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Inhalt bereitgestellt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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144: MEMOIRIST: Celia McBride on her un-becoming journey

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Manage episode 407175302 series 3558554
Inhalt bereitgestellt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

It’s episode #144 and I’m chatting with Celia McBride, a Canadian multi-disciplinary artist originally from the Yukon, now living in Port Hope.

As a playwright, Celia’s work was developed by numerous theatre companies in Canada (infinitheatre, Nightwood, Factory), and produced internationally by Red Kettle Theatre (Ireland) and Looking Glass Theatre (New York).

She was commissioned by the Stratford Festival of Canada for the Studio Theatre’s inaugural season, and Walk Right Up premiered there in 2002.

From 2005-2011, Celia was the Co-Artistic Director of Sour Brides Theatre, touring her play So Many Doors (Playwrights Canada Press) across Canada.

In 2015, she released a feature film, Last Stop for Miles, adapted from one of her first plays.

Since 2014, Celia has been working as a spiritual director and providing spiritual care in long-term care homes.

She published O My God: An Un-Becoming Journey, a memoir, in 2022.

It was so lovely to connect with Celia, and I’m pretty sure you’ll enjoy listening in.

Website: celiamcbride.com

  continue reading

55 Episoden

Artwork
iconTeilen
 
Manage episode 407175302 series 3558554
Inhalt bereitgestellt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Personal Mythmaking with Janelle Hardy, Janelle Hardy, and The Art of Personal Mythmaking oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

It’s episode #144 and I’m chatting with Celia McBride, a Canadian multi-disciplinary artist originally from the Yukon, now living in Port Hope.

As a playwright, Celia’s work was developed by numerous theatre companies in Canada (infinitheatre, Nightwood, Factory), and produced internationally by Red Kettle Theatre (Ireland) and Looking Glass Theatre (New York).

She was commissioned by the Stratford Festival of Canada for the Studio Theatre’s inaugural season, and Walk Right Up premiered there in 2002.

From 2005-2011, Celia was the Co-Artistic Director of Sour Brides Theatre, touring her play So Many Doors (Playwrights Canada Press) across Canada.

In 2015, she released a feature film, Last Stop for Miles, adapted from one of her first plays.

Since 2014, Celia has been working as a spiritual director and providing spiritual care in long-term care homes.

She published O My God: An Un-Becoming Journey, a memoir, in 2022.

It was so lovely to connect with Celia, and I’m pretty sure you’ll enjoy listening in.

Website: celiamcbride.com

  continue reading

55 Episoden

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