In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Inhalt bereitgestellt von IGN Podcast Network, CINEFIX, and Clint Gage. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von IGN Podcast Network, CINEFIX, and Clint Gage oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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They Live is a B-Movie But the ‘B’ Stands for Brilliant | CineFix Top 100
Manage episode 444970465 series 3489183
Inhalt bereitgestellt von IGN Podcast Network, CINEFIX, and Clint Gage. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von IGN Podcast Network, CINEFIX, and Clint Gage oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
“I’m giving you a choice. Either put on these glasses or start eating that trash can.”
CineFix Top 100's FIRST T-SHIRT IS HERE - https://store.ign.com/products/cinefix-this-is-how-i-win-t-shirt
Get the Ikiru / Uncut Gems mash-up you never knew you needed until right this very moment!
John Carpenter’s They Live from 1988 was a stiff middle finger to Reagan era consumerism with the swagger of a professional wrestler. The story of a drifter uncovering a vast alien conspiracy to keep humanity subjugated with hypnotic suggestion and subliminal messages is a schlocky b-movie veneer on maybe the most prescient political film of the 80s. Clint, Cal and Alex talk about smartly deployed idiocy, the sneaky difficulty of the film’s black and white photography and the Nostradamus-level prediction Carpenter made 40 years ago that’s absolutely come true.
Meanwhile, Dan’s algorithm is here to chew bubblegum and kickass, but it’s still got plenty of bubblegum left so nobody’s getting their ass kicked just yet.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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Manage episode 444970465 series 3489183
Inhalt bereitgestellt von IGN Podcast Network, CINEFIX, and Clint Gage. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von IGN Podcast Network, CINEFIX, and Clint Gage oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
“I’m giving you a choice. Either put on these glasses or start eating that trash can.”
CineFix Top 100's FIRST T-SHIRT IS HERE - https://store.ign.com/products/cinefix-this-is-how-i-win-t-shirt
Get the Ikiru / Uncut Gems mash-up you never knew you needed until right this very moment!
John Carpenter’s They Live from 1988 was a stiff middle finger to Reagan era consumerism with the swagger of a professional wrestler. The story of a drifter uncovering a vast alien conspiracy to keep humanity subjugated with hypnotic suggestion and subliminal messages is a schlocky b-movie veneer on maybe the most prescient political film of the 80s. Clint, Cal and Alex talk about smartly deployed idiocy, the sneaky difficulty of the film’s black and white photography and the Nostradamus-level prediction Carpenter made 40 years ago that’s absolutely come true.
Meanwhile, Dan’s algorithm is here to chew bubblegum and kickass, but it’s still got plenty of bubblegum left so nobody’s getting their ass kicked just yet.
CineFix Top 100 was created by Clint Gage and Dan Parkhurst and is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producers, Marhyan Franzen and Amir Rakib. Our Executive Producers are Clint Gage and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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Ähnelt CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
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