY AREA FLICKS WR&P embarks on another stay-cation as Ryan quizzes Kevin on the local impact of Ryan Coogler’s directorial feature debut “Fruitvale Station”. Released in 2013 with the support of Sundance, this quaint little picture quietly attains the booming voice of the Bay Area. Through its social realist aesthetic and dedication to Oakland faces and places, Coogler’s “Fruitvale Station” pinpoints a grander American narrative of black existence disrupted by the perils of police brutality.…
EPISODE 040: WEIRD @ WR&P Despite landing one of the lowest marks in Wind Reel & Print history, Kevin Costner’s 1995 star vehicle “Waterworld” buoys as an intriguing Hollywood blockbuster with …so much… potential. This unabashed “Mad Max” ripoff is clearly missing the George Miller spark, perfectly executing fantastical dystopian possibilities while operating with a completely deflated screenplay. Ryan and Kevin thus open dialogue on ways to improve story and character while fortifying thematic elements.…
EPISODE 039: FOUNDATIONAL FILMS Ryan sends the derrick back into the well as he recalls memories formed around Paul Thomas Anderson’s 2007 Oscar-darling “There Will Be Blood”. Armed with the Daniel Plainview ‘stache, the WR&P co-host still finds reverence in the film’s portrayal of toxic masculinity, its discussion of proto-American capitalism, and how this all ties into the work of Upton Sinclair.…
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1 “Wading in the Water” 1:21:45
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EPISODE 038: LETTERBOXD TOP 250 SHUFFLE Featuring: Sansho the Bailiff (1954), Andrei Rublev (1966), Central Station (1998), Eureka (2000) On this week’s episode of Wind Reel & Print’s Letterboxd Top 250 Shuffle, cohosts Ryan and Kevin pull out the Bingo sheets as they prepare to define what it means to be a Top 250 film. Examines the human condition through personal trauma? Check! Includes overly mature children protagonists alongside emotionally stunted adults? Check! Elevates the cinematic medium through intentional artistic choices? Check! Cinema as a religious experience? BINGO!! This particular collection of films shatters all expectations of what cinema has to offer and sends our cohosts deeper into the ocean.…
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EPISODE 037: LESSONS IN FILM HISTORY (DIRECTORS) Featuring: The Loveless (1981), Point Break (1991), Detroit (2017) As a quasi-response to “Nashville”, this week’s WR&P podcast episode centers director Kathryn Bigelow and a trio of titles spanning her entire filmmaking career so far. Bigelow’s knack for rugged masculinity and right-leaning political views challenges the ways we consider gender and patriotism when it comes to discussing American filmmakers. In the post-”Hurt Locker” portion of her filmography, Bigelow settles firmly into the calling card of American mythology, or what Ryan describes as “bizarro Robert Altman”.…
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EPISODE 036: LESSONS IN FILM HISTORY (GENRE) Featuring: Dracula (1931), The Fearless Vampire Killers (1967), Interview with a Vampire (1994), What We Do in the Shadows? (2014) WR&P co-hosts Ryan and Kevin define the narrative and aesthetic parameters of the “Vampire Movie” by examining four films which cover nearly a century of blood-sucking cinema. With a meta-text predating movies themselves, the vampire archetype and its accompanying narrative encasement creates an iconography which can endure remakes, parodies, satires, and revivals. From Transylvania to New Zealand, the vampire myth continues to travel far and wide to frighten imaginations everywhere.…
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1 “50 Ways to Watch a Movie” 1:03:47
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EPISODE 035: FILM THEORY DISCUSSIONS What does it mean to watch a movie? Are you watching for the plot or the aesthetics? Are you looking to be entertained or emotionally stirred? Do you want to be able to think about it or do you just want to turn your brain off? These are all important questions to ask when you step into the proverbial theater. WR&P cohosts Ryan and Kevin take the time to consider what they prioritize when they watch a movie.…
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EPISODE 034: LESSONS IN FILM HISTORY (FILM MOVEMENTS) Featuring: Funny Ha Ha (2002), The Puffy Chair (2005), Mutual Appreciation (2005), Nights and Weekends (2007) Ryan and Kevin explore the Mount Rushmore of Mumblecore by focusing on films by Greta Gerwig, Andrew Bujalski, the Duplass Brothers, and Joe Swanberg. Though the label is often loathed by the filmmakers who made these movies, mumblecore remains one of the formative film movements within digital filmmaking. Born in the forethought of the 2008 housing crisis alongside the advent of consumer-grade digital cameras, this minimalist New Wave-esque approach to low-to-no budget filmmaking represents an important stepping stone between reality television and online exhibitors such as YouTube and Netflix.…
