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SMT-Pod

Society for Music Theory

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Check out our website: www.smt-pod.org SMT-Pod is a creative venue for timely conversations about music, with episodes chosen through an open, collaborative peer review process. Audio-only podcasts offer a unique—though non-traditional—way of engaging with music, analysis, and contemporary issues in the field. This new publication medium affords our society both the ability to face outwards, by engaging in public scholarship, and inwards, by hosting meaningful conversations about the activit ...
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Sondro the gamer

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Hi I'm sondro Myers I'm 12 years old I'm going to be a podcast and radio speaker don't worry my channel is going to be family friendly it's for all ages welcome to SMTV FOR ALL AGES love y'all PEACE!
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Welcome to the SMT Marketing Podcast, we are glad you are here. This is a podcast for business owners and entrepreneurs of Stage 2 companies who want to improve their marketing and sales. The topics we cover are either questions we are asked, issues we've faced or helpful things to know when running a business. We encourage questions from the audience.
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This is the final episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert ask students to improvise classical phrase continuations that modulation to the dominant, drawing on basic musical instincts about phrase leng…
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This is the fourth episode in Alex Jonker and Peter Schubert’s five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a Renaissance first-species canon with Peter, teaching them to listen, think, and sing all at the same time in a simple di…
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This is the first episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert invite students to improvise doo-wop songs which take place in a simple harmonic context while offering a lot of freedom, and a lot of fun! Th…
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This is the second episode in Alex Jonker and Peter Schubert’s five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a melody over a longer ground bass progression, now in a standard common practice harmonic context including some chromati…
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This is the third episode in Alex Jonker and Peter Schubert’s five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. This episode is the only one in the series where the improvisation uses notation, asking students to harmonize a chant melody with a very limited set of rules …
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In this week's episode, Craig Peaslee reimagines formal music theory analysis and takes the listener to the arena of competitive music performance through the lens of a radio sportscast. This episode was produced by Zach Lloyd along with Team Lead Evan Ware. Special thanks to peer reviewers Nate Mitchell and John Heilig. Additional thanks to Indigo…
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In this week's episode, Audrey Slote guides listeners through an analysis of “Mandorla Island” from Nicole Mitchell’s experimental jazz album Mandorla Awakening II from 2017. This episode centers Mitchell’s own Afrofuturist, feminist writings as its primary music-theoretical framework and illuminates how such theorizing productively challenges cano…
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In this episode, Mark Micchelli examines the relationship between music theory and creative practice via a firsthand exploration of the formal structure of Cecil Taylor’s solo piano improvisations. This episode was produced by Jason Jedlicka along with Team Lead Matthew Ferrandino. Special thanks to peer reviewers Chris Stover and John Heilig. SMT-…
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In this week's episode, Daniel Ketter presents an essential voice analysis arrangement of J. S. Bach’s fugue for solo cello. It traces the composer’s solution to weaving a four-part fugal texture with nearly no chords or double stops through inventive combinations of a subject and countersubject. This episode was produced by Jason Jedlicka along wi…
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In this episode, Samantha Sasaki analyzes three bagpipe performances of “Auld Lang Syne” in Hong Kong in order to uncover why this instrument has retained cultural and political significance in the 27 years post-Handover. This episode was produced by Jose Garza along with Team Lead John Heilig. Special thanks to peer reviewers Larry Witzleben and J…
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Brad Osborn talks about the emergence of the major III chord in post-millennial pop music, and how this chromatic chord forms loops that contain elements of both major and minor keys. This episode was produced by Amy Hatch along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Bryn Hughes and Evan Ware. Additional acknowledgements…
