Subtext: Conversations About Classic Books And Films podcast

Inhalt bereitgestellt von Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Clocking In with Haylee Gaffin - Podcast about Podcasting for Podcasters

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180: Stop Winging It—Start Using Your Podcast Like an Evergreen Marketing Machine [Part 1] 22:07

vor 13 Tagen22:07

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What if your podcast wasn’t just content, but a powerful marketing tool? Today’s episode kicks off a brand series all about turning your podcast into an evergreen marketing machine. I’m sharing what I see podcasters doing wrong in their podcast strategy, plus the mindset shifts necessary to go from content creator to strategic marketer. This is part 1 of our series on Turning Your Podcast into an Evergreen Marketing Machine. Clocking In with Haylee Gaffin is produced by Gaffin Creative , a podcast production company for creative entrepreneurs. Learn more about our services at Gaffincreative.com , plus you’ll also find resources, show notes, and more for the Clocking In Podcast. Find it Quickly: Creating week to week with no plan (2:21) Not aligning your content with your goals (3:36) Not creating an intentional funnel (5:49) Aligning your podcast with your services and offers (8:30) Be strategic in your repurposing (9:13) Making your podcast live within your automations (10:43) Your podcast isn’t your product, it’s your sales tool (12:39) From content creator to strategic marketer (13:30) You don’t need more content, you need a smarter strategy (18:02) Mentioned In This Episode: The Podcast Growth Program: gaffincreative.com/growth Mic Check Society: gaffincreative.com/mcs Instagram: instagram.com/hayleegaffin Review the Transcript: https://share.descript.com/view/sylxz54avbW Hosted on Acast. See acast.com/privacy for more information.…

Subtext: Conversations about Classic Books and Films

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Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.

140 Episoden

#Arts #Wes Alwan and Erin O'Luanaigh #Erin O'Luanaigh #Wes Alwan #Books #Storytelling #Books and Writing #Cinema #Entertainment #Post Script

Subtext: Conversations about Classic Books and Films

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updated vor 14 Tagen

Serie-Home•Feed

140 Episoden

#Arts #Wes Alwan and Erin O'Luanaigh #Erin O'Luanaigh #Wes Alwan #Books #Storytelling #Books and Writing #Cinema #Entertainment #Post Script

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Subtext: Conversations about Classic Books and Films

1
The Door Slam Heard ‘Round the World: Ibsen’s “A Doll’s House” (Part 2) 37:54

vor 14 Tagen37:54

37:54

Nora Helmer begins Act I as a devoted wife to her respectable husband, Torvald, and a devoted mother to her young children. She ends Act III by walking out on all of them and closing the door behind her. The emotional distance covered in these three acts (representing a span of just a few days in the lives of the Helmers) makes Nora one of the greatest and most coveted acting challenges in the theater. How might we mark out a route between the Nora of Act I, the charming toy of the men in her life who seems to desire nothing more than the comfort and ease her husband’s recent promotion is set to provide, and the Nora of Act III, an independent woman willing to sacrifice everything in pursuit of her own self-determination? Wes & Erin discuss continue their discussion of Henrik Ibsen’s “A Doll’s House.” Upcoming Episodes : Jaws , Ibsen’s “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Door Slam Heard ‘Round the World: Ibsen’s “A Doll’s House” 49:35

vor 20 Tagen49:35

49:35

Nora Helmer begins Act I as a devoted wife to her respectable husband, Torvald, and a devoted mother to her young children. She ends Act III by walking out on all of them and closing the door behind her. The emotional distance covered in these three acts (representing a span of just a few days in the lives of the Helmers) makes Nora one of the greatest and most coveted acting challenges in the theater. How might we mark out a route between the Nora of Act I, the charming toy of the men in her life who seems to desire nothing more than the comfort and ease her husband’s recent promotion is set to provide, and the Nora of Act III, an independent woman willing to sacrifice everything in pursuit of her own self-determination? Wes & Erin discuss Henrik Ibsen’s “A Doll’s House.” Upcoming Episodes : Jaws , Ibsen’s “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Anti-Mystery in “Picnic at Hanging Rock” (Part 2) 48:12

vor 5 weeks48:12

48:12

What happens, this film asks, when an event resists the imposition of order, stands beyond the reach of logic or even language? Wes & Erin continue their discussion of “Picnic at Hanging Rock.” Upcoming Episodes : Ibsen’s “A Doll’s House”; Jaws, Ibsen’s “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Anti-Mystery in “Picnic at Hanging Rock” 46:04

vor 6 weeks46:04

46:04

It’s Valentine’s Day in the state of Victoria, Australia in the year 1900. A group from a local girls’ school goes on an excursion to the foot of an eerie, vast geological formation called Hanging Rock. Three girls and one schoolteacher climb up to explore it. All but one are never seen again. This summary constitutes the essential plot but only the first act of Peter Weir’s 1975 film, based on the novel by Joan Lindsay. The remaining two acts concern the surviving characters’ struggle to make sense of what happened on the rock. Yet, sense is not what the film intends to deliver. Rather, it’s an anti-mystery that dismantles the nature of the mystery story itself—its love of solutions, its neat settling of the uncertainties that crime or menace introduce. What happens, this film asks, when an event resists the imposition of order, stands beyond the reach of logic or even language? Wes & Erin discuss “Picnic at Hanging Rock.” Upcoming Episodes : Ibsen’s “A Doll’s House”; Jaws, Ibsen’s “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
“The Indian to His Love” by William Butler Yeats 37:50