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EPISODE 033: BAY AREA FLICKS As a personal recommendation, Kevin introduces 2005’s “Just Like Heaven” as a San Francisco-based Bay Area movie. Featuring Reese Witherspoon and Mark Ruffalo and directed by supernatural rom-com expert Mark Waters, this mid-2000s relic leaves whispers of screwball and mumblecore character types within what Ryan describes as “elevated Hallmark”. The discussion soon deviates into a formulation of rewatching movies and finding appreciation in films you used to watch during childhood.…
EPISODE 032: WEIRD @ WR&P Ryan and Kevin refresh their childhood memory by revisiting a Dick Van Dyke B-side in 1968’s “Chitty Chitty Bang Bang”. WR&P cohosts discuss why this rewatch settled into disappointment while stressing the negative impacts of industry and market pressures on the creative process.…
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EPISODE 031: GUEST STARRING SAM ISOLA Featuring: McCabe & Mrs. Miller (1971), Nashville (1975), Secret Honor (1984), Short Cuts (1993) How do you pinhole a director who dabbled in a little bit of everything? Wind Reel & Print recruits cinema-lover Sam Isola to help dissect the ever-evolving filmmaking style of Robert Altman. Specifically choosing four films outside of his mainstream hits, Sam paints a panoramic portrait of Altman’s personal obsessions, from highlighting America’s fraught history and mythology to fragmenting narratives with ensemble storylines and imperfect technique.…
EPISODE 030: LETTERBOXD TOP 250 SHUFFLE Featuring: Do The Right Thing (1989), Z (1969), Rocco and His Brothers (1960), A Woman Under the Influence (1974) In one of the more devastating episodes of the Letterboxd Top 250 Shuffle, Ryan and Kevin explore a deeply traumatizing cinematic quartet ranging from blazing political thrillers to tense family dramas.…
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EPISODE 029: DOUBLE FEATURES & TRILOGIES Featuring: All About Eve (1950), Showgirls (1995) On recommendation from MOViES4MANiACS’ Jesse Hawthorne Ficks , WR&P hosts Ryan and Kevin examine the narrative similarities of Joseph L. Mankiewicz’s classic Hollywood picture “All About Eve” and Paul Verhoeven’s raucous dark comedy “Showgirls.” They note how both these films leverage performance and cyclical narrative structure to comment on gender roles and the controlling nature of patriarchal systems.…
EPISODE 028: BAY AREA FLICKS Featuring: The Last Black Man in San Francisco (2019), The Pursuit of Happyness (2006) In this special Bay Area double feature, Ryan and Kevin explore the differences between a locally-made San Francisco film and a Hollywood movie set in the same city. While Joe Talbot’s “The Last Black Man in San Francisco” boasts a heightened indie appeal with the support of Sundance and A24, the Will Smith-led “The Pursuit of Happyness” finds its roots in the studio system. How do these two perspectives affect and reflect in the story and visual design? Does production mode influence the authenticity of a film’s story or the credibility of its characters?…
EPISODE 027: LESSONS IN FILM HISTORY (DIRECTORS & ACTORS) Featuring: Le Petit Soldat (1963), Une Femme est une Femme (1961), Bande à part (1964), Alphaville (1965) After introducing the Godard-Karina timeline with Vivre sa vie, Kevin takes Ryan deeper into the pairings’ cinematic universe. Ryan highlights how each film stands as unique cinematic experiences, both upholding promises of New Wave Cinema and trailblazing under Godard’s poetic visions and Karina’s powerhouse performances. The relationship between Godard and Karina becomes invariably forefronted in the construction of, the viewing of, and the discussion of these movies, emphasizing the ways reality and cinema blend into each other.…
EPISODE 026: DOUBLE FEATURES & TRILOGIES Featuring: Pink Flamingos (1972), The Adventures of Priscilla, Queen of the Desert (1994) While centering the word “disgust”, Ryan and Kevin explore drag queen characters and the traditions of rage bait in a special double feature highlighting John Waters’ “Pink Flamingos” and Stephan Elliott’s “The Adventures of Priscilla, Queen of the Desert”. Ryan detests Waters’ deplorable Trash Cinema (probably as Waters intended), while Kevin vocalizes distaste for the inherent racism and transphobia laden in “Priscilla”. In search for cinematic context, Ryan and Kevin ultimately settle into a conversation about the similarities of Blaxploitation and Queer Exploitation cinema, and how “Pink Flamingos” relates to contemporary provocateurs such as Harmony Korine.…
