Messages, meanings, movements—how does art history help us understand our world? Join curators, historians, artists, musicians and filmmakers as they explore art and its histories in a search for our shared humanity. Download the programs, then visit us on the National Mall or at www.nga.gov, where you can explore many of the works of art mentioned.
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Howardena Pindell on Social Change
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Howardena Pindell discusses how social issues and the prospect of societal change impact her art and life. In her artistic practice, Pindell’s work reflects a fascination with gridded, serialized imagery and surface texture. She often employs lengthy, metaphorical processes of destruction/reconstruction. Even in her more politically charged work, P…
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Season 2, Episode 8: Sonia De Los Santos and Auguste Renoir’s “Young Spanish Woman with a Guitar”
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Guitarist Sonia De Los Santos hails from Mexico, where as a child she was exposed to different musical influences. In Auguste Renoir’s “Young Spanish Woman with a Guitar,” De Los Santos sees echoes of her younger self. Her song “Sueña” is an ode to dreams. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtu…
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Season 2, Episode 7: Maria Schneider and George Bellows’s “The Lone Tenement”
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Maria Schneider composed “Bulería, Soleá y Rumba” in the wake of a cancer diagnosis. Inspired by American artists such as Robert Henri and George Bellows, Schneider discusses “art for life’s sake” that tells a story of people—like the evocative figures in Bellows’s The Lone Tenement. Still haven’t subscribed to our YouTube channels? National Galler…
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Season 2: Episode 6: Delfeayo Marsalis and Hawkins Bolden’s “Untitled”
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This work reminds jazz trombonist Delfeayo Marsalis of the proud, hard-working generations that raised him. A history of struggle may suggest the minor key, but Marsalis ultimately chose upbeat music to celebrate those who fought and made it work. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/Na…
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session III: “Blackness is not peripheral to the American project; it is the foundation”
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Clint Smith, Renée Stout, and Hank Willis Thomas present on the role of history and memory in shaping American culture and identity. This is the third talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shapes both officia…
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session II: “I built this altar for them”: Mining the Archives to Uplift Untold Stories
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Erica Buddington, Nona Faustine, and Honorée Fanonne Jeffers present archival research–based practices that create and uplift missing narratives. This is the second talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shape…
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session I: “the afterlife of slavery”
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Artists Rosana Paulino and Cameron Rowland explore the lasting legacy of slavery in their works of art. This is the first talk of the three-part series "John Wilmerding Symposium on American Art: Afro-Atlantic Histories," which gathers literary and visual artists to reflect on how art responds to and shapes both official and overlooked narratives w…
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Season 2: Episode 5: Peter Sheppard Skærved and Hieronymus Bosch’s “Death and the Miser”
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Violinist Peter Sheppard Skærved and National Gallery director Kaywin Feldman discuss Hieronymus Bosch’s “Death and the Miser” and its symbolism of contrast: light and dark, life and death. Skærved plays a 17th-century violin sonatina that echoes similar contrasts of sensuality and fatality, beauty and mortality. Still haven’t subscribed to our You…
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Season 2, Episode 3: Sa-Roc and Margaret Burroughs’s Sleeping Boy
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Rapper Sa-Roc’s music speaks to different aspects of Black experience, including the vulnerability of many Black kids—similar to the boy in Margaret Burroughs’s linocut, who hides himself. Her song “Forever” invites listeners not to hide, but to shine and share their “inner light” with the world. Find full transcript and more information about this…
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Season 2, Episode 4: Daniel Ho and Thomas Cole’s Voyage of Life series
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Musician Daniel Ho spent much of his childhood on the water, so he relates to Thomas Cole’s river paintings. Ho responds to Voyage of Life with an original suite. Starting with simple harmonies to represent childhood, he gradually introduces complexity. Find full transcript and more information about this episode at https://www.nga.gov/music-progra…
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Season 2: Episode 2: Jenny Scheinman and El Greco’s "Laocoön"
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In “Sand Dipper,” jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco’s painting looks. And it feels like the question on Laocoön’s face as he looks up for the last time. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/National…
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Season 2: Episode 1: Dom Flemons and Marc Chagall’s "Orphée"
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Orphée depicts many tragedies, but songwriter Dom Flemons finds the joy in it: it resolves in the beautiful scene of two lovers embracing. Flemons pairs it with the tranquil “Blue Butterfly.” The instrumental song helps the emotional weight sink in. Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/…
