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Inhalt bereitgestellt von Voices From The Frontlines and Eric Mann. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Voices From The Frontlines and Eric Mann oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
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Voices Radio: Oppenheimer—How U.S. built the Atom Bomb to terrorize the world

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Manage episode 372919933 series 2545798
Inhalt bereitgestellt von Voices From The Frontlines and Eric Mann. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Voices From The Frontlines and Eric Mann oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Tuesday August 1st, 2023 | 8 AM PST LIVE IN STUDIO with Eric Mann, Channing Martinez, and Akunna Uka on Oppenheimer—How U.S. built the Atom Bomb to terrorize the world by Eric Mann Hello Voices listeners! This week on Voices from the Frontlines, Channing Martinez, Akunna Uka, and Eric Mann in studio to discuss Eric’s major film review and political commentary on the film Oppenheimer. It will be appearing in CounterPunch.org on August 13s, 2023; the great national and international online anti-imperialist zine. Channing and Akunna will talk about things they learned and thought about Eric’s article, read passages, and the 3 of them/us will have a conversation about the life of Robert Oppenheimer, film-maker Christopher Nolan, lead actor Cillian Murphy, and the people of Hiroshima and Nagasaki whose lives were obliterated by the U.S. atom bomb and sadly, erased in Nolan’s Oppenheimer as well. From the Article: This essay is an interrogation of the history of the times. It is a political rebuttal to the central historical distortion of the film—Christopher Nolan’s conscious choice to erase the central objective of the Nuclear program— to build a weapon of terror to be used against the Soviet Union. So, I want to as much as possible, appreciate the film’s political contribution to the historical discussion and its spectacular success as political theater. But in the end, it humanizes Robert Oppenheimer and dehumanizes the 220,000 Japanese civilians who were instantly killed upon the explosions at Hiroshima and Nagasaki.
  continue reading

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Manage episode 372919933 series 2545798
Inhalt bereitgestellt von Voices From The Frontlines and Eric Mann. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Voices From The Frontlines and Eric Mann oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Tuesday August 1st, 2023 | 8 AM PST LIVE IN STUDIO with Eric Mann, Channing Martinez, and Akunna Uka on Oppenheimer—How U.S. built the Atom Bomb to terrorize the world by Eric Mann Hello Voices listeners! This week on Voices from the Frontlines, Channing Martinez, Akunna Uka, and Eric Mann in studio to discuss Eric’s major film review and political commentary on the film Oppenheimer. It will be appearing in CounterPunch.org on August 13s, 2023; the great national and international online anti-imperialist zine. Channing and Akunna will talk about things they learned and thought about Eric’s article, read passages, and the 3 of them/us will have a conversation about the life of Robert Oppenheimer, film-maker Christopher Nolan, lead actor Cillian Murphy, and the people of Hiroshima and Nagasaki whose lives were obliterated by the U.S. atom bomb and sadly, erased in Nolan’s Oppenheimer as well. From the Article: This essay is an interrogation of the history of the times. It is a political rebuttal to the central historical distortion of the film—Christopher Nolan’s conscious choice to erase the central objective of the Nuclear program— to build a weapon of terror to be used against the Soviet Union. So, I want to as much as possible, appreciate the film’s political contribution to the historical discussion and its spectacular success as political theater. But in the end, it humanizes Robert Oppenheimer and dehumanizes the 220,000 Japanese civilians who were instantly killed upon the explosions at Hiroshima and Nagasaki.
  continue reading

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