EPISODE 025: WEIRD @ WR&P Standing firmly in its “mild cult following”, Ryan and Kevin aka Thing 1 and Thing 2 delve deep into the magical madness of 2003’s The Cat in the Hat. This Dr. Seuss adaptation certainly presents as a wacky wonderland full of jokes and hijinks, however, over the film’s 82-minute runtime, it slowly uncovers sweet-and-sour secrets. From director Bo Welch’s experience as a production designer for Tim Burton to the instilled playfulness of Seuss’ original work, The Cat in the Hat remains a walking contradiction continually pacing through our minds.…
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1 German Expressionism 1:20:41
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EPISODE 024: LESSONS IN FILM HISTORY Featuring: The Student of Prague (1913), The Cabinet of Dr. Caligari (1920), Metropolis (1927), M (1931) In an attempt to unravel this early 20th-century genre from its War World I context, Ryan presents German Expressionism as a convergence of several industry pressures. Coinciding with art movements from the same era, the cinematic version of Expressionism developed into one of history’s first film movements. While standing at the midpoint between the First and Second World Wars, Expressionism seemingly encapsulated the mistrust and anxiety coursing through Germany at the time. And yet, the dark social themes and intense chiaroscuro set the tone for American noirs and Hollywood monster movies and continue to influence contemporary filmmakers to this day.…
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EPISODE 023: META MOVIES Featuring: The Power of the Dog (2021), Sukiyaki Western Django (2007), The Good, The Bad, The Weird (2008), Once Upon a Time in the West (1968) In the preliminary episode of this quasi-Olympic competition for the title of best international Western, Ryan and Kevin focus on films from Korea, Japan, Italy, and New Zealand. Ranging from bombastically absurd to spiritually poetic, these global competitors exemplify ways the Western genre communicates national values, especially in regards to masculinity, imperialism/colonialism, and nostalgic mythology.…
EPISODE 022: BAY AREA FLICKS Featuring: Big Trouble in Little China (1986), Hollywood Chinese (2007) It’d be difficult to talk about the Bay Area without discussing the region’s prominent Asian American community and John Carpenter’s “Big Trouble in Little China” seemed like the perfect opportunity to start that conversation. Accompanied by Arthur Dong’s 2007 documentary “Hollywood Chinese”, Ryan and Kevin examine the ways “Little China” portrays its Asian American characters before diving into the goofiness of this Kurt Russell-led fantasy action thriller.…
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1 “Bowling with Bumpers” 1:20:41
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EPISODE 021: LETTERBOXD TOP 250 SHUFFLE Featuring: The Shining (1980), Paper Moon (1973), Apur Sansar (1959), Marcel the Shell with Shoes On (2021) Within the context of children and trauma, bowling with bumpers offers a safeguard against the pitfalls of gutterballing. Yet, the restrictive boundaries remain an airtight personal prison, a stronghold fortress of subconscious trauma responses eerily established as a predestined child. The newest episode of the Letterboxd Top 250 Shuffle presented by Wind Reel & Print provides a glimpse into a range of genre musings on the effects of death and trauma on the child psyche. From screwball revivalists and Neorealism fanboys to former YouTube sensations and cinematic GOATs, this week’s batch of movies certainly complete the frame.…
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EPISODE 020: WEIRD @ WR&P Featuring: Gremlins (1984), Gremlins 2: The New Batch (1990) Joe Dante’s “Gremlins” takes over the studio and threatens the hosts with a good time. Combining classic Spielbergian filmic language with Dante’s knack for meta-mindset, both the original and the sequel deliver on its perceived promise of weirdness.…
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EPISODE 019: THEATER ADVENTURES After watching Hayao Miyazaki's iconic action drama “Princess Mononoke” in theaters, Ryan and Kevin take a moment to discuss the film's story, characters, themes, and social commentary. The WR&P hosts also highlight the difference between a subbed and dubbed version.…
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EPISODE 018: Revisiting “Our Top 4 Favorite Films” Ryan and Kevin summarize recent changes to their respective Letterboxd Top 4 films by explaining what qualifies for the list and what they consider when making swap-outs. Kevin leaves off Richard Linklater’s “Before Midnight” for a Thai coming-of-age picture, while Ryan reaffirms his love for "Come and See” and Robert Eggers’ “The Lighthouse”.…
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Wind, Reel, & Print