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John Wilmerding Symposium on American Art and Community Celebration 2021: Alma W. Thomas: Everything is Beautiful: The Infiniteness of Alma Thomas
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Elizabeth Alexander, poet, educator, memoirist, scholar, cultural advocate, and president of The Andrew W. Mellon Foundation, and Thelma Golden, director and chief curator of The Studio Museum in Harlem, discuss their connections to Thomas’s life and work. This conversation was filmed at Michael Rosenfeld Gallery while Alternative Worlds, a group e…
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session I: An Evening Celebration of Alma Thomas
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Presentations on Thomas’s studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Ir…
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session II: Alma Thomas’s Studio Practice and DC Cultural Institutions
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Presentations on Thomas’s studio art training and involvement with galleries, museums, and universities by Renee Maurer, Nell Irvin Painter, and Rebecca VanDiver, followed with discussion moderated by Steven Nelson Renee Maurer, associate curator, The Phillips Collection, and coordinating curator for Alma W. Thomas: Everything is Beautiful; Nell Ir…
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session III: The Nation’s Capital in the Time of Alma Thomas
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Presentations on Thomas’s aesthetic and social environment by Melanee Harvey, Margie Jervis, Marya McQuirter, and Thaïsa Way, followed with discussion moderated by Charles Brock. Melanee Harvey, assistant professor and coordinator of art history, Howard University, Alma W. Thomas: Everything is Beautiful catalog contributor, and American University…
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American University’s Feminist Art History Conference 2021: Feminist Issues in Art Museums
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The final session of American University’s Feminist Art History Conference, cohosted by the National Gallery, brings together distinguished curators to discuss contemporary issues in museum practice. Lauren Haynes, Patsy R. and Raymond D. Nasher Senior Curator of Contemporary Art, Nasher Museum of Art at Duke University; Catherine Morris, Sackler S…
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Elson Lecture 2021: Mark Bradford
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Working at the intersection of event and art, Mark Bradford explores social and political structures through large-scale abstract paintings created out of layered paper. Bradford’s reimagining of modernist art explores how historical analysis and research affect form. Discover how his map-like, multilayered paper collages provide an opportunity to …
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Rajiv Vaidya Memorial Lecture 2021: Josephine Baker as a “Rememory” of Global Black Cinema?
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In her 2021 Rajiv Vaidya Memorial Lecture, Terri Simone Francis reflects on Josephine Baker’s influence within the visual arts and theorizes Baker as both an international cultural figure and an African American film pioneer. Recent restorations of her films of the 1920s and 1930s have allowed her work to be seen in the context of recent cinema and…
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Wyeth Lecture in American Art 2021: Prioritizing Indigenous Communities and Voices: Curating in This Time: Patricia Marroquin Norby, The Metropolitan Museum of Art
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In this lecture, released on December 3, 2021, Patricia Marroquin Norby (Purépecha), associate curator of Native American art at the Metropolitan Museum of Art (the Met), discusses her recent research and curatorial practices that affirm Indigenous representations. Dr. Norby shares her vision for and approaches to collecting, presenting, and interp…
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Bonus Episode: Episode 11: Celeste Headlee and James Van Der Zee’s “Couple, Harlem”
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In this photograph, journalist and musician Celeste Headlee hears “Lenox Avenue,” a suite her grandfather William Grant Still named after Harlem’s main street. This portrait captures the pride of Black Americans achieving success during the Harlem Renaissance despite systemic injustice. Find full transcripts and more information about this episode …
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Sydney J. Freedberg Lecture on Italian Art 2021: “More perfect and excellent than men”
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In this lecture, released on November 5, 2021, Babette Bohn of Texas Christian University discusses women artists in early modern Italy. Early modern Bologna was exceptional for its many talented women artists. Thanks to a long-standing tradition of honoring accomplished women, several attentive artistic biographers, strong local interest in collec…
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Messages, meanings, movements—how does art history help us understand our world? Join curators, historians, artists, musicians, and filmmakers as they explore art and its histories in a search for our shared humanity. Subscrible to National Gallery of Art | Talks ►►https://bit.ly/3mfNeiOVon National Gallery of Art
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Christian McBride and Roy DeCarava’s “David”
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In an improvised musical conversation, jazz bassist Christian McBride introduces himself to David. Connecting over McBride’s walking bass line, they meet David’s friends, splash by the fire hydrant, play stickball. Through David, McBride recalls his own childlike innocence. Find full transcripts and more information about this episode at https://ww…
