“In Japan, there were many models to study from. During the short time I practiced with him, I had been impressed with the younger Egami’s style and presence. His was the most artistic approach to teaching I had yet encountered and it struck a chord in me. But the most common and striking feature of the Japanese teaching style was its depth; the in…

David interviews Connie Borden, Shintaido instructor and advance practice nurse with 28 years’ experience in hospice and palliative care. Connie has led a Bay Area nonprofit hospice as Executive Director and worked on inpatient services as a Palliative Consultant. She has presented Cycle of Life, the use of movement for life review at the first and…

Have you ever been in a safe, but nonetheless terrifying situation, comforting a friend who is even more neurotic and terrified than you are, only to find that by going through this together, you form a lasting bond with each other? Michael Thompson’s autobiography, Untying Knots, is full of such episodes of existential unfolding, some disturbing, …

Musician Amanda Palmer joins us for Episode 10 of the 2nd season of the podcast. With Brian Viglione she forms one half of the punk cabaret duo the Dresden Dolls, while in her solo career she is not only a songwriter, ukulele enthusiast, feminist, abortion rights activist, TED Talks superstar, and patron saint to every crowdfunded artist; she’s als…

Have you ever lost your temper, gone into a rage, and through that discovered something about yourself that might bring you peace? Michael Thompson’s autobiography, Untying Knots, is full of such episodes, rendered with quiet dry wit and honesty. In this episode, Shintaido instructor David Franklin reads Chapters 11 and 12.…

We interview David Palmer, known as “the father of seated massage” and founder of the TouchPro organization. After a stint as director of the Amma Institute, the first school in the U.S.A. devoted to this traditional style of Japanese massage, David started developing techniques for massage with clients seated in a chair rather than lying on a tabl…

In Chapter 9 of his autobiography Untying Knots, Michael Thompson describes how he first introduced Shintaido in the US at Hobart and William Smith Colleges in Geneva, New York, but then returned to Japan to deepen his practice. In Chapter 10, Michael and Haruyoshi Ito formally establish Shintaido in California and together begin to confront the ch…

In Episode 6 you'll hear chapters 7 and 8 of Michael Thompson’s autobiography, Untying Knots: A Shintaido Chronicle. In Chapter 7 Michael describes the car accident that dramatically ended his study with his first Shintaido teacher Marc Bassis in France — and in Chapter 8, we’ll hear about the unexpected personality conflicts that occurred when a g…

Episode 5 of Season 2 features Chapters 5 and 6 of Untying Knots: a Shintaido Chronicle, master Shintaido instructor Michael Thompson’s autobiographical essay. In Chapter 5, he describes his first meeting with Hiroyuki Aoki, the founder of this unique movement art, in France – and in Chapter 6, Micheal travels to Japan for the first time.…

In Episode 4, David interviews Shintaido instructor and interactive media developer Brad Larson. Brad has worked at the M.I.T. Media Lab as well as the Boston Children’s Museum, and has worked on exhibitions at the Smithsonian’s Zoo and the American Museum of Natural History, among others. You’ll hear about his first impressions of Shintaido practi…

Episode 3 of Season 2 includes Chapters 3 and 4 of Untying Knots: a Shintaido Chronicle, master Shintaido instructor Michael Thompson’s autobiographical essay. In this episode, Michael encounters Shintaido for the first time and starts practicing under the tutelage of former European karate champion Marc Bassis. He faces not only the physical chall…

Episode Two Season Two includes an interview with renowned conductor Kent Nagano, who discusses the leadership skills needed to conduct an orchestra and their application to other aspects of life. He also describes the time he invited master Shintaido instructor H.F. to lead his orchestra in a Shintaido practice during their rehearsal in the concer…

In the first episode of Season Two, you'll hear a reading from Untying Knots by master Shintaido instructor Michael Thompson and an interview with artist and Shintaido practitioner Mario Uribe. While Micheal sets the scene for his first encounter with Shintaido in France in the early 1970s, Mario discusses his education as an artist/activist and hi…

In Season Two of the podcast, we will read from the book Untying Knots: A Shintaido Chronicle by the co-founder of Shintaido of America, Michael Thompson. By reading from this book, we wish to celebrate Michael´s contribution to the Shintaido community and his 85th birthday. Each month will have a reading from the book and later in the month will b…

