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Inhalt bereitgestellt von The Underwater Podcast. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Underwater Podcast oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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The Challenges of Shooting Underwater Polaroids with Erick Regnard

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Manage episode 431374838 series 2805610
Inhalt bereitgestellt von The Underwater Podcast. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Underwater Podcast oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Send us a text

In episode #61 host Brett Stanley chats with surf and underwater photographer Erick Regnard

Erick, along with his brother Ian, created an underwater housing for a 5x4 large format polaroid camera 20 years ago, and shot some incredible photographs with it in Tahiti.

We talk about how they built the camera and housing, the technical issues they had to overcome, and what it’s like to shoot 1 frame an hour for 3 weeks.

Follow this guest: Instagram, Website
Episode Summary
In this episode of the underwater podcast, the host Brett Stanley interviews surf and underwater photographer Eric Renard, who along with his brother Ian, built an underwater housing for a 4x5 large format Polaroid camera 20 years ago. They shot breathtaking images in Tahiti, overcoming technical challenges, and capturing photos at a rate of one per hour for three weeks. Eric discusses the intricacies of their custom-built camera housing, the pros and cons of using a flat port versus a dome port, their meticulous pre-shot preparations, and the emotional and physical demands of the project. They also touch on the philosophical aspects of photography, the transition from film to digital, and the joy of tackling complex projects. Eric shares insights on their other photographic endeavors, the limitations and occasional frustrations of working with film, and the unique satisfaction derived from creating art the hard way, free from the shortcuts offered by digital technology.

Support the show

Discuss the episode in our facebook group.

Read Waterproof Magazine.

Support the podcast.

  continue reading

Kapitel

1. The Challenges of Shooting Underwater Polaroids with Erick Regnard (00:00:00)

2. Exploring Underwater Polaroid Photography (00:00:08)

3. Customized Dome Ports and Polaroid Housings (00:16:38)

4. Capturing Underwater Polaroid Photography (00:25:24)

5. Evolution of Underwater Photography (00:40:13)

6. Supporting the Underwater Podcast (00:54:20)

62 Episoden

Artwork
iconTeilen
 
Manage episode 431374838 series 2805610
Inhalt bereitgestellt von The Underwater Podcast. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von The Underwater Podcast oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

Send us a text

In episode #61 host Brett Stanley chats with surf and underwater photographer Erick Regnard

Erick, along with his brother Ian, created an underwater housing for a 5x4 large format polaroid camera 20 years ago, and shot some incredible photographs with it in Tahiti.

We talk about how they built the camera and housing, the technical issues they had to overcome, and what it’s like to shoot 1 frame an hour for 3 weeks.

Follow this guest: Instagram, Website
Episode Summary
In this episode of the underwater podcast, the host Brett Stanley interviews surf and underwater photographer Eric Renard, who along with his brother Ian, built an underwater housing for a 4x5 large format Polaroid camera 20 years ago. They shot breathtaking images in Tahiti, overcoming technical challenges, and capturing photos at a rate of one per hour for three weeks. Eric discusses the intricacies of their custom-built camera housing, the pros and cons of using a flat port versus a dome port, their meticulous pre-shot preparations, and the emotional and physical demands of the project. They also touch on the philosophical aspects of photography, the transition from film to digital, and the joy of tackling complex projects. Eric shares insights on their other photographic endeavors, the limitations and occasional frustrations of working with film, and the unique satisfaction derived from creating art the hard way, free from the shortcuts offered by digital technology.

Support the show

Discuss the episode in our facebook group.

Read Waterproof Magazine.

Support the podcast.

  continue reading

Kapitel

1. The Challenges of Shooting Underwater Polaroids with Erick Regnard (00:00:00)

2. Exploring Underwater Polaroid Photography (00:00:08)

3. Customized Dome Ports and Polaroid Housings (00:16:38)

4. Capturing Underwater Polaroid Photography (00:25:24)

5. Evolution of Underwater Photography (00:40:13)

6. Supporting the Underwater Podcast (00:54:20)

62 Episoden

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