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 6: Alienation
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series titled Contact: Art and the Pull of Print, Roberts will focus on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet …
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 5: Interference
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series titled Contact: Art and the Pull of Print, Roberts focuses on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet it …
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Daniel Bernard Roumain and "American Gothic"
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Composer Daniel Bernard Roumain works with performance poet Lady Caress to respond to this iconic photograph with a combination of music and poetry. In the ebb and flow of his composition, DBR hopes to capture pain, legacy, enduring hope—and the rhythm of the subject’s life. Find full transcripts and more information about this episode at https://w…
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Nathalie Joachim and Carrie Mae Weems’s "May Flowers"
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Composer Nathalie Joachim sees her childhood memories in May Flowers. The photograph also evokes the uniquely spiritual experience of recording a church choir in her family’s Haitian village. Joachim has lovingly woven their song into her composition. Find full transcripts and more information about this episode at https://www.nga.gov/music-program…
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 4: Strain
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series titled Contact: Art and the Pull of Print, Roberts focuses on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet it …
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Composer and multi-instrumentalist Bora Yoon considers whether we carry the sounds and memories of our people within us. In her response to Nam June Paik’s video sculpture, she brings together both traditional Korean instruments and eclectic electronic music. Find full transcripts and more information about this episode at https://www.nga.gov/music…
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The 70th A. W. Mellon Lectures: Contact: Art and the Pull of Print, Part 3: Separation
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series titled Contact: Art and the Pull of Print, Roberts focuses on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet it …
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Rafiq Bhatia and James Turrell’s "New Light"
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27:07
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Musician Rafiq Bhatia feels compelled to capture his improvisations—fleeting moments of sound—in recordings. Like sound, light is transient. But James Turrell’s works, which inspired Bhatia’s composition, contain and present light, allowing us to forge a deeper relationship with an ephemeral substance. Find full transcripts and more information abo…
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 2: Reversal
53:39
53:39
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series titled Contact: Art and the Pull of Print, Roberts focuses on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet it …
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Lara Downes and "Tomorrow I May Be Far Away"
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For classical pianist and activist Lara Downes, Romare Bearden’s collage is a puzzle full of questions and unfinished business. In response, she brings together different musical sources, overlaying sounds to create both harmony and tension. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts…
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 1: Pressure
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Jennifer L. Roberts, Elizabeth Cary Agassiz Professor of the Humanities, Harvard University. In this six-part lecture series Contact: Art and the Pull of Print, Roberts focuses on printmaking as an art of physical contact, involving transfer under pressure between surfaces—a direct touch that can evoke multiple forms of intimacy. And yet it is simu…
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Jasiri X and Kerry James Marshall’s "Untitled (Man)"
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Hip-hop artist Jasiri X looks at Kerry James Marshall’s woodcut almost like he’s looking into a mirror. It captures the experience of a Black man: resilient but restrained from being his authentic self. Jasiri responds to the work through two songs that reflect on his internal struggle. Find full transcripts and more information about this episode …
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Vijay Iyer and I.M. Pei’s "National Gallery of Art, East Building"
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Composer-pianist Vijay Iyer describes the East Building as a work of art that does what music does: invites you in—to inhabit, explore, and be among others. He responds with pieces that balance pattern and structure with leaving room to wander. Find full transcripts and more information about this episode at Find full transcripts and more informati…
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Kamala Sankaram and Mark Rothko’s "Untitled"
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When her sister was dying, composer Kamala Sankaram was drawn to Mark Rothko’s painting: it both captured her grief and calmed her. That experience influenced Sankaram’s approach to creating a musical score, which she shares in this episode. Find full transcripts and more information about this episode at https://www.nga.gov/music-programs/podcasts…
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Emily Wells and David Wojnarowicz’s "Untitled (Falling Buffalos)"