“Creativity is not the exclusive province of artists and artistic expression. If we stop the automatic acts of daily life, surrendering yesterday’s happenings and separating ourselves from the old self of one day ago, through an act of our will, we will discover a new life of continuing satori, or many small enlightenments…” With these words, Aoki …

Teaching and learning — sharing knowledge as opposed to mere information — is a profound process that changes the lives of the individuals involved. The types of social relationships that exist in Japan — Shintaido’s country of origin — are different than those in the USA or Europe. Logically, this has a powerful impact on how we understand the tea…

Imagine that in creating Shintaido, expert martial artists were asked to commit themselves fully to a partner exercise -- in Japanese "kumite" -- that was nothing like "sparring," that was completely outside the norms and standard practices of any traditional martial art. Aoki describes Hikari to Tawamureru, meaning "playing with light" like this: …

Imagine that you are being invited to join a series of trainings or practices that are described like this: People joining this training have to put their house in order before each practice, as if they might not return. Our purpose is to discover our physical limits and the threshold of the unknown world which begins at the end of our psychologica…

Episode 10 describes the creation of Tenshingoso, the foundational kata (a sequence of movements) of Shintaido, which Aoki calls “an embodiment of the hidden cosmic breath.” Aoki intended that the kata should be “…an embodiment and expression of the common Tao of many different disciplines, [which] simulates the cycle of a human life and even the r…

Episode 9 focuses on Aoki’s research into what constitutes truly natural movement. He identifies qualities of movement common to master craftsmen, babies, and ancient Buddhist statues and describes how he used these observations as criteria for testing the naturalness and effectiveness of many traditional martial arts techniques. This led to the si…

Aoki criticizes the many 20th-century martial artists who cooperated with the Japanese government during World War II, and finds clues in his own experience of karate clubs where “…the philosophy is very lofty, but the actual practice borders on sadism.” He questions whether many martial arts suffer from “a divorce between spiritual explanation and…

If ancient movement arts—if we widen our focus beyond martial arts to include, for example, traditional Japanese Noh theater or tea ceremony—if these ways of movement are not just “museum pieces” but are still relevant for us today as contemporary, living systems of physical training; then we might ask if they should be not just revived or preserve…

“The sword technique of Hariyaga Sekiun: expanding time, space, and energy.” Sekiun’s approach, influenced by Zen, was to strip away occult practices and pre-conceived responses to an attack. Rather than winning, his school emphasized unification with one’s opponent at the instant just before the start of the fight, a moment called ainuke, which Ao…

“The martial arts and the history of the evolution of consciousness.” It traces developments through the history of ancient Japanese martial arts from the simplest weapons to the peak classical achievements of the 16th century, after which a dramatic change was spurred by the introduction of the rifle on the battlefields of medieval Japan. From the…

Imagine that you are watching a group of dancers, or martial artists, moving in synchronization, the group naturally breathing as one, timing synchronized to the microsecond, but not with military rigidity — they are moving with the naturalness and grace a school of fish or a flock of birds. The scene shifts to a classical orchestra, each section a…

Before Shintaido was created decades ago, its founder, Hiroyuki Aoki, was a young student of drama and visual art. It was only by accident — when his acting teacher suggested that he should study karate to improve his acting skills — that he met karate master Shigeru Egami. Aoki’s artistic approach to body movement gave impetus to the discipline th…

“As a mood or feeling, Shintaido is more religious and artistic than scientific. It is more emotional and primitive than rational,” writes Shintaido’s founder, Hiroyuki Aoki. “It involves cooperation more than competition in its movements. But it is cooperation that emphasizes individual expression, rather than passive group enjoyment.… Shintaido c…

Welcome to Shintaido of America podcast! Shintaido is a unique combination of martial arts and body movement that cultivates the spirit along with the mind and body. It has been called a moving meditation. In Japanese, Shintaido means “new body way.” Shintaido’s forms exemplify openness and freedom. The movements of Shintaido provide a new way of e…

Hiroyuki Aoki, the founder of Shintaido, has been called a “pioneer,” and the discipline he created with the Rakutenkai group in the 1960s has been called “an avant-garde martial art.” As children, Aoki and members of the group experienced the bombing of Japan during World War Two, and many lost family members to the atomic bomb. But even as the te…