Every creative work you’ve ever loved has a hero’s journey behind it. On Spark & Fire, you'll hear creators tell the story of bringing one beloved work to life. Iconic creatives — like Wicked composer Stephen Schwartz, Pixar director Domee Shi, comedian Patton Oswald, musician Wynton Marsalis, and novelist Isabel Allende — share the endless iterations, the inevitable setbacks, and the breakthrough ideas along the epic process of creation. But this isn’t an interview show. It’s a story — told ...
…
continue reading
Inhalt bereitgestellt von Radio Rackham. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Radio Rackham oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Player FM - Podcast-App
Gehen Sie mit der App Player FM offline!
Gehen Sie mit der App Player FM offline!
Interview: Alan Davis
MP3•Episode-Home
Manage episode 420476731 series 3305093
Inhalt bereitgestellt von Radio Rackham. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Radio Rackham oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Alan Davis is one of the most consistent artists in the business. More than five decades into his career, the English cartoonist has worked with some of the biggest names in comics, among them Alan Moore and Chris Claremont, and drawn some of the most beloved characters, from Batman to the X-Men. Radio Rackham’s Matthias Wivel caught up with him at the Copenhagen Comics Festival for a chat about his work and career. We discuss his beginnings on the British comics scene, notably his work with Moore and others on Captain Britain (1981-85), Dr & Quinch and Marvelman (1982-83). Davis brings to life that heady, innovative time of youthful enthusiasm and describes how much of it descended into ‘farce’ because of personality clashes. Among the highlights of Davis’s career in the United States, we have the story of how an editorial mandate over how to drawn Batman’s gun caused him to quit the lucrative Batman: Year 2 (1986) after one issue. We hear how Claremont is “the most creative person” Davis ever worked with and he is mystified by our report that their joint work,Excalibur (1988-93), has become a something of a cult classic for its queer undertones and general horniness. We also discuss series such as ClanDestine (1994-95) , JLA: The Nail (1998) and Fantastic Four: The End (2007), all high points in Davis’s career as a writer-artist. Overall, it is a portrait of a jobbing artist in the old school tradition, proud of his speed and ability to deliver on time, meek and drily humorous.
…
continue reading
98 Episoden
MP3•Episode-Home
Manage episode 420476731 series 3305093
Inhalt bereitgestellt von Radio Rackham. Alle Podcast-Inhalte, einschließlich Episoden, Grafiken und Podcast-Beschreibungen, werden direkt von Radio Rackham oder seinem Podcast-Plattformpartner hochgeladen und bereitgestellt. Wenn Sie glauben, dass jemand Ihr urheberrechtlich geschütztes Werk ohne Ihre Erlaubnis nutzt, können Sie dem hier beschriebenen Verfahren folgen https://de.player.fm/legal.
Alan Davis is one of the most consistent artists in the business. More than five decades into his career, the English cartoonist has worked with some of the biggest names in comics, among them Alan Moore and Chris Claremont, and drawn some of the most beloved characters, from Batman to the X-Men. Radio Rackham’s Matthias Wivel caught up with him at the Copenhagen Comics Festival for a chat about his work and career. We discuss his beginnings on the British comics scene, notably his work with Moore and others on Captain Britain (1981-85), Dr & Quinch and Marvelman (1982-83). Davis brings to life that heady, innovative time of youthful enthusiasm and describes how much of it descended into ‘farce’ because of personality clashes. Among the highlights of Davis’s career in the United States, we have the story of how an editorial mandate over how to drawn Batman’s gun caused him to quit the lucrative Batman: Year 2 (1986) after one issue. We hear how Claremont is “the most creative person” Davis ever worked with and he is mystified by our report that their joint work,Excalibur (1988-93), has become a something of a cult classic for its queer undertones and general horniness. We also discuss series such as ClanDestine (1994-95) , JLA: The Nail (1998) and Fantastic Four: The End (2007), all high points in Davis’s career as a writer-artist. Overall, it is a portrait of a jobbing artist in the old school tradition, proud of his speed and ability to deliver on time, meek and drily humorous.
…
continue reading
98 Episoden
所有剧集
×Willkommen auf Player FM!
Player FM scannt gerade das Web nach Podcasts mit hoher Qualität, die du genießen kannst. Es ist die beste Podcast-App und funktioniert auf Android, iPhone und im Web. Melde dich an, um Abos geräteübergreifend zu synchronisieren.