vor 7 weeks37:50

37:50

Wes & Erin discuss “The Indian to His Love.” Upcoming Episodes : “Picnic at Hanging Rock”; Ibsen’s “A Doll’s House” and “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
“Leda and the Swan” by William Butler Yeats 53:36

vor 8 weeks53:36

53:36

Wes & Erin discuss “Leda and the Swan.” For paid subscribers, includes “The Indian to His Love.” Upcoming Episodes : “Picnic at Hanging Rock”; Ibsen’s “A Doll’s House” and “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Artifice of Eternity in Yeats’s “Sailing to Byzantium” (Part 2) 41:53

vor 9 weeks41:53

41:53

Wes & Erin continue their discussion of Yeats’s “Sailing to Byzantium,” and whether creativity can help us transcend mortality, and how artists should conceive of their relationships to nature and posterity. Upcoming Episodes : Yeats’s “Leda and the Swan” and “The Indian to His Love,”; “Picnic at Hanging Rock”; Ibsen’s “A Doll’s House” and “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Artifice of Eternity in Yeats’s “Sailing to Byzantium” 41:39

vor 10 weeks41:39

41:39

Yeats’s poem “Sailing to Byzantium” begins and ends with the concept of reproduction. In the first stanza, this reproduction is natural and sexual, and in the final stanza is entirely a matter of artifice. The living songbird is transformed into both product and producer, with a form of singing that is gilded by a consciousness of its departure from nature. Where natural reproduction replenishes entities that are neverthless always in the process of dying, art—the speaker seems to hope—is potentially eternal. And yet the poem’s final stanza also reminds us that art is ultimately for the living, and only as alive as its audience. Wes & Erin discuss Yeats’s meditation on whether creativity can help us transcend mortality, and how artists should conceive of their relationships to nature and posterity. Upcoming Episodes : Yeats’s “Leda and the Swan” and “The Indian to His Love,”; “Picnic at Hanging Rock”; Ibsen’s “A Doll’s House” and “An Enemy of the People.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Evil of Banality in “Rosemary’s Baby” (1968) – Part 2 38:01

vor 12 weeks38:01

38:01

Wes & Erin continue their discussion of Roman Polanski’s 1968 classic, and why it is that Satanic evil, when confronted with life’s very frightening realities—including pregnancy itself—turns out to be so banal. Upcoming Episodes : Yeats: “Sailing to Byzantium,” “Leda and the Swan,” “An Indian to His Love.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Evil of Banality in “Rosemary’s Baby” (1968) 42:06

vor 13 weeks42:06

42:06

On the surface, “Rosemary’s Baby” is a horror film about a woman who gets taken advantage of by a satanic cult and impregnated by the Devil. In the end, it seems to be a satire on the competing entrapments of domesticity and ambition, and the boring conventionality of people who hope that opposition to convention will allow them to retrieve their lost youth. Wes & Erin discuss Roman Polanski’s 1968 classic, and why it is that Satanic evil, when confronted with life’s very frightening realities—including pregnancy itself—turns out to be so banal. Upcoming Episodes : Yeats: “Sailing to Byzantium,” “Leda and the Swan,” “An Indian to His Love.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 4 34:36

vor 16 weeks34:36

34:36

Erin & Wes continue their discussion of four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine. Upcoming Episodes : “Rosemary’s Baby,” Yeats (“Sailing to Byzantium” and “Leda and the Swan”). For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 3 43:58

vor 17 weeks43:58

43:58

Subtext: Conversations about Classic Books and Films

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“Where the Meanings Are” – Four Poems by Emily Dickinson – Part 2 38:24

vor 19 weeks38:24

38:24

Wes & Erin continue their discussion of four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine: numbers 340, 372, 320, and 477. Upcoming Episodes : Rosemary’s Baby. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
“Where the Meanings Are” – Four Poems by Emily Dickinson 52:34

vor 20 weeks52:34

52:34

If only because of its seeming incongruity with a brain “wider than the sky,” the central fact of Emily Dickinson’s life has become her seclusion. As she wrote to Thomas Wentworth Higginson in 1869, “I do not cross my Father’s ground to any House or town.” Like the relatively modest dimensions of her poems, this self-imposed constraint—of the property line within Amherst, Massachusetts, then the Dickinson home itself, then her bedroom—proved no barrier to a cosmic poetic imagination which “went out upon circumference,” and to which no subject, tone, or emotion was foreign. Erin & Wes discuss four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine: numbers 340, 372, 320, and 477. Upcoming Episodes : Rosemary’s Baby. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Weight of Memory in Hitchcock’s “Rebecca” (1940) – Part 2 38:25

vor 21 weeks38:25

38:25

Alfred Hitchcock’s first American film—part love story, part ghost story, part courtroom melodrama—centers on a poor, timid young woman who falls in love with wealthy aristocrat Maxim de Winter, a widower tortured over the death of his first wife. When the young woman becomes the second Mrs. De Winter and moves into Maxim’s estate, she finds her predecessor’s initials stamped all over the house, and its staff in thrall to her beautiful, vibrant memory. But at the heart of the first Mrs. De Winter’s legacy lies a rot, and just what that rot represents in the film—be it the oppressions of vitality and ambition, the wages of class mobility, the unruly desires of sexuality, or the latent evidence of civilizational decline—is our subject today. Wes & Erin discuss the 1940 Best Picture winner “Rebecca,” starring Joan Fontaine and Laurence Olivier. Upcoming Episodes : Emily Dickinson, Rosemary’s Baby. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

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