1 "Cinema as a Spiritual Experience" 1:03:00
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EPISODE 017: LETTERBOXD TOP 250 SHUFFLE Featuring: Nobody Knows (2004), 2001: A Space Odyssey (1968), A Man Escaped (1956), Aftersun (2022) This latest episode of the anticipated Letterboxd Top 250 Shuffle features a quartet of films that scratch at an existential itch by affirming life as a resounding act of faith. Here at Wind, Reel, & Print, we reserve the belief that cinema bears the power to change your life, and nothing evokes this sentiment more than this week’s collection of films. From stories as small and intimate as a family vacation in Greece to something as large as the story of the universe, each of these four films search for the spirituality in cinema.…
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EPISODE 016: NEW ADDITIONS In the podcast’s formal introduction to director Richard Linklater, the WR&P hosts dissect the genre-bending “Hit Man” starring Hollywood’s newest movie star Glen Powell. In discussing Linklater’s prolific filmography, Ryan and Kevin touch on how the filmmaker chooses to extend his creative range while remaining loyal to his actor-friendly writing process and rehearsal sessions.…
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EPISODE 015: BAY AREA FLICKS Steeped in classic Bay Area imagery and counterculture ideology, Hal Ashby’s definitive “Harold and Maude” is a seemingly perfect example of Bay Area Cinema. But the podcast conversation deviates from local geography and cultural history, as Ryan highlights the film’s proto-Wes Anderson-isms and Kevin traces the film’s metamodern philosophical ponderings.…
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EPISODE 014: INDIE CINEMA Featuring Shadows (1959), The Little Shop of Horrors (1960), She’s Gotta Have It (1986), Shakespeare in Love (1998) In an effort to track recent film history, podcast hosts Ryan and Kevin examine the trajectory of independent cinema through a collection of films by John Cassavetes, Roger Corman, Spike Lee, and Miramax. The discussion wanders away from the films themselves, instead focusing on these four prominent film pioneers and how they define indie cinema with budgetary restrictions, creative freedom, and opposition to the Hollywood system.…
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EPISODE 013: WEIRD @ WR&P Using Michael Haneke's 1997 film “Funny Games” as a conversation focal point, Ryan and Kevin discuss the critical separation of content and form. Can you like a movie's cinematic style while absolutely despising the film's storyline? Haneke aims to challenge what it means to enjoy a movie.…
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EPISODE 012: META MOVIES When it comes to combining the magic of cinema with the boundaries of reality, few blur the lines more than the legendary Orson Welles. Ryan and Kevin examine 1973's “F for Fake” as Welles' strongest example of cinematic mastery, noting how the filmmaker bends and breaks the filmic form to fit his hypothesis on the truth of art forgery and the lies of creative origin.…
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Wind, Reel, & Print

1 The Implications of Film Grain & Fragmentation 1:05:56
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EPISODE 011: GUEST STARRING JOSH PARK Featuring: Hulk (2003); Unfriended: Dark Web (2018); May December (2023) WIND, REEL, & PRINT formally welcomes local Bay Area filmmaker/educator/critic Josh Park as the podcast’s first official guest. While examining the ways Netflix manipulates film grain, Josh highlights how the principles of fragmentation are essential to the craft of filmmaking while Ryan and Kevin question the implications of fragmentation in relation to the developments of new cinema technology.…
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Wind, Reel, & Print

EPISODE 010: LETTERBOXD TOP 250 SHUFFLE Featuring: City Lights (1931); The Red Shoes (1948); Landscape in the Mist (1988); Red Beard (1965). Ryan posits, “What is beyond a miracle?” There are few words that can describe the insurmountable cosmic intervention required to produce a movie of quality, and each film on the Letterboxd Top 250 stands as a fortified record of cinema’s miracles. This episode of the 250 Shuffle offers a brief lesson in film history with four master filmmakers presenting their unique version of cinematic excellence.…
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EPISODE 009: BAY AREA FLICKS In their first foray into Bay Area Cinema, Ryan and Kevin take a look at recent Sundance indie darling Didi (2024) from writer/director Sean Wang. The co-hosts chat about the film’s writing choices and how it stacks up against other coming-of-age movies.
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