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Composer/producer Emily Wells sees us as the buffalo: frozen before downfall, but still alive—which is why she includes so much breath in her song. Wells, whose work deals with the climate crisis, looks to David Wojnarowicz’s AIDS activism for lessons. Find full transcripts and more information about this episode at https://www.nga.gov/music-progra…
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Diamonstein-Spielvogel Lecture Series: Stanley Nelson and Marcia Smith
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Stanley Nelson, documentary filmmaker and cofounder, Firelight Media, and Marcia Smith, writer, film producer, president and cofounder, Firelight Media In 2000, Stanley Nelson and Marcia Smith founded Firelight Media, a nonprofit production company dedicated to using historical film to advance contemporary social justice causes. Through initiatives…
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Hosted by musician and journalist Celeste Headlee, each episode focuses on a work of art in the National Gallery’s collection. Learn about the work and its context and hear a musician respond to that work through sound, creating a dialogue between visual art and music. Sound Thoughts on Art tells the stories of how we experience art and how it conn…
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Arnold Newman Lecture Series on Photography: Teju Cole and Fazal Sheikh
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Teju Cole, artist, curator, novelist, photography critic for New York Times Magazine (2015–2019), and Gore Vidal Professor of the Practice of Creative Writing, Harvard University, in conversation with Fazal Sheikh, artist and Artist-in-Residence at the Princeton Environmental Institute, Princeton University Teju Cole was born in the United States i…
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“the artifice of justice” A Conversation with Reginald D. Betts, Candice C. Jones, and Richard Ross
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Reginald Dwayne Betts- poet and PhD in Law candidate, Yale Law School; Candice C. Jones, president and CEO, Public Welfare Foundation of Washington, DC; Richard Ross, artist and Distinguished Research Professor of Art at the University of California, Santa Barbara In a previously recorded conversation, artist Richard Ross; Candice C. Jones, preside…
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Elson Lecture Series 2020: Mary Kelly
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Mary Kelly, artist and Judge Widney Professor in the Roski School of Art and Design, University of Southern California, in conversation with Shelley Langdale, curator and head of modern prints and drawings, National Gallery of Art. Mary Kelly is a conceptual artist and writer who lives and works in Los Angeles. For four decades she has explored ide…
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Rajiv Vaidya Memorial Lecture 2020: Julie Dash and the L.A. Rebellion: Architects of the Impossible
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American film director, writer, and producer Julie Dash is a member of the L.A. Rebellion, a generation of African and African American artists who studied at the UCLA School of Theater, Film and Television from the late 1960s to the late 1980s. These young filmmakers crafted a new Black cinema—an alternative to the classical Hollywood canon. Dash …
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The Sydney J. Freedberg Lecture on Italian Art 2020: Telling the Past Differently: Italian Renaissance Art in the Hands of the Beholder
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In this lecture, released on October 30, 2020, Megan Holmes of the University of Michigan discusses the handled surfaces of panel paintings. Collections of Italian Renaissance panel paintings were in many cases assembled through a process of connoisseurial evaluation. The National Gallery of Art collection is no exception: a number of the paintings…
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Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: David Bomford on Édouard Manet’s The Railway (1873)
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David Bomford (former conservation chair, Museum of Fine Arts, Houston, and 2018 Edmond J. Safra Visiting Professor at the National Gallery of Art) discusses the importance of Édouard Manet’s The Railway (1873), painted at a pivotal moment both in the artist’s life and for the city of Paris. Identifying the setting and the sitters in the painting a…
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John Wilmerding Symposium 2020, A Tribute to David C. Driskell: Part 6, Artist Conversation
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Introductory remarks by Kaywin Feldman, director of the National Gallery of Art, and Lonnie G. Bunch III, secretary of the Smithsonian Institution; conversation with artists Lyle Ashton Harris, Curlee Raven Holton, Keith Morrison, Mary Lovelace O’Neal, Jefferson Pinder, Frank Stewart, and Carrie Mae Weems, moderated by Sarah Workneh, codirector of …
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2020 Summer Lecture Series: Staycation: Modern Masters of the French Riviera
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David Gariff, senior lecturer, National Gallery of Art The 2020 summer series of lectures presented by the education division explores the theme of Staycation. Many of us may be spending this summer close to home, but we can still dream and learn about beautiful places. In these talks, Gallery lecturers will present a tour of six of the world’s gre…
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2020 Summer Lecture Series: Staycation: Milan: A Tale of Two Cities
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David Gariff, senior lecturer, National Gallery of Art. The 2020 summer series of lectures presented by the education division explores the theme of Staycation. Many of us may be spending this summer close to home, but we can still dream and learn about beautiful places. In these talks, Gallery lecturers will present a tour of six of the world’s gr…
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