SUBTEXT: Sight and Solitude in Le Samouraï (1967) by Jean-Pierre Melville (Part 1)
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Jef Costello is a hit-man with airtight alibis, impeccable style, and a strict code of honor. Add to this a masterful ability to evade his pursuers, mobsters and authorities alike, and a simple but effective home alarm system in the form of a bird. But what he cannot orchestrate, control, or evade is the improvisational nature of a genuine encounter with another person, which he unexpectedly finds with the jazz musician who witnesses him leaving the scene of one of his crimes. Wes & Erin discuss Jean-Pierre Melville’s 1967 noir thriller “Le Samouraï,” and the surprising power of love to capture its fugitives, even if it means finding them in the most shadowy of underworlds.
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