Artwork

Inhalt bereitgestellt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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AI Copyright Law for Non-Humans, with Joel MacMull, Shannon Lietz, and Mark Miller

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Manage episode 395801120 series 3548164
Inhalt bereitgestellt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In today's episode, we examine the case of Steven Thaler trying to copyright protect a piece of artwork generated by his instructions to an AI creation engine. We'll start with Joel's overview of the case.

The Thaler case is interesting for a couple of reasons. One is obviously that it deals with AI, but it is also an extension of existing legal principles. I mean, the long and short of it is, was that Stephen Thaler applied for a copyright with the Copyright Office. He indicated that he was the claimant, but that the author was essentially his creativity machine. This was essentially some code that he developed in an effort to create an image. The Copyright Office rejected his application on grounds that, at least as applied for, there did not appear to be any human authorship.

And, oh, backstory, one of the requirements of the Copyright Office, as recently as earlier this year in February, is that human authorship is necessary for subject matter that is amenable to being copyrighted in the United States.

  continue reading

8 Episoden

Artwork
iconTeilen
 
Manage episode 395801120 series 3548164
Inhalt bereitgestellt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Mark Miller, Shannon Lietz, Joel MacMull, Mark Miller, Shannon Lietz, and Joel MacMull oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.

In today's episode, we examine the case of Steven Thaler trying to copyright protect a piece of artwork generated by his instructions to an AI creation engine. We'll start with Joel's overview of the case.

The Thaler case is interesting for a couple of reasons. One is obviously that it deals with AI, but it is also an extension of existing legal principles. I mean, the long and short of it is, was that Stephen Thaler applied for a copyright with the Copyright Office. He indicated that he was the claimant, but that the author was essentially his creativity machine. This was essentially some code that he developed in an effort to create an image. The Copyright Office rejected his application on grounds that, at least as applied for, there did not appear to be any human authorship.

And, oh, backstory, one of the requirements of the Copyright Office, as recently as earlier this year in February, is that human authorship is necessary for subject matter that is amenable to being copyrighted in the United States.

  continue reading

8 Episoden

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