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In this week's episode, Jason analyzes the second and third movements of Henryk Górecki’s Symphony No. 3, performing a close reading of the music from a broadened, newer perspective of voice. This episode was produced by Katrina Roush along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Kristen Wallentinsen and Evan Ware. SMT-Pod…
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In this week's episode, Lydia Bangura analyses her own performance choices in comparison to a professional recording using Jennifer Ronyak’s framework of co-performance. This episode was produced by Zach Lloyd along with Team Lead Megan Lyons. Special thanks to peer reviewers Shersten Johnson and Daniel Barolsky. Additional thanks to David Kjar, Ma…
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In this episode, Olivia Lucas and Mazbou Q discuss ways to use techniques from hip hop to build skills in the music theory and aural skills classroom. This episode was produced by Jose Garza along with Team Lead Jennifer Weaver. Special thanks to peer reviewers Leah Frederick and Danny Jenkins. SMT-Pod’s theme music was written by Maria Tartaglia, …
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In this week’s episode, Anna Stephan-Robinson examines Katherine Ruth Heyman's 1920 song, "Tortie-Tortue," considering how the unjustly neglected composer's subtle changes transform a simple poem into a brief but compelling musical drama. This episode was produced by Zach Lloyd along with Team Lead Leah Frederick. Special thanks to peer reviewers H…
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In this week’s episode, Joon Park presents an interpretive strategy for melodic closure that occurs at the start of a song, which he terms a "terminal opening." This episode was produced by Jose Garza along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Cara Stroud and Shersten Johnson. SMT-Pod’s theme music was written by Maria …
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In this week’s episode, Leah Amarosa explores the unique structural and textural features of contemporary worship music, demonstrating how its formal processes are shaped to enhance spiritual and communal engagement. This episode was produced by Katrina Roush along with Team Lead Matthew Ferrandino. Special thanks to peer reviewers Joshua Busman an…
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In this week’s episode, Zach Lloyd and John Combs demonstrate a need for a broader definition of reprise in musical theater by examining reprises in two contrasting versions of Shrek the Musical, the original 2008 Broadway production, and the recently revised 2024 National Tour. This episode was produced by Zachary Lloyd along with Team Lead Jennif…
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In this week's episode, Stefanie Bilidas and Grace Gollmar discuss the role of timbre in the listener's perception of genre, focusing on cover songs and Massive Attack's discography as two case studies. This episode was produced by Jose Garza along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. …
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In this week's episode, Brent Ferguson talks about a pedagogical approach he implemented with his undergraduate students, an approach he calls the "buffet-style grading system." Let's begin with a student composition from this class. This episode was produced by Jennifer Beavers along with Team Lead Lydia Bangura. SMT-Pod Theme music by Zhangcheng …
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In this week's episode, Jeremy Orosz discusses a formal trend that's been emerging in pop and rock songs. In the last decade or so, a surprisingly high number of songs in verse-chorus form contain only two statements of the chorus as opposed to the typical three. Over the course of the episode, Orosz walks us through his detailed corpus-based study…
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In this week’s episode, Tori Vilches delves into various adaptations of the Italian folk song “Bella Ciao” in Netflix’s La Casa de Papel, demonstrating its role in symbolizing resistance against oppressive structures and contributing to the humanization of the show’s anti-hero characters, ultimately fostering emotional connections between viewers a…
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This week’s episode will consider The 5th Dimension’s medley, “Age of Aquarius/Let the Sunshine In” (1969) in relation to its Vietnam War Era context and through the lens of Afrofuturism. This episode was produced by David Thurmaier along with Team Lead Richard Desinord. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For …
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In this week’s episode, game designer Brent Ferguson and composers George Reid and Matthew Ferrandino discuss their chiptune rearrangements of canonical and marginalized composers’ music for the Bardcore video game project. This episode was produced by Zach Lloyd along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "…
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In this week’s episode, Thomas B. Yee discusses non-octave repeating scales, exploring precedents in the ideas of theorists from outside mainstream music theory and the application of non-octave repeating scales in the works of living composers. This episode was produced by Katrina Roush along with Team Lead Jennifer Weavers. Special thanks to